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Bill Cosgrove, in his fourth and latest book, graphically depicts the early history of the Chicago Fire Department with authoritative accuracy. He gives the reader an insight into how the Department was organized, how it functioned, the use of technology that was available at the time, and paints a vivid picture of the many great fires of the day. He also describes the tremendous physical stamina, dedication and bravery of the firemen and the intrepid leadership of some of the officers. Bill provides the reader with a highly detailed story of the tragic stockyards fire of December 22, 1910 where 21 firemen lost their lives, including the Department’s Chief of the Brigade, James Horan. This is such a fascinating account of the early history of the Chicago Fire Department that the reader will have great difficulty putting the book down until it is finished. A great read, by a great story-teller! Thoroughly enjoyable and fully factual. William C. Alletto Deputy Fire Commissioner (Retired) Chicago Fire Department
Drawing on philosophical and psychoanalytic methods of interpretation, Richard Kuhns explores modern transformations of an ancient poetic genre, tragedy. Recognition of the philosophical problems addressed in tragedy, and of their presence up through eighteenth- and nineteenth-century philosophical texts, novels, and poetry, establishes a continuity between classical and modern enactments. Psychoanalytic theory in both its original formulations and post-Freud developments provides a means to enlarge upon and inform philosophical analyses that have dominated modern discussions. From Aeschylus' classic drama The Persians to the hidden tragic themes in The Merchant of Venice, from the aesthetic writings of Kant to Kleist's narrative Michael Kohlhaas, Kuhns traces the writing and rewriting of the themes of ancient tragedy through modern texts. A culture's concept of fate, Kuhns argues, evolves along with its concepts and forms of tragedy. Examining the deep philosophical concerns of tragedy, he shows how the genre has changed from loss and mourning to contradiction and repression. He sees the fact that tragedy went underground during the optimism of the Enlightenment as a repression that continues into the American consciousness. Turning to Melville's The Confidence Man as an example of Old World despair giving way to New World nihilism, Kuhns indicates how psychoanalytic understanding of tragedy provides a method of interpretation that illuminates the continuous tradition from the ancient to the modern world. The study concludes with reflections on the poetry of Walt Whitman and Emily Dickinson. Each poet's celebration of the body, and the contribution of the senses to reason, perception, and poetic intuition, is seen as an embodiment of the modern tragic sensibility.
New York Public Library's "100 Best Books for Kids" Kirkus Reviews' "Best Books of 2018" 2019 Society of Midland Authors Literary Award Honoree 2019 Notable Social Studies Trade Books for Young People List 2019 Cybils Literary Award Winner A 2019 Cooperative Children's Book Center's Choice Wisconsin Writers Contest 2018 Winner of the Tofte/Wright Children's Literary Award On July 24, 1915, the SS Eastland, filled to capacity with 2,500 passengers and crew, capsized in the Chicago River while still moored to the pier. Happy picnic-goers headed for an employee outing across Lake Michigan suddenly found themselves in a struggle for their lives. Trapped belowdecks, crushed by the crowds attempting to escape the rising waters, or hurled into the river from the upper deck of the ship, roughly one-third of the passengers, mostly women and children, perished that day. The Eastland disaster took more passenger lives than the Titanic and stands today as the greatest loss of life on the Great Lakes. Capsized! details the events leading up to the fateful day and provides a nail-biting, minute-by-minute account of the ship's capsizing. From the courage of the survivors to the despair of families who lost loved ones, author Patricia Sutton brings to light the stories of ordinary working people enduring the unthinkable. Capsized! also raises critical-thinking questions for young readers: Why do we know so much about the Titanic's sinking yet so little about the Eastland disaster? What causes a tragedy to be forgotten and left out of society's collective memory? And what lessons from this disaster might we be able to apply today?
The long-buried story of a Chicagoan's struggle for justice after four of hischildren perished in a tragic fire.
An account of the 1915 capsizing of the steamer Eastland in the Chicago River, an accident that killed more than eight hundred people, details the role of safety measures instituted after the sinking of the Titantic and examines the civil and criminal court proceedings which followed it.
2020 J. ANTHONY LUKAS PRIZE WINNER From the bestselling author of There Are No Children Here, a richly textured, heartrending portrait of love and death in Chicago's most turbulent neighborhoods. The numbers are staggering: over the past twenty years in Chicago, 14,033 people have been killed and another roughly 60,000 wounded by gunfire. What does that do to the spirit of individuals and community? Drawing on his decades of experience, Alex Kotlowitz set out to chronicle one summer in the city, writing about individuals who have emerged from the violence and whose stories capture the capacity--and the breaking point--of the human heart and soul. The result is a spellbinding collection of deeply intimate profiles that upend what we think we know about gun violence in America. Among others, we meet a man who as a teenager killed a rival gang member and twenty years later is still trying to come to terms with what he's done; a devoted school social worker struggling with her favorite student, who refuses to give evidence in the shooting death of his best friend; the witness to a wrongful police shooting who can't shake what he has seen; and an aging former gang leader who builds a place of refuge for himself and his friends. Applying the close-up, empathic reporting that made There Are No Children Here a modern classic, Kotlowitz offers a piercingly honest portrait of a city in turmoil. These sketches of those left standing will get into your bones. This one summer will stay with you.
A pictorial chronicle of the events of July 24, 1915, when the steamship Eastland capsized and sank in the port of Chicago, killing over eight hundred people.
National Book Critics Circle Award Winner: “The terrifying story of the worst disaster in the history of the US Forest Service’s elite Smokejumpers.” —Kirkus Reviews A devastating and lyrical work of nonfiction, Young Men and Fire describes the events of August 5, 1949, when a crew of fifteen of the US Forest Service’s elite airborne firefighters, the Smokejumpers, stepped into the sky above a remote forest fire in the Montana wilderness. Two hours after their jump, all but three of the men were dead or mortally burned. Haunted by these deaths for forty years, Norman Maclean puts together the scattered pieces of the Mann Gulch tragedy in this extraordinary book. Alongside Maclean’s now-canonical A River Runs Through It and Other Stories, Young Men and Fire is recognized today as a classic of the American West. This edition of Maclean’s later triumph—the last book he would write—includes a powerful new foreword by Timothy Egan, author of The Big Burn and The Worst Hard Time. As moving and profound as when it was first published, Young Men and Fire honors the literary legacy of a man who gave voice to an essential corner of the American soul. “A moving account of humanity, nature, and the perseverance of the human spirit.” —Library Journal “Haunting.” —The Wall Street Journal “Engrossing.” —Publishers Weekly
As rush hour came to a close on the evening of May 25, 1950, one of Chicago's new fast, colorful, streamlined streetcars—known as a Green Hornet—slammed into a gas truck at State Street and 62nd Place. The Hornet's motorman allegedly failed to heed the warnings of a flagger attempting to route it around a flooded underpass, and the trolley, packed with commuters on their way home, barreled into eight thousand gallons of gasoline. The gas erupted into flames, poured onto State Street, and quickly engulfed the Hornet, shooting flames two hundred and fifty feet into the air. More than half of the passengers escaped the inferno through the rear window, but thirty-three others perished, trapped in front of the streetcar's back door, which failed to stay open in the ensuing panic. It was Chicago's worst traffic accident ever—and the worst two-vehicle traffic accident in US history. Unearthing a forgotten chapter in Chicago lore, The Green Hornet Streetcar Disaster tells the riveting tale of this calamity. Combing through newspaper accounts as well as the Chicago Transit Authority's official archives, Craig Cleve vividly brings to life this horrific catastrophe. Going beyond the historical record, he tracks down individuals who were present on that fateful day on State and 62nd: eyewitnesses, journalists, even survivors whose lives were forever changed by the accident. Weaving these sources together, Cleve reveals the remarkable combination of natural events, human error, and mechanical failure that led to the disaster, and this moving history recounts them—as well as the conflagration's human drama—in gripping detail.
Little Chicago opens in the office of Children’s Services, where eleven-year-old Blacky Brown is being interviewed by a social worker who is trying to determine what has happened to him. At first, Blacky’s emotions are blocked, but then he reveals that he has been sexually abused by his mother’s boyfriend, and is released into his mother’s custody. Thus begins an alternately harrowing and hopeful story of a brave boy’s attempts to come to grips with a grim reality Mary Jane, a classmate who is similarly ostracized, tries to help Blackie, but he soon takes refuge instead in the gun that he buys easily from his sister’s boyfriend. Little Chicago is an unblinking look at the world of a child who has been neglected and abused. It portrays head-on the indifference and hostility of classmates, teachers, and even Blacky’s mother, once these people learn his “secret.” Like Sura in The Buffalo Tree and Whensday in The Copper Elephant, Blacky is one of Adam Rapp’s mesmerizing voices, more so because it is a voice so rarely heard.