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Gathers advice on obtaining happiness, finding fulfillment, clarifying the emotions, and promoting family harmony.
Long ago Cherokee dancers would dance, and through dancing tell stories about the tribe. The wrapped themselves in colorful blankets and wore masks to represent people, feelings, and animals that shared their world. The masks had exaggerated features such as extra-long noses, big bushy eyebrows, or horns to represent characters in the stories. The most popular Cherokee masks are represented here for children to color and do lessons in matching, mazes, completing sentences, connecting dots, counting, spelling, and more. For children age 5-8 years.
Selections gathered from journals, treaty records, and correspondence written by Cherokees or by Europeans or Americans who knew them.
A collection of excerpts, some about Cherokee women and some by them.
California has always been America's promised landÑfor American Indians as much as anyone. In the 1950s, Native people from all over the United States moved to the San Francisco Bay Area as part of the Bureau of Indian Affairs Relocation Program. Oakland was a major destination of this program, and once there, Indian people arriving from rural and reservation areas had to adjust to urban living. They did it by creating a cooperative, multi-tribal communityÑnot a geographic community, but rather a network of people linked by shared experiences and understandings. The Intertribal Friendship House in Oakland became a sanctuary during times of upheaval in people's lives and the heart of a vibrant American Indian community. As one long-time resident observes, "The Wednesday Night Dinner at the Friendship House was a must if you wanted to know what was happening among Native people." One of the oldest urban Indian organizations in the country, it continues to serve as a gathering place for newcomers as well as for the descendants of families who arrived half a century ago. This album of essays, photographs, stories, and art chronicles some of the people and events that have playedÑand continue to playÑa role in the lives of Native families in the Bay Area Indian community over the past seventy years. Based on years of work by more than ninety individuals who have participated in the Bay Area Indian community and assembled by the Community History Project at the Intertribal Friendship House, it traces the community's changes from before and during the relocation period through the building of community institutions. It then offers insight into American Indian activism of the 1960s and '70sÑincluding the occupation of AlcatrazÑand shows how the Indian community continues to be created and re-created for future generations. Together, these perspectives weave a richly textured portrait that offers an extraordinary inside view of American Indian urban life. Through oral histories, written pieces prepared especially for this book, graphic images, and even news clippings, Urban Voices collects a bundle of memories that hold deep and rich meaning for those who are a part of the Bay Area Indian communityÑaccounts that will be familiar to Indian people living in cities throughout the United States. And through this collection, non-Indians can gain a better understanding of Indian people in America today. "If anything this book is expressive of, it is the insistence that Native people will be who they are as Indians living in urban communities, Natives thriving as cultural people strong in Indian ethnicity, and Natives helping each other socially, spiritually, economically, and politically no matter what. I lived in the Bay Area in 1975-79 and 1986-87, and I was always struck by the Native (many people do say 'American Indian' emphatically!) community and its cultural identity that has always insisted on being second to none. Yes, indeed this book is a dynamic, living document and tribute to the Oakland Indian community as well as to the Bay Area Indian community as a whole." ÑSimon J. Ortiz "When my family arrived in San Francisco in 1957, the people at the original San Francisco Indian Center helped us adjust to urban living. Many years later, I moved to Oakland and the Intertribal Friendship House became my sanctuary during a tumultuous time in my life. The Intertribal Friendship House was more than an organization. It was the heart of a vibrant tribal community. When we returned to our Oklahoma homelands twenty years later, we took incredible memories of the many people in the Bay Area who helped shape our values and beliefs, some of whom are included in this book." ÑWilma Mankiller, former Principal Chief, Cherokee Nation
First Fire is an ageless Cherokee myth about the revered water spider in their culture. The story happens in a time when animals could do many of the things that people do. The Creator gave the animals the world to live on, but they were without a source for heat at night. Great Thunder and his sons saw the plight of the animals so he sent lightning down to strike a tree. The tree burst into flames but the tree was on an island. Many animals tried to bring the fire over the water to the shore, but they were all unsuccessful. One small creature, the Water Spider, then volunteered. Curious, the animals said to her “We know you could get there safely, but how would you bring the fire back without getting burned?” Water Spider was successful and to this day, the water spider is revered in Cherokee culture.
A selection of stories that introduce the reader to the Cherokee Little People (Yuñwi Tsunsdiʼ) and how they affect the lives of the Cherokee people.
Provides a collection of letters, military records, journal excerpts, and other firsthand accounts documenting the fate of the Cherokee Indians after the Indian Removal Act of 1830.
Theda Perdue examines the roles and responsibilities of Cherokee women during the eighteenth and nineteenth centuries, a time of intense cultural change. While building on the research of earlier historians, she develops a uniquely complex view of the effects of contact on Native gender relations, arguing that Cherokee conceptions of gender persisted long after contact. Maintaining traditional gender roles actually allowed Cherokee women and men to adapt to new circumstances and adopt new industries and practices.
This innovative retelling of the classic Christmas tale takes a whimsical look at what Christmas Eve might be like for an American Indian family when Old Red Shirt (the Indian Santa Claus) comes a-calling. He brings with him his team of flying white buffalo to deliver fry bread, commodities, and other goodies. Renowned Cherokee artist Jesse Hummingbird’s inspired illustrations transform the author’s playful adaptation into a fresh, modern work of art. A delight for people of all ages and cultures. The title was the winner of the 2010 Moonbeam Award for Holiday Books. A glossary is included to explain terms commonly used in Native communities such as fry bread, commodities, and medicine bundles.