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In the autumn of 1878 a band of Cheyenne Indians set out from Indian Territory, where they had been sent by the U.S. government, to return to their homeland in Yellowstone country. Mari Sandoz tells the saga of their heartbreaking fifteen-hundred-mile flight. Alan Boye provides an introduction to this Bison Books edition.
What should a man do when the army sends him to help kill his wife's family? His grandson and Northern Cheyenne tribe member, Gerry Robinson, reaches back through time to unravel the emotional and complex story. Bill Rowland married into the Northern Cheyenne Tribe in 1850, eventually becoming the primary interpreter in their negotiations with the U.S. government. On November 25, 1876--five months to the day after Custer died at the Little Bighorn--Bill found himself obligated to ride into the tribe's main winter camp with over a thousand U.S. troops bent on destroying it. The Cheyenne Sweet Medicine Chief, Little Wolf, had been to the white man's cities. He knew how many waited there to follow the path cleared by soldiers who were out seeking revenge for their great loss. He also knew that the hot-blooded Kit Fox leader, Last Bull, emboldened by their recent victory and convinced he could defeat them all, posed a dangerous threat from within. Tradition and the protestations of the boisterous young leader prevented Little Wolf's warnings from being taken seriously. This is the balanced and compelling story of the ensuing battle"€"its origins and the devastating results"€"told beautifully from the perspective of both Little Wolf and his brother-in-law, the government interpreter, Bill Rowland. Pulled from the dark historical shadow of Custer, Crazy Horse, and the Lakota, The Cheyenne Story vividly brings to life the little known events that led to the end of the Plains Indian War and the beginning of the Cheyenne's exile from the only home and lifestyle they had ever known. In a commendable effort to preserve the Cheyenne language in written word, Gerry Robinson worked closely with tribal elders and Cheyenne cultural leaders to accurately and seamlessly incorporate the language into his text. Robinson's characters use the Cheyenne language in their dialogue, and the reader comes to know and understand its meanings contextually and by employing the accompanying glossary of Cheyenne words and phrases found at the back of the book.
Grinnel lived among the Cheyenne in the latter part of the 19th century. He was a deeply sympathetic observer of Indian life & culture. In this volume Grinnell gathered both Cheyenne & White accounts of the many battles between the two. He carefully explored Cheyenne culture & the way the Cheyenne to the threats on an alien society.
Tell Them We Are Going Home details the courageous journey of the Northern Cheyennes, under the leadership of Little Wolf and Dull Knife, from Indian Territory northward to their homelands in the Powder River country. Incorporating the perspectives of the Cheyennes, the U.S. military, the Indian Bureau, and the Kansas settlers who encountered the traveling Indians, this book provides a complete account of the odyssey. The dramatic fifteen-hundred-mile trek of the Northern Cheyennes through Kansas, Nebraska, South Dakota, and Montana, lasting from 1878 to 1879, would become one of the most important episodes in American history and in Cheyenne memory.
Elizabeth Harding arrives in Cheyenne, Wyoming, to establish her medical practice thanks to the wooing of her two older sisters who extolled the beauty of the land. She's certain she'll have a line of patients eager for her expertise and gentle bedside manner. However, she soon discovers the town and its older doctor may not welcome a new physician. Even more frustrating, the handsome young attorney next door may not be ready for the idea of a woman doctor. For his part, Jason Nordling has nothing against women, but he's promised himself that the woman he marries will be a full-time mother. Despite their firm principles, Elizabeth and Jason find that mutual attraction--and disdain from the community--is drawing them ever closer. And when the two find themselves working to save the life and tattered reputation of a local woman, they'll have to decide how far they're willing to go to find justice--and true love.
John Ford's classic films—such as Stagecoach, The Grapes of Wrath, How Green Was My Valley, The Quiet Man, and The Searchers—have earned him worldwide admiration as America's foremost filmmaker, a director whose rich visual imagination conjures up indelible, deeply moving images of our collective past. Joseph McBride's Searching for John Ford, described as definitive by both the New York Times and the Irish Times, surpasses all other biographies of the filmmaker in its depth, originality, and insight. Encompassing and illuminating Ford's myriad complexities and contradictions, McBride traces the trajectory of Ford's life from his beginnings as “Bull” Feeney, the nearsighted, football-playing son of Irish immigrants in Portland, Maine, to his recognition, after a long, controversial, and much-honored career, as America's national mythmaker. Blending lively and penetrating analyses of Ford's films with an impeccably documented narrative of the historical and psychological contexts in which those films were created, McBride has at long last given John Ford the biography his stature demands.
The exodus of the Northern Cheyennes in 1878 and 1879, an attempt to flee from Indian Territory to their Montana homeland, is an important event in American Indian history. It is equally important in the history of towns like Oberlin, Kansas, where Cheyenne warriors killed more than forty settlers. The Cheyennes, in turn, suffered losses through violent encounters with the U.S. Army. More than a century later, the story remains familiar because it has been told by historians and novelists, and on film. In The Northern Cheyenne Exodus in History and Memory, James N. Leiker and Ramon Powers explore how the event has been remembered, told, and retold. They examine the recollections of Indians and settlers and their descendants, and they consider local history, mass-media treatments, and literature to draw thought-provoking conclusions about how this story has changed over time. The Cheyennes’ journey has always been recounted in melodramatic stereotypes, and for the last fifty years most versions have featured “noble savages” trying to reclaim their birthright. Here, Leiker and Powers deconstruct those stereotypes and transcend them, pointing out that history is never so simple. “The Cheyennes’ flight,” they write, “had left white and Indian bones alike scattered along its route from Oklahoma to Montana.” In this view, the descendants of the Cheyennes and the settlers they encountered are all westerners who need history as a “way of explaining the bones and arrowheads” that littered the plains. Leiker and Powers depict a rural West whose diverse peoples—Euro-American and Native American alike—seek to preserve their heritage through memory and history. Anyone who lives in the contemporary Great Plains or who wants to understand the West as a whole will find this book compelling.
"Volume Two records the contemporary Sacred Arrow and Sun Dance ceremonies in their entirety"--P. [4] of cover.
Originally published in 1941, The Last Frontier is the story of the Cheyenne Indians in the 1870s, and their bitter struggle to flee from the Indian Territory in Oklahoma back to their home in Wyoming and Montana. Some 300 Indians, led by Little Wolf, fought against General Crook and 10,000 troops, with only 60 finally making it through to freedom. Fast extensively researched this book in the late 1930s, visiting and speaking with Cheyenne experts in Norman, Oklahoma. This was the first of Fast's many books to gain a wide popular audience; it was eventually made by John Ford into the classic film Cheyenne Autumn (1964).