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The East-West Challenger Finals for the Master and Queen Match. Though Arata and Taichi had once stepped away from karuta, both they and Chihaya are able to savor the joy of being in this place together. Momo Yuikawa, representing the West, throws off Chihaya's pace by playing her own style of karuta. Meanwhile, Taichi uses new tactics to attempt to overcome the wall that is Arata and battle Master Suou…?! It's time for best-of-three matches as they all seek out a landscape that none have ever seen before!
The qualification tournament for the Master Match and Queen Match draws near, which only players at the highest rank, Class A, are allowed to enter. A flustered Taichi enters a tournament alone in search of a promotion to Class A, hoping to catch up to Chihaya and Arata. But not only does he meet Arata there, Chihaya also decides to pursue Taichi so that she can cheer him on. The three are reunited by fate, but what could be going through their hearts and minds? As the three chase after their dreams, the bonds that karuta built bring them face to face once more!
Chihaya has distanced herself from the karuta club after Taichi's departure, but one day she receives an e-mail from Arata. It tells of his determination, as he's created a karuta team so that he can one day stand toe-to-toe with both Chihaya and Taichi. Spurred into action by this, Chihaya heads to the Tokyo preliminary for the national tournament. However, the Mizusawa Karuta Club is thrown into chaos by rule changes and its uninhibited new members. What kind of trap has been set for Chihaya because of her time away from karuta? It's Chihaya's final summer to fight alongside her friends, and at the preliminaries she vows to make her dreams come true!
Harada, a karuta instructor, is at last able to stamp the ticket allowing him to challenge for the top spot in competitive karuta. Not long after, Chihaya and Taichi find themselves given the opportunity to play practice matches against Hisashi Suou, the current Master. How does Harada respond when Chihaya comes to him with the Master's so-called "weakness" that she grasped during their bout...? Meanwhile, Queen Shinobu Wakamiya is busy polishing her own weapons as much as possible as her own deciding match approaches.
The day that asks who is most determined to become Master and Queen is at last coming to its conclusion... But even though Chihaya and the others are only watching the matches, a new twist seems to come into their lives! Fate moves in a major way in this latest volume of Chihayafuru!
It's now the semifinals for the East Japan Master and Queen Match preliminaries. Chihaya and Taichi find themselves in intense matches as Chihaya faces Rion Yamashiro from the powerhouse that is Fujisaki, while Taichi faces Sudo. After a string of misfortune, they find themselves at a disadvantage, but Harada-sensei's decision to let them know that Arata has made it through the West Japan preliminary reminds them of how they play karuta. Chihaya begins to focus like never before, this being her final chance. It's time to make destiny into a reality in a battle where every card matters!
Game 2 of the East-West Challenger Finals for the Master and Queen Match. Taichi prevents Arata from attacking with his thoroughly defensive karuta. Chihaya struggles with being able to hear “too much.” Everything the three have done has been for the sake of these matches. What will the outcome be…?!
Chihaya polishes her skills for the upcoming Queen Match under Eternal Queen Watarai and former Queen Inokuma. What will Chihaya do as she thinks about the role she needs to play, and what action does Taichi take…? A battle that's special to all begins in the Urayasu no Ma!
Both the Mizusawa High Karuta Club and Hokuou Academy have made it out of the Tokyo qualifiers, one of the toughest districts across the country. They go next to Omi Shrine for the finals, aiming to win it all. There they find a daunting wall consisting of unconventional tactics and the extraordinary players who use them. Mizusawa's goal has always been to be the best in Japan, a distant dream that can only be attained by a tenacious team that puts in the effort to win their way through the tournament. Chihaya and the rest believe in themselves and in their friends as the battle begins!
The Hyaku-nin-isshiu, or 'Single Verses by a Hundred People', were collected together in A.D. 1235. They are placed in approximate chronological order, and range from about the year AD 670. Perhaps what strikes one most in connection with the Hyaku-nin-isshiu is the date when the verses were written; most of them were produced before the time of the Norman Conquest (AD 1066), and one cannot but be struck with the advanced state of art and culture in Japan at a time when Europe was still in a very elementary stage of civilization. The Collection consists almost entirely of love-poems and what the editor calls picture-poems, intended to bring before the mind's eye some well-known scene in nature; and it is marvellous what effect little thumbnail sketches are compressed within thirty-one syllables. Some show the cherry blossoms which are doomed to fall, the dewdrops scattered by the wind, the mournful cry of the wild deer on the mountains, the dying crimson of the fallen maple leaves, the weird sadness of the cuckoo singing in the moonlight, and the loneliness of the recluse in the mountain wilds; while those verses which appear to be of a more cheerful type are rather of the nature of the 'Japanese smile', described by Lafcadio Hearn as a mask to hide the real feelings. Japanese poetry differs very largely from anything we are used to in the West. It has no rhyme or alliteration, and little, if any, rhythm, as we understand it. The verses in this Collection are all what are called Tanka which has five lines and thirty-one syllables, arranged thus: 5-7-5-7-7 which is an unusual metre for Western ears. For this translation the editor has adopted a five-lined verse of 8-6-8-6-6 metre, with the second, fourth, and fifth lines rhyming, in the hope of retaining at least some resemblance to the original form, while at the same time making the sound more familiar to English readers. A percentage of the net sale will be donated to charities specialising in educational scholarships. YESTERDAY'S BOOKS for TOMORROW'S EDUCATIONS