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This collection, Children’s Stories From Old British Legends, by M. Dorothy Belgrave and Hilda Hart, and edited by Capt. E Vredenburg – contains ten full-colour plates by Harry G. Theaker, as well as black-and-white illustrations throughout. It includes the folkloric tales of ‘The Champion’s Portion’, ‘The Token’, ‘The Tyrant of the Isles’, ‘The Prince of Dyfed’, and ‘The Loathly Lady and the Gallant Knight’. As stated in the preface, of these old stories of times gone by, they are ‘served up in a form enchanting to behold, with beautiful pictures as an accompaniment to delight us, and make us marvel at the doings and imaginings of those who dwelt in these beautiful lands long before you and I came to live upon the earth.’ Presented alongside the text, Theaker’s enchanting creations serve to further refine and enhance the classic British storytelling – making this a book to be enjoyed and appreciated, by both young and old alike. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors.
This book is a wonderful collection of stories and poems from various authors illustrated by Hilda Cowham. Many of the earliest children's books, particularly those dating back to the 1850s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality editions, using the original text and artwork so these works can delight another generation of children.
Wondrous Deeds of Bygone Days – Illustrated by Harry Theaker is written by M. Dorothy Belgrave and Hilda Hart. This book contains a beautiful collection of short stories and legends from England, Ireland, Wales and Scotland. Harry G. Theaker (1873 – 1954) was a British illustrator, painter, designer, and decorator for pottery. Born in Wolstanton, Staffordshire, he was the son of George Theaker whom was headmaster of the School of Art in Burslem from 1869-94 and designer for pottery. Theaker was also best known as a successful illustrator, particularly of children’s books. His first known published works date from about 1911, and most of his further illustrations date from the 1920’s and 1930’s. These include works such as; The Ingoldsby Legends, Children’s Stories from The Arabian Nights, The Water Babies, and Grimm’s Fairy Tales. Theaker also made hand-coloured plates from Sir John Tenniel’s original illustrations to Alice in Wonderland and Alice Through the Looking Glass for editions published between 1911 and 1930.
Knights and ladies, giants and dragons, tournaments, battles, quests and crusades are commonplace in stories for children. This book examines how late Victorians and Edwardians retold medieval narratives of chivalry--epics, romances, sagas, legends and ballads. Stories of Beowulf, Arthur, Gawain, St. George, Roland, Robin Hood and many more thrilled and instructed children, and encouraged adult reading. Lavish volumes and schoolbooks of the era featured illustrated texts, many by major artists. Children's books, an essential part of Edwardian publishing, were disseminated throughout the English-speaking world. Many are being reprinted today. This book examines related contexts of Medievalism expressed in painting, architecture, music and public celebrations, and the works of major authors, including Sir Walter Scott, Tennyson, Longfellow and William Morris. The book explores national identity expressed through literature, ideals of honor and valor in the years before World War I, and how childhood reading influenced 20th-century writers as diverse as C. S. Lewis, J. R. R. Tolkien, Siegfried Sassoon, David Jones, Graham Greene, Ian Fleming and John Le Carre.
Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada