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Chicago has never had a photo book of its own. Until now. The city has produced some of the most important photographers of our time -- Harry Callahan, Aaron Siskind, Vivian Maier, Art Shay -- but has never before possessed a book packed with their most timeless work. This is the finest collection of its kind -- 100 stunning images by the city's most revered photographers that show the enduring and endearing aspects of Chicago and its landscape from the Loop to the city's vast array of neighborhoods. Richard Cahan and Michael Williams, the foremost picture editors of the city, curate the book. Here they have chosen photos going back more than a century to show a city that is both well-known and surprising. This is a book for people who love Chicago and for visitors who want something special to remember her by. It is filled with classic photographs that defy time -- timeless pictures of a changing city.
Rare large-format prints offer detailed views of City Hall, State Street, the Loop, Hull House, Union Station, many other landmarks, circa 1904-1913. Introduction. Captions. Maps.
A roster of prominent artists, curators, and scholars offers a new, entirely contemporary approach to our understanding of photography and media Focusing on the Art Institute of Chicago's deep and varied collection of photographs, books and other printed matter, installation art, photobooks, albums, and time-based media, this ambitious, wide-ranging volume features short essays by prominent artists, curators, university professors, and independent scholars that explore topics essential to understanding photography and media today. The essays, organized around themes ranging from the expected to the esoteric, are paired with key objects from the collection in order to address issues of aesthetics, history, philosophy, power relations, production, and reception. More than 400 high-quality reproductions amplify the authors' arguments and suggest additional dialogues across conventional divisions of chronology, genre, geography, and technology. An introductory essay by Matthew S. Witkovsky traces the museum's history of acquisitions and how the evolution of the museum's collection reflects broader changes in the critical reception of the field of photography and media. Distributed for the Art Institute of Chicago
Throughout its early history, photography's authenticity was contested and challenged: how true a representation of reality can a photograph provide? Does the reproduction of a photograph affect its value as authentic or not? From a Photograph examines these questions in the light of the early scientific periodical press, exploring how the perceived veracity of a photograph, its use as scientific evidence and the technologies developed for printing it were intimately connected.Before photomechanical printing processes became widely used in the 1890s, scientific periodicals were unable to reproduce photographs and instead included these photographic images as engravings, with the label ‘from a photograph’. Consequently, every image was mediated by a human interlocutor, introducing the potential for error and misinterpretation. Rather than ‘reading’ photographs in the context of where or how they were taken, this book emphasises the importance of understanding how photographs are reproduced. It explores and compares the value of photography as authentic proof in both popular and scientific publications during this period of significant technological developments and a growing readership. Three case studies investigate different uses of photography in print: using pigeons to transport microphotographs during the Franco-Prussian War; the debate surrounding the development of instantaneous photography; and finally the photographs taken of the Transit of Venus in 1874, unseen by the human eye but captured on camera and made accessible to the public through the periodical.Addressing a largely overlooked area of photographic history, From a Photograph makes an important contribution to this interdisciplinary research and will be of interest to historians of photography, print culture and science.