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Acclaimed mystery author and comics writer Max Collins (Road to Perdition) took over scripting Chester Gould's iconic detective strip in 1978, and Dick Tracy would never be the same again. The second of several volumes collecting Collins's masterful yet controversial 15-year run, the art is supplied by Rick Fletcher.
Clover Press and The Library of American Comics prove that size does matter as we fulfill fans' long-standing requests to produce new editions of the first six volumes of Chester Gould's The Complete Dick Tracy. This is no simple reprinting - these volumes have been reformatted to be the same larger size as Volumes 7 through 29. In this premiere offering, we return again to those hardscrabble days of 1931, when tragedy in the Trueheart family puts young Dick Tracy on the police force and pits him against mobster "Big Boy," Larceny Lu, the counterfeiter Alec Penn, the nefarious "Stooge" Viller, and Steve the Tramp! As an added bonus, the first thirty-four Tracy Sunday pages, with stories separate from the daily continuity, have been rescanned to make them sharper and cleaner than their original reprinting. There's never been a better time than now to get reacquainted with Chester Gould's crime-busting plainclothesman, with the publication of the new bigger edition of The Complete Dick Tracy Volume 1!
"The intrepid detective burned by Blowtop, T.V. Wiggles"--Jacket.
"The intrepid detective is on the trail of the aptly names Mr. Bribery and his equally grotesque sister, Ugly Christine, in a story that also features a substance-abusing witch doctor and a shelf of shrunken heads. Tracy's troubles are compounded when he comes face to face with master criminal Haf-and-Haf, one side of whose face is hideously disfigured. Included are all daily and Sunday strips from December 27, 1965 to July 2, 1967."--
Looks at the thousands of Dick Tracy items produced over the years as well as those issued for the new Walt Disney film, and traces the history of the famous detective, his family, friends, and nemeses.
The definitive anthology of the pioneering cartoonist and creator of Mad magazine, featuring 100s of classic and never-before-seeen illustrations. It’s difficult to overstate Harvey Kurtzman’s influence on pop culture. He discovered Robert Crumb and gave Gloria Steinem her first job in publishing. Terry Gilliam also started at his side, where he met John Cleese, and the genesis of Monty Python was formed. And Art Spiegelman has stated on record that he owes his career to him. Harvey Kurtzman was an astonishingly talented and influential artist, writer, editor, and satirist. The creator of MAD and Playboy’s “Little Annie Fanny” was called, “One of the most important figures in postwar America” by the New York Times. Kurtzman’s groundbreaking “realistic” war comics of the early ’50s and various satirical publications (MAD, Trump, Humbug, and Help!) had an immense impact on popular culture, inspiring a generation of underground cartoonists and comedians. The Art of Harvey Kurtzman includes hundreds of never-before-seen illustrations, paintings, pencil sketches, newly discovered lost E.C. Comics layouts, color compositions, illustrated correspondence, and vintage photos from the rich Kurtzman archives.
After more than a decade's hiatus, Marti brings his neo-Chester Gould character The Cabbie' back for a new round of thrillingly violent urban adventures. Every volume will also feature a bonus set of short stories set in an outwardly peaceful Midwestern American suburb, showing the inner rot of American society. Printed on high-quality paper in vivid duotone with a full-colour jacket, this is a unique and affordable package.'
Born in 1884, Frank R Paul was slated to study for the priesthood; instead, he studied art and architectural and mechanical drafting. The impact of these studies are evident in his brilliant and original science-fiction artwork. In 1914 Paul met Hugo Gernsback and began illustrating for Gernsback's Electrical Experimenter & Science & Invention. By 1926 when Gernsback's Amazing Stories was born Paul was ready: a talented calligrapher, Paul not only created the magazine's famed comet logo, but also the front cover painting and all of the interior black and white illustrations. Subsequently, over the span of his career, Paul was to paint over 200 published sci-fi covers and in excess of 1,000 black-and-white interiors. To say that Frank R Paul is the father of science-fiction illustration art is an understatement: his fertile imagination, amply demonstrated by the paintings and drawings in this book, speak for themselves and his legacy continues to influence the field today. Here, in this giant compendium, is the very first collection ever published showcasing many of Paul's full-colour science-fiction artwork along with appreciations and critical essays by Sir Arthur C Clarke and by Stephen Korshak; Jerry Weist and Roger Hill; Sam Moskowitz; Gerry de la Ree; Forrest J Ackerman and Frank Wu. Here is a volume to be enjoyed and cherished.
Take Chester Gould's Dick Tracy, add steroids, teleport it to Spain... and you have The Cabbie!
Presenting a deluxe hardcover collection of Chester Gould's timeless comic strip, "Dick Tracy", this first volume includes the five sample strips that Gould used to sell his groundbreaking strip, as well as nearly 500 comic strips encompassing the series' beginning, from October 1931-May 1933.