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Based on personal memories of his life in Ireland and Scotland in the early 1900s, this was Patrick MacGill's first novel. It tells the story of Dermod Flynn an independent and feisty youth who earns a meagre living as an itinerant farm hand in Donegal and County Tyrone before coming to Scotland with a potato-picking squad. After living on the road, labouring and navvying, Dermod finds work on the hydro-electric scheme at Kinlochleven –an extraordinarily brutal and unforgiving environment where hundreds died on one of the biggest engineering projects of its time. Against this background, Dermod reads voraciously, begins to discover his talent as a writer and is eventually lured to Fleet Street, where he briefly becomes a journalist. Peopled with extraordinary characters, Children of the Dead End is a gritty and uncompromising expose of the near slavery endured by the poor in Scotland and Ireland at the beginning of the twentieth century.
From a rising novelist in the tradition of Stephen King comes a chilling novel of genetic experimentation and bloodshed wrought under the guise of salvation. When a series of murders brings together an ex-San Diego police officer and a biomedical research writer, they discover a horrific plot to use genetically engineered creatures for selective population control.
In the Retro Hugo Award–nominated novel that inspired the Syfy miniseries, alien invaders bring peace to Earth—at a grave price: “A first-rate tour de force” (The New York Times). In the near future, enormous silver spaceships appear without warning over mankind’s largest cities. They belong to the Overlords, an alien race far superior to humanity in technological development. Their purpose is to dominate Earth. Their demands, however, are surprisingly benevolent: end war, poverty, and cruelty. Their presence, rather than signaling the end of humanity, ushers in a golden age . . . or so it seems. Without conflict, human culture and progress stagnate. As the years pass, it becomes clear that the Overlords have a hidden agenda for the evolution of the human race that may not be as benevolent as it seems. “Frighteningly logical, believable, and grimly prophetic . . . Clarke is a master.” —Los Angeles Times
"Plenty of crowd-pleasing death and destruction...Schumacher wraps up her story with a literal bang." --Booklist Seven signs warned them. Now it’s time for Carbon County to fight back. In End Times, Daphne lost herself in love with Owen, only to discover the dark secret that puts Carbon County at ground zero for the end of days. . . . All thirteen of the Children of Earth have arrived and taken root in town. Together at last, they can perform the series of rituals necessary to awaken their father, a wrathful entity known as the God of the Earth. Daphne protects their identities from Pastor Ted and the God-fearing locals out of love and allegiance to Owen. But when people start disappearing from town and Daphne begins receiving visions from God, her allegiance—and even her love—is brought into question in this astonishing companion novel to End Times.
A timely message of hope and comfort, this stunning picture book is the perfect treasure to share with anyone trying to navigate these uncertain times—or any life transition! Starting a book at the end may seem confusing. But the end of one thing is just the beginning of something new in this innovative and heartfelt book from #1 New York Times bestselling author Mike Bender. Accompanied by beautiful and inspiring illustrations by Diana Mayo, this story is ideal for helping kids understand how to meet life’s challenges with optimism and hope. A wonderful gift for all ages.
"Fertility rates have fallen dramatically around the world. In some countries, there are no longer enough children being born to replace adult populations. The disappearance of children is a matter of concern matched only by fears that childhood is becoming too structured or not structured enough, too short or too long, or just simply too different from the idealized childhoods of the past.
“And so the story went for the house at the end of the lane. It fed on death and greed and misery. Houses are built to protect what lives within their walls, but if the wrong people are in charge of building those walls, or if the wrong circumstances take place inside them, then houses can grow cruel and dark, like a human can. With too much abuse and neglect, a house can even grow evil.” Philip Moraley has it all. The perfect spouse, Abagail. The perfect children, Phillipina, Thomas, and James. All safely nestled inside of the perfect house; until his cousin, Joanna Moraley, arrives for a Christmas visit that twists this fairytale estate into a gruesome nightmare. From its rebirth into darkness as a home for wayward pregnant girls, to its return to the folds of its founding family, generations have fed this House blood, despair, tears, and anguish. Its sights are now set on the latest household of Moraley’s as they cross the threshold into its malevolent clutches. Is their love strong enough to lead the House and its inhabitants back into the light?
For the first thirteen years of her life, Flor Edwards grew up in the Children of God. The group's nomadic existence was based on the belief that, as God's chosen people, they would be saved in the impending apocalypse that would envelop the rest of the world in 1993. Flor would be thirteen years old. The group's charismatic leader, Father David, kept the family on the move, from Los Angeles to Bangkok to Chicago, where they would eventually disband, leaving Flor to make sense of the foreign world of mainstream society around her. Apocalypse Child is a cathartic journey through Flor's memories of growing up within a group with unconventional views on education, religion, and sex. Whimsically referring to herself as a real life Kimmy Schmidt, Edwards's clear-eyed memoir is a story of survival in a childhood lived on the fringes.
Carbon County, Wyoming is like a current running through Daphne’s heart. When life gets too tough to bear in Detroit, Daphne flees to her Uncle Floyd’s home, where she believes she’ll find solace in the silent hills of her childhood summers. But Daphne’s Greyhound bus pulls over in downtown Carbon County and it’s not silence that welcomes her. It’s the sound of trumpets. Daphne’s desire to start again in simple country comfort is instantly dashed as the townsfolk declare that the End Times are here. And incredible occurrences soon support their belief. Daphne does all she can to keep her head down and ignore the signs. She works a job at the local oil rig, helps around the house, hangs out with her pregnant cousin Janie and gets to know Owen, a mysterious motocross racer and fellow roustabout at the rig. But soon a startling discovery shatters her resolve and calls into question all her doubts and fears. Daphne landed in Carbon County for a reason. She only has to read the signs—and believe.
How American childhood and parenting have changed from the nation's founding to the present The End of American Childhood takes a sweeping look at the history of American childhood and parenting, from the nation's founding to the present day. Renowned historian Paula Fass shows how, since the beginning of the American republic, independence, self-definition, and individual success have informed Americans' attitudes toward children. But as parents today hover over every detail of their children's lives, are the qualities that once made American childhood special still desired or possible? Placing the experiences of children and parents against the backdrop of social, political, and cultural shifts, Fass challenges Americans to reconnect with the beliefs that set the American understanding of childhood apart from the rest of the world. Fass examines how freer relationships between American children and parents transformed the national culture, altered generational relationships among immigrants, helped create a new science of child development, and promoted a revolution in modern schooling. She looks at the childhoods of icons including Margaret Mead and Ulysses S. Grant—who, as an eleven-year-old, was in charge of his father's fields and explored his rural Ohio countryside. Fass also features less well-known children like ten-year-old Rose Cohen, who worked in the drudgery of nineteenth-century factories. Bringing readers into the present, Fass argues that current American conditions and policies have made adolescence socially irrelevant and altered children's road to maturity, while parental oversight threatens children's competence and initiative. Showing how American parenting has been firmly linked to historical changes, The End of American Childhood considers what implications this might hold for the nation's future.