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This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
In its mother’s womb, a tiny baby grows, explores the waters, and talks with the angel who is there. These gentle illustrations and wise words tell the story of that baby and the angel in the waters . . . a story that delights all children, because the journey from conception to birth is their story, too.
"This updated edition of Bornstein's formative My Gender Workbook (1997) provides an invigorating introduction to contemporary theory around gender, sexuality, and power. The original is a classic of modern transgender theory and literature and, alongside Bornstein's other work, has influenced an entire generation of trans writers and artists. This revised and expanded edition extends that legacy, offering an accessible foundation for examining gender in the reader's life and in the broader culture while arguing for the dismantling of all forms of oppression. For fans of the original, Bornstein's new material merits a fresh read..."--Publishers Weekly, starred review Cultural theorists have written loads of smart but difficult-to-fathom texts on gender theory, but most fail to provide a hands-on, accessible guide for those trying to sort out their own sexual identities. In My Gender Workbook, transgender activist Kate Bornstein brings theory down to Earth and provides a practical approach to living with or without a gender. Bornstein starts from the premise that there are not just two genders performed in today's world, but countless genders lumped under the two-gender framework. Using a unique, deceptively simple and always entertaining workbook format, complete with quizzes, exercises, and puzzles, Bornstein gently but firmly guides readers toward discovering their own unique gender identity. Since its first publication in 1997, My Gender Workbook has been challenging, encouraging, questioning, and helping those trying to figure out how to become a "real man," a "real woman," or "something else entirely." In this exciting new edition of her classic text, Bornstein re-examines gender in light of issues like race, class, sexuality, and language. With new quizzes, new puzzles, new exercises, and plenty of Kate's playful and provocative style, My New Gender Workbook promises to help a new generation create their own unique place on the gender spectrum.
Alda Ellis, founder of Alda's Forever Soaps, shares thesentimental stories of the angels in her life's gardenâ€"the friends and family whohave inspired her with kindness and added joy to her days. Filled withexquisite fullâ€"color Victorian art, this endearing book celebrates how smallgestures become the seeds from which love grows. A perfect gift for anyone whohas been an angel to you.
With "My Gender Workbook," Bornstein brings theory down to earth and provides a practical approach to living with or without a gender. She also takes aim at efforts to naturalize gender differences.
Artist Eileen Miller has created 31 dazzling, ready-to-color dresses that range from dreamy to elegant to dramatic. Join the party by adding colorful touches to each of the beautifully detailed gowns in this fabulous and chic collection.
Stitched together over five years of journaling, Obiter Dicta is a commonplace book of freewheeling explorations representing the transcription of a dozen notebooks, since painstakingly reimagined for publication. Organized after Theodor Adorno's Minima Moralia, this unschooled exercise in aesthetic thought--gleefully dilettantish, oftentimes dangerously close to the epigrammatic--interrogates an array of subject matter (although inescapably circling back to the curiously resemblant histories of Western visual art and instrumental music) through the lens of drive-by speculation. Erick Verran's approach to philosophical inquiry follows the brute-force literary technique of Jacques Derrida to exhaustively favor the material grammar of a signifier over hand-me-down meaning, juxtaposing outer semblances with their buried systems and our etched-in-stone intuitions about color and illusion, shape and value, with lessons stolen from seemingly unrelatable disciplines. Interlarded with extracts of Ludwig Wittgenstein but also Wallace Stevens, Cormac McCarthy as well as Roland Barthes, this cache of incidental remarks eschews what's granular for the biggest picture available, leaving below the hyper-specialized fields of academia for a bird's-eye view of their crop circles. Obiter Dicta is an unapologetic experiment in intellectual dot-connecting that challenges much long-standing wisdom about everything from illuminated manuscripts to Minecraft and the evolution of European music with lyrical brevity; that is, before jumping to the next topic.
Cry Wolf saved Andrea's life, or that's how she likes to tell it. Forever in search of spiritual fulfillment, Andrea has rejected everything from religion to eating disorders, in favor of "I'm-with-the-band" style fanaticism, all centered on Cry Wolf, a brother-sister folk/rock duo with an eccentric hodgepodge of followers. When Andrea meets fellow groupie Jordan outside a concert, their connection is undeniable: Jordan is powerfully seductive, and Andrea is intrigued by Jordan’s lawless ways. Their romance escalates as they follow Cry Wolf around the country, but as Jordan becomes increasingly manipulative and unreliable, Andrea begins to realize that her passion for Jordan has turned into yet another addiction. The first time Jordan leaves her, Andrea flees Los Angeles for Chicago, almost relieved, and almost ready to start fresh. But when Jordan arrives unannounced on Andrea’s doorstep, Andrea can’t help it; she’s thrilled. Meet Andrea: tightly wound, mid-20s, teacher, hotter than she gives herself credit for, less clever than she believes. Meet Jordan: LA-skinny, ocean eyes, early-40s, perpetual undergraduate student, a liar who believes her own lies. Post-modern in form (lists, 3x5 cards, even the occasional screenplay), but classical in theme: a tale of a girl desperate for something like, but not quite love.
Perfect for fans of Alafair Burke and Megan Collins, Sarah Warburton's debut novel that explores the dangerous bond between sisters. When her sister goes missing, Zoe assumes it's just another one of her estranged sibling's stunts--but the danger is all too real. Zoe Hallett and her sister, Ava, are the precocious offspring of two pioneering scientists, but the sisters have been estranged for years. When Zoe reads a news story about Ava's mysterious disappearance, she assumes it's just another of her sister's twisted fictions, designed to blame Zoe and destroy the peaceful life she's created with her husband and beautiful stepdaughter in Houston. But Zoe's email is hacked to send threatening messages to Ava--and a more sinister picture begins to emerge. Zoe returns to her home state of Virginia to prove her innocence to the authorities, to her parents, and to Glenn, her ex-boyfriend and current brother-in-law. For the first time, Zoe begins to believe Ava is in grave danger, and when Glenn catches her searching for clues in Ava's home, she looks guiltier than ever--but maybe Glenn is not all he seems. The clues Zoe finds point to a bizarre link between Ava's disappearance and her mother's "research". Is there a secret someone is trying to protect? And would someone be willing to kill to protect it? As her sister's life hangs in the balance, Zoe draws on hidden reserves of strength and hope to save the sister she never thought she loved.