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The late jazz legend offers his memories of the jazz scene of the 1950s and his decline from drug use in the early 1960s
This first major biography of the most romanticized icon in jazz thrillingly recounts his wild ride. From his emergence in the 1950s--when an uncannily beautiful young man from Oklahoma appeard on the West Coast to become, seemingly overnight, the prince of "cool" jazz--until his violent, drug-related death in Amsterdam in 1988, Chet Baker lived a life that has become an American myth. Here, drawing on hundreds of interviews and previously untapped sources, James Gavin gives a hair-raising account of the trumpeter's dark journey.
Told by the legendary trumpeter and singer himself, these memoirs launch wholeheartedly into the full-bodied and lush jazz-driven life that he led for more than 30 years.
Finally: the ultimate revised, updated, and expanded edition! Chet Baker was a star at 23 years old, winning the polls of America's leading magazines. But much of his later life was overshadowed by his drug use and problems with the law. 'Chet Baker: His Life and Music' was Baker's first biography, published a year after Baker's passing in 1988. It was available in five languages. Now Jeroen de Valk's thoroughly updated and expanded edition is finally here. De Valk spoke to Baker himself, his friends and colleagues, the police inspector who investigated his death, and many others. He read virtually every relevant word ever published about Chet and listened to every recording, issued or unissued. The result of all this is a book which clears up quite a few misunderstandings. Chet was not the 'washed-up' musician we saw in the 'documentary' Let's Get Lost. His death was not thát mysterious. According to De Valk, Chet was an incredible improviser, someone who could invent endless streams of melody. "He delivered these melodies with a highly individual, mellow sound. He turned his heart inside out, almost to the point of embarrassing his listeners." Jazz Times: "A solidly researched biography... a believable portrait of Baker... a number of enlightening interviews...." Library Journal: "De Valk's sympathetic yet gritty rendering of Baker's life blends well with his account of Baker's recording career." Cadence: "A classic of modern jazz biography. De Valk's writing is so straightforward as to be stark, yet this is just what makes it so rich." Jazzwise: "... it's going to be definitive." Jeroen de Valk (1958) is a Dutch musician and journalist. He also authored an acclaimed biography about tenor saxophonist Ben Webster.
Now in paperback, this first oral history of the most nihilistic of all pop movements brings the sound of the punk generation chillingly to life with 50 new pages of depraved testimony. "Please Kill Me" reads like a fast-paced novel, but the tragedies it contains are all too human and all too real. photos.
A book about mortality, the mortal weight of AIDS in particular.
This month-by-month chronology offers fascinating insight into the life of this most charismatic of jazz musicians.
Miles discusses his life and music from playing trumpet in high school to the new instruments and sounds from the Caribbean.
A novel set in the 60's by a writer who lived through them.
Shampoo meets You'll Never Eat Lunch In This Town Again in a rollicking and riveting memoir from the woman who for decades styled Hollywood's most celebrated players. I was living a hairdresser’s dream. I was making my mark in this all-male field. My appointment book was filled with more and more celebrities. And I was becoming competition for my heroes... Behind the scenes of every Hollywood photo shoot, TV appearance, and party in the ’60s, ’70s, and ’80s, there was Carrie White. As the “First Lady of Hairdressing,” Carrie collaborated with Richard Avedon on shoots for Vogue, partied with Jim Morrison, gave Sharon Tate her California signature style, and got high with Jimi Hendrix. She has counted Jennifer Jones, Betsy Bloomingdale, Elizabeth Taylor, Goldie Hawn, and Camille Cosby among her favorite clients. But behind the glamorous facade, Carrie’s world was in perpetual disarray and always had been. After her father abandoned the family when she was still a child, she was sexually abused by her domineering stepfather, and her alcoholic mother was unstable and unreliable. Carrie was sipping cocktails before her tenth birthday, and had had five children and three husbands before her twenty-eighth. She fueled the frenetic pace of her professional life with a steady diet of champagne and vodka, diet pills, cocaine, and heroin, until she eventually lost her home, her car, her career—and nearly her children. But she battled her way back, getting sober, rebuilding her relationships and her reputation as a hairdresser, and the name Carrie White was back on the door of one of Beverly Hills’s most respected salons. An unflinching portrayal of addiction and recovery, Upper Cut proves that even in Hollywood, sometimes you have to fight for a happy ending.