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Reprint of the original, first published in 1873.
From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s shifting sociopolitical contexts and the different agendas, technologies, and aesthetics that have helped define its arts. At the center of the book is a large question: how has photography represented China and its people, its collective history and memory as well as the diversity of Chinese artists who have striven for creative expression? To address this question, the author offers an in-depth study of selected photographers, themes, and movements in Chinese photography from 1860 to the present, covering a wide range of genres, including portraiture, photojournalism, architectural and landscape photography, and conceptual photography. Beautifully illustrated, this book offers a multifaceted and in-depth analysis of an important photographic history.
Introduction / Stephanie H. Tung and Karina H. Corrigan -- China's nineteenth century : a snapshot / Mark Elliott -- The coolie, the corpse, and the crowd : Felice Beato and the ethics of war photography / Stephanie H. Tung -- The making and marketing of photography in nineteenth-century China / Stephanie H. Tung, Bing Wang, and Karina H. Corrigan -- Collecting China : PEM'S early patrons of Chinese photography / Karina H. Corrigan -- How do we know a faraway place? : China in early photography / Roberta Wue -- Photography and its worlds / Yi Gu.
This book is a collection of translations from Old Photos, a Chinese bimonthly publication launched in 1996 that presents photographs and narratives from ordinary readers and professional historians in a manner that proclaims: this is our history, not the history those above would have us believe. The magazine was concerned with the everyday lives of ordinary people while also covering the momentous, often traumatic, political life of the People's Republic. It became clear it would also serve as a forum and archive for people's experiences and reflections about life in the People's Republic. Old Photos presented an open format where readers' contributions were published alongside that of professional writers, historians', and novelists.
The Beijing Olympics focused the world's eyes on China. But despite increased tourism and rampant foreign investment, the cultural distance between China and the West remains as vast as the oceans that separate them. The Middle Kingdom is still relatively unknown by Westerners. China is in fact made up of 33 distinct regions populated by 56 ethnic groups -- and photojournalist Tom Carter has visited them all. This little book is a visual tribute to the People's Republic of China, with an ardent emphasis on the People.
The flourishing of photography as a medium in the mid-19th century coincided with a rise in curiosity about China on the part of the Western world. As the number of foreigners living and traveling in China increased, early photographs of China were taken by and for an international audience. Among the Celestials assembles 250 fascinating images of China in the second half of the 19th century and first half of the 20th, captured by the Western camera lens. The photographs portray the gritty side of the country as well as stunning views of palaces, temples, harbors, and gardens. This juxtaposition of the sordid and the serene provides a multidimensional picture of China's physical and social landscape before Mao Zedong's ascent to power changed the country forever. The photographs, many published here for the first time, are both beautiful and moving, and together offer a new understanding of a social and cultural history associated with a time of significant historical change. Distributed for Mercatorfonds