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Researched under difficult and sometimes dangerous circumstances during the Banda era, this book is a unique contribution to anthropological research in Malawi. Orginally published in 1976 this new edition has been throughly reworked and edited at a time when many of the domains described by Van Breugel were in a process of decline, transformation or even disappearance. The book offers precious descriptions of rain rituals at Bunda and Tsang'oma, explications of witchcraft phenomena and of the mdulu-complex, a convincing theory of the religious significance of Nyau and extensive deliberations of concepts of God and ancestors. In addition the book serves as a comprehensive overview on all the domains of Chewa Traditional Religion.
The first full-length study of one of the territorial rain cults; and an endeavour to preserve knowledge about a rapidly changing complex system of traditional beliefs, rituals, and practices, under the influence of Christianity, Islam, and western education. Within this cult, a person who is possessed by the spirit of the ancestors is commonly known as Bimbi: the seer, a charismatic and moral leader, to whom the community ascribes a prophetic role. As a religious system, the Bimbi cult has an intricate system of agricultural rituals such as rainmaking ceremonies, a distinctive unwritten theology, elaborate liturgical observances and an organised, inherited priesthood. Studying the Bimbi cult from a multi-disciplinary perspective, the author illustrated how traditional beliefs and practices still have a grip on people in the countryside, who live in an agricultural subsistence economy, and at the mercy of ecological forces. He contends that these forces will continue to shape their understanding of God, themselves and the world around them for many years to come, unless these people change from an agricultural to an industrial society.
This book connects traditional religions to the thriving religious activity in Africa today.
When Animals Sing and Spirits Dance is an introduction to the diversity and drama that is the gule wamkulu, the 'great dance, ' of the Chewa people of Malawi. Covering 200 characters bedecked in mask and costume or woven structure, the book reveals not only the physical variety of the characters but also analyzes their songs, dances, and often codified messages that are delivered through word and action. It is through the dancers of the gule wamkulu that the ancestors communicate with the living and give instructions on how to abide by the code of moral conduct, the mwambo. It is also through the great dance that we can glean intimate insight into the values and worldview of the Chewa. Illustrated throughout with color photographs and original artwork, When Animals Sing and Spirits Dance is a lively interpretation of the great dance, told very much in the voice of the Chewa themselves. The songs are interpreted in both Chichewa and English, with appropriate recognition that direct representation is often impossible. The gule wamkulu was declared a masterpiece of the Oral and Intangible Heritage of Humanity by UNESCO in 2005. This book is a worthy entrée to the majesty, spectacle, and spirituality that is the great dance.
Collects almost five hundred entries that cover the African response to spirituality, taboos, ethics, sacred space, and objects.
Research in traditional religion in Malawi has shifted from broad ecological religions to communal rituals, as traditional rituals are scrutinised, partly in connection with the study of the HIV/AIDS pandemic and transmission of the virus. The eight essays in the collection demonstrate ample attempts to understand communal rituals in their various contexts.
Every society has its own definition of a normal and an abnormal human condition. For persons living with mental disorders, these concepts have a tremendous impact. This study investigates how the abnormal mind is culturally defined in Malaŵi, South-Eastern Africa. Based on anthropological techniques such as interviews, participant observation, and archive research, it explores the different social dimensions of mental disorder - e.g. its reflection in traditional dance rituals, in behavioural rules during pregnancy, or in the healing ministry of independent churches. It demonstrates how local explanations of mental disorder - be it witchcraft, an angry ancestor, or the will of God - determine the social acceptance of an affected person's condition. Recent processes of cultural change, however, strengthen the pluralism of Malaŵian religious landscape, opening the local debate to an ever wider range of interpretations.
Joseph Chaphadzika Chakanza was born in 1943 at Mchacha Village, T.A. Malemia in Nsanje District where he grew up and discovered his vocation as a Catholic priest, being ordained in 1969. After studies for a Master's degree at the University of Aberdeen, he returned to Malawi and was appointed Lecturer in Religious Studies at Chancellor College, University of Malawi, in 1977. During the 1980s he took study leave to complete his DPhil in Social Anthropology at the University of Oxford. Thereafter he remained at Chancellor College until his retirement in 2007, serving for many years as the inspirational Head of the Department of Religious Studies. After retirement he embarked on a further period of teaching at the Catholic University of Malawi. His stature in the Catholic Church was recognised when he was made a Monsignor in June 2019. He died in his home diocese of Chikwawa in April 2020.
What is the key to understanding in a truly Malawian way? After a lifetime's theological reflection the author finds the answer in the concept of uMunthu (personhood or human-ness). Drawing on Malawi's cultures and languages, the biblical text and the evangelical faith, he casts a theological vision that can be transformative for church and nation.