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Accompaniment for guitar, piano/organ, flute, and bass.
Accompaniment for guitar, piano/organ, flute, and bass.
Whats this about Episodes in a Rich Life? asked my Imaginary Friend. Im always embarrassed when my IF speaks up, but glad that this time we werethat is, that I wasalone. If I ever admitted to the world my IF exists, some would doubt my sanity. Others would have their opinions confirmed. I cant remember a time, my IF continued, when youve had enough in your pocket to talk about being rich. I looked around, saw no one in earshot, and broke my rule against replying to my IF. There are ways of being rich without having much cash, I explained. You can have friends, enjoy experiences, learn much about a multitude of things . . . all of that, and more. And you can properly consider yourself rich. When you put it like that, my IF admitted, I can see your point. One more thing you mustnt forget. And whats that? I wondered. Maybe I should have put it in my book. You always have me, said my IF. This conversation is over, I said. In fact, it never happened. . . . Not long after I retired, I joined a Journal Writers group of senior citizens. Each week, I had to write (and read to the group) a page or so, telling what had happened to me, either during the week previous or sometime in the past. I have bundled many of these Episodes into more-or-less related groups that I call Chapters, but the reader may call them AggregationsI sincerely hope not Aggravations. The point is, I have experienced these Episodes and enjoyed most of them, and I hope the Reader enjoys them, too, whether reading straight through the book, or doing random sampling.
This journal, edited by Fletcher S. Bassett, collects the folklore and traditions of the Chicago area from the early 20th century. Written in an engaging style, this journal is a fascinating glimpse into the folk beliefs and practices of a bygone era. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Including over 200 of Flerlage's photographs of folk musicians during the 1960s, Chicago Folk presents a stunning portrait of a vibrant urban folk milieu. Featuring popular performers such as Bob Dylan and Joan Baez, as well as old and new traditional musicians like the New Lost City Ramblers and other blues, bluegrass, old-time, Cajun and gospel performers who appeared in Chicago, these images capture the broad scope of folk musicians who were part and parcel of the 1960s folk music revival in Chicago and elsewhere.