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Dale Chihuly is the most famous and influential artist working in glass today. A career-spanning biographical essay by curator Timothy Anglin Burgard and stunning colour photography of the works will captivate Chihuly's myriad fans - both old and new.
The Taos Pueblo Exhibition is the beginning of an exploration of the wonders of glass art. We began this trail of beauty with a guide, Dale Chihuly, who made this art his life, say the leaders of the Taos Pueblo. Dale Chihuly made his first trip to the Southwest in 1974. A year later, he was deeply affected by a museum collection of Navajo Blankets and began to experiment with simple, cylindrical forms, which became the Navajo Blanket Cylinders. Boasting ingeniously applied patterns of colourful glass threads, the series became an important milestone from which his art evolved. The most obvious influence of this early series is visible in the Soft Cylinders, more irregularly shaped and elaborately decorated than their predecessors. In another opportune encounter, Chihuly happened upon a pile of old Northwest Coast Indian hand-woven baskets that inspired him toward one of his most recognisable and innovative glass series, the Baskets. Thin-walled and nested inside each other, the Basket series exemplifies Chihuly's signature organic, free-form style.This vellum-covered book tells the visual story of Chihuly's Native American influences, coming full circle with the Taos Pueblo Exhibition. Includes the inspiring essay, 'Dale Chihuly and the Indian Connection' by Lloyd Kiva New, President of the Institute of American Indian Arts.
As we look back at a career over fifty years and counting, we realize that Dale Chihuly's five best- known series"€"the Baskets, Seaforms, Macchia, Persians, and the Venetians"€"which were created sequentially in rapid succession over a nine-year period from 1977 through 1986"€"were the ones that really defined his aesthetic and effected the most dramatic change in the centuries-old medium of glass. In recognition of the importance of these five series, Chihuly Workshop has chosen to reissue in this single-volume format, essays on these bodies of work that were initially part of a multi-volume edition published in 2009 and 2010. The texts have been updated slightly with some fresh observations about how this modern master continues to grow and refine his aesthetic and impact the art of today.
Dale Chihuly is arguably the best known glass artist in the world. Each title in the 'Chihuly Mini Book' series takes readers on a visual tour of Chihuly's work, exploring what makes each of his genres unique.
Artforum art critic Joan Seeman Robinson discusses Chihuly's most exquisite and ethereal series, invoking the spontaneous automatic drawings of the Surrealists, the water lilies of Claude Monet, the action painting of Jackson Pollock, and, most cogently, Henri Matisse's Swimming Pool. Oceanographer and explorer Sylvia Earle, former Chief Scientist of the National Oceanic and Atmospheric Administration, finds in Chihuly's evocative 'Seaforms' not only 'reflections of skill, passion, teamwork and sheer genius' but also 'tributes' to the sea. Together these writers help to illuminate what many consider Chihuly's quintessential series, which was begun in 1980. The saturated colour of the 40 full-colour pages, including many double-page spreads, conveys the sensuousness of Chihuly's work.
This book chronicles four decades of Dale Chihuly's work on paper, a dynamic collection that is a fascinating study of variety. Many of the drawings are drenched in thick, bold layers of colour. Others are more elusive -- just a hint of form sketched with a fistful of pencils or a confidently manipulated charcoal. Over the years his style has evolved, becoming more abstract and more elaborate, and his drawings, in some cases, have become much larger. But there are no rules; a technique that Chihuly favoured a decade before may resurface again. The excitement of Chihuly's work on paper is in its unpredictability, and that in two dimensions Chihuly is free to let his grandest schemes come to fruition. Above all, Chihuly's work on paper revels in the monumental creativity that is essentially Chihuly.
Chihuly at Fairchild, Dale Chihuly's recent outdoor exhibition at the Fairchild Tropical Garden in Coral Gables, Florida, is his largest and most comprehensive one to date. This full-color catalog captures the magnificence of the exhibition and includes a retrospective of the artist's previous installations in that garden between 2005 and 2007. 80 color photographs
Dale Chihuly's largest installation to date comes to life in this book which showcases the qualities his work is most known for: grandness of scale, vividness of colour, and scope of imagination. This gorgeous volume features 65 pages of full-colour photographic documentation of the commissioned sculpture, 'Fiori di Como' at the Bellagio resort in Las Vegas, Nevada. The more than 40,000 pound glass artwork hangs overhead in the hotel's main lobby from an intricate armature of metal 'branches'. The book displays in vivid detail the colourful garden of glass and its 2,000 pieces as well as reproductions of working faxes and fax drawings from Chihuly to Steve Wynn during the conceptual development of the project. The highly sculptural style of the piece and the broad range of colours make it a departure from anything Chihuly has done before. As Chihuly himself has said, Everything about the 'Fiori di Como' was new -- the scale, the armature, and the glass.. This beautiful clothbound book provides image after image of the creative process and the final result of this monumental sculpture.
Internationally acclaimed artist Dale Chihuly's site-specific installations in the form of architectural commissions and exhibitions Forty years of Dale Chihuly's spectacular site-specific glass installations are captured in this large-format publication examining architectural commissions, temporary art installations, and museum exhibitions around the world. Chihuly's installations on walls, windows, ceilings, stairways, courtyards, and fountains are closely examined. Chihuly and Architecture explores entire rooms and galleries, glasshouses and castles, and travels from the canals of Venice to the Citadel in the Old City of Jerusalem, providing rare insight into Chihuly's inspiration and global footprint.
Dale Chihuly, the hugely popular artist who works in glass, celebrates his 70th birthday in 2011. Tacoma Art Museum, in his hometown, owns more than 150 examples of his work and is mounting an exhibition in his honor. Both this book and the exhibition showcase Chihuly's enduring interest in the arts and natural beauty of the Pacific Northwest, which are a major influence on his work. For the first time, Dale Chihuly: A Celebration focuses on the importance of these influences. From Native American baskets to wool trade blankets, the gritty Tacoma of the 1960s, and Puget Sound, this exhibition and book follow Chihuly's development and accomplishments and how he grew and evolved while maintaining close ties to Tacoma. The essay by curator Rock Hushka traces Chihuly's creative process and the ways in which his abiding interest in the American Northwest enriches his work. Praise for Dale Chihuly: A Celebration: "This intimate, thoughtful celebration highlights the influences of nature and nurture on a unique talent." -Publishers Weekly Also Available: Chihuly 2018 Wall Calendar (ISBN: 978-1-4197-2599-9), Chihuly 2018 Weekly Planner (ISBN: 978-1-4197-2598-2), Chihuly 2019 Wall Calendar (ISBN: 978-1-4197-3093-1), Chihuly 2019 Weekly Planner (Engagement Calendar) (ISBN: 978-1-4197-3094-8)