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Chicago's poor black "South Side" in the post-war years is brilliantly illuminated in this collection of images snapped by a Navy combat photographer upon returning home from World War II.
Winner of the Chicago Tribune‘s 2013 Heartland Prize A critically acclaimed history of Chicago at mid-century, featuring many of the incredible personalities that shaped American culture Before air travel overtook trains, nearly every coast-to-coast journey included a stop in Chicago, and this flow of people and commodities made it the crucible for American culture and innovation. In luminous prose, Chicago native Thomas Dyja re-creates the story of the city in its postwar prime and explains its profound impact on modern America—from Chess Records to Playboy, McDonald’s to the University of Chicago. Populated with an incredible cast of characters, including Mahalia Jackson, Muddy Waters, Howlin’ Wolf, Chuck Berry, Sun Ra, Simone de Beauvoir, Nelson Algren, Gwendolyn Brooks, Studs Turkel, and Mayor Richard J. Daley, The Third Coast recalls the prominence of the Windy City in all its grandeur.
Black Chicagoans were at the centre of a national movement in the 1940s and '50s, when African Americans across the country first started to see themselves as part of a single culture. Green argues that this period engendered a unique cultural and commercial consciousness, fostering ideas of racial identity that remain influential.
Writers of the Black Chicago Renaissance comprehensively explores the contours and content of the Black Chicago Renaissance, a creative movement that emerged from the crucible of rigid segregation in Chicago's "Black Belt" from the 1930s through the 1960s. Heavily influenced by the Harlem Renaissance and the Chicago Renaissance of white writers, its participants were invested in political activism and social change as much as literature, art, and aesthetics. The revolutionary writing of this era produced some of the first great accolades for African American literature and set up much of the important writing that came to fruition in the Black Arts Movement. The volume covers a vast collection of subjects, including many important writers such as Richard Wright, Gwendolyn Brooks, and Lorraine Hansberry as well as cultural products such as black newspapers, music, and theater. The book includes individual entries by experts on each subject; a discography and filmography that highlight important writers, musicians, films, and cultural presentations; and an introduction that relates the Harlem Renaissance, the White Chicago Renaissance, the Black Chicago Renaissance, and the Black Arts Movement. Contributors are Robert Butler, Robert H. Cataliotti, Maryemma Graham, James C. Hall, James L. Hill, Michael Hill, Lovalerie King, Lawrence Jackson, Angelene Jamison-Hall, Keith Leonard, Lisbeth Lipari, Bill V. Mullen, Patrick Naick, William R. Nash, Charlene Regester, Kimberly Ruffin, Elizabeth Schultz, Joyce Hope Scott, James Smethurst, Kimberly M. Stanley, Kathryn Waddell Takara, Steven C. Tracy, Zoe Trodd, Alan Wald, Jamal Eric Watson, Donyel Hobbs Williams, Stephen Caldwell Wright, and Richard Yarborough.
In Chicago's Industrial Decline Robert Lewis charts the city's decline since the 1920s and describes the early development of Chicago's famed (and reviled) growth machine. Beginning in the 1940s and led by local politicians, downtown business interest, financial institutions, and real estate groups, place-dependent organizations in Chicago implemented several industrial renewal initiatives with the dual purpose of stopping factory closings and attracting new firms in order to turn blighted property into modern industrial sites. At the same time, a more powerful coalition sought to adapt the urban fabric to appeal to middle-class consumption and residential living. As Lewis shows, the two aims were never well integrated, and the result was on-going disinvestment and the inexorable decline of Chicago's industrial space. By the 1950s, Lewis argues, it was evident that the early incarnation of the growth machine had failed to maintain Chicago's economic center in industry. Although larger economic and social forces—specifically, competition for business and for residential development from the suburbs in the Chicagoland region and across the whole United States—played a role in the city's industrial decline, Lewis stresses the deep incoherence of post-WWII economic policy and urban planning that hoped to square the circle by supporting both heavy industry and middle- to upper-class amenities in downtown Chicago.
ILLINOIS ENCYCLOPEDIA is the definitive reference work on Illinois ever published. The noted Illinois historian, Michael Meagher has written articles on Introduction to Illinois History, Early History of Illinois, and Illinois History. These articles cover the history of Illinois, from the early explorers to twenty-first century events. Other major sections in this reference work are Illinois Symbols and Designations, Geography and Topography of Illinois, Profiles of Illinois Governors, Chronology of Illinois Historic Events, Dictionary of Illinois Places, Illinois Constitution, Bibliography of Illinois Books, Pictorial Scenes of Illinois, State Executive Offices, State Agencies, Departments and Offices, Illinois Senators, Illinois Assembly Members, U.S. Senators and U.S. Congress members from Illinois, Directory of Illinois Historic Places and Index.ILLINOIS ENCYCLOPEDIA contains stunning photographs and portraits to compliment the expertly written text. Population charts are arranged alphabetically by city or town name, and by county. This allows students easy access to find population figures for their area of interest. Other population charts list all places in Illinois by largest populated places to least populated places by city or county. Directories contain information on elected state and federal officials along with their contact information including mail and email addresses, phone and fax numbers. Easy to use reference maps are included to find your elected state or federal officials. The Directory of State Services lists the head officials and full contact information on state agencies and departments, some of which were just newly created by the legislature. The Directory of Illinois Historic Places contains all the latest up to date information on every Illinois historic place. The Bibliography includes that latest books published on Illinois. A detailed Index makes the work thoroughly referential. ILLINOIS ENCYCLCOPEDIA offers librarians, teachers and students a single source reference work that provides the answers to the most frequently asked questions about Illinois and its history.
The Black Press progresses chronologically from abolitionist newspapers to today's Internet and reveals how the black press's content and its very form changed with evolving historical conditions in America.
It's 1924, and New York is the centre of the universe. Henry Smart, on the run from Dublin, lands on his feet. After the 1916 Rebellion, Henry Smart is running from the Republicans for whom he committed murder and mayhem. Lying to the immigration officer, avoiding Irish eyes that might recognise him, hiding the photograph of himself with his wife because it shows a gun across his lap, he throws his passport into the river and forges a new identity. He's a handsome man with a sandwich board, behind which he stashes hooch for the speakeasies of the Lower East Side. He catches the attention of the mobsters who run the district and soon there are eyes on his back and men in the shadows. It is time to leave, for another America... The Depression is sending folks to ride the rails in search of a new life and new hope, and all trains lead to Chicago. As Henry’s past tries to catch up with him, he takes off on a journey to the great port, where music is everywhere. Chicago is wild and new, and newest of all is the music. Furious, wild, happy music played by a man with a trumpet and bleeding lips called Louis Armstrong. His music is everywhere, coming from every open door, every phonograph. But Armstrong is a prisoner of his colour; there are places a black man cannot go, things he cannot do. Armstrong needs a man, a white man, and the man he chooses is Henry Smart.
**One of Buzzfeed's 18 Best Nonfiction Books Of 2016** A lyrical, intelligent, authentic, and necessary look at the intersection of race and class in Chicago, a Great American City In this intelligent and highly important narrative, Chicago-native Natalie Moore shines a light on contemporary segregation in the city's South Side; with a memoirist's eye, she showcases the lives of these communities through the stories of people who reside there. The South Side shows the impact of Chicago's historic segregation - and the ongoing policies that keep the system intact.