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Once upon a time in the late nineteenth century, there was an outlaw that captured the imagination of the American public like no other. He can be compared to John Dillinger or Pretty Boy Floyd of the 1930s. Like both of these men, he garnered national press for his exploits; the well-known New York Times had a running commentary on his actions and deeds. This outlaw's name was Crawford Goldsby, better known as Cherokee Bill.Cherokee Bill was every bit as colorful and outrageous as any criminal of the western frontier, perhaps even more so. There were a few things about him that made him truly unique for a famous desperado of the purple sage. First and foremost, he was an African American living in the Indian Territory. He was also Native American, Bill was a citizen of the Cherokee Nation, as a freedman, from his mother's lineage.Compare Cherokee Bill to Billy the Kid, (Billy Antrim), of New Mexico Territory fame. Although both outlaws received national media attention for their crimes while they were living, Billy the Kid was remembered and immortalized in books and films in the twentieth century; this did not occur for Cherokee Bill. Art Burton's newest book will help change that.
This a the sequal to SERGEANT GOLDSBY AND THE 20TH CAVALRY. Crawford Goldsby, Cherokee Bill, was Sergeant Goldsby's son. This historical fiction is the most complete story ever told about the meanest and most feared man in the most violent territory in the US. The first part of the book will continue the story of George Goldsby and ease the reader into the life of Cherokee Bill. You will ride with him and live with him and the Cook gang as they spread terror and murder across a land that was continually at unrest. Due to the violence and nature of the man this book is recommended for adults only.
Provides an overview of the past and present lives of the Cherokee Native Americans, covering their daily life, customs, and relations with the government. Includes information on the Trail of Tears.
Black and Indian gunfighters in the Indian Territory
“He is wise; he has something to say. Let us call him ‘A-tse-nu-sti,’ the messenger.” This is the story of Reverend Samuel Austin Worcester (1798-1859), “messenger” and missionary to the Cherokees from 1825 to 1859 under the auspices of the American Board of Foreign Missions (Congregational). One of Worcester’s earliest accomplishments was to set Sequoyah’s alphabet in type so that he and Elias Boudinot could print the bilingual Cherokee Phoenix. After removal to Indian Territory, he helped establish the Cherokee Advocate, edited by William Ross, and issued almanacs, gospels, hymnals, bibles, and other books in the Cherokee, Creek, and Choctaw languages. He served the Cherokee in numerous roles, including those of preacher, teacher, postmaster, legal advisor, doctor, and organizer of temperance societies. His story is the Cherokee story, and in the foreword to this new edition, William L. Anderson discusses Worcester’s life among the Cherokee.
With the arrival of Europeans in North America, the Cherokee were profoundly affected. This book thoroughly discusses their history during the Colonial and Revolutionary War eras. Starting with the French and Indian War, the Cherokee were allied with the British, relying on them for goods like poorly made muskets. The alliance proved unequal, with the British refusing aid--even as settlers made incursions into Cherokee lands--while requiring them to fight on the British side against the French and rebellious Americans. At the same time, the Cherokee were moving away from their traditions, and leadership disagreements caused their nation to become fragmented. All of this resulted in the loss of Cherokee ancestral lands.
Today, a fraction of the Cherokee people remains in their traditional homeland in the southern Appalachians. Most Cherokees were forcibly relocated to eastern Oklahoma in the early nineteenth century. In 1830 the U.S. government shifted its policy from one of trying to assimilate American Indians to one of relocating them and proceeded to drive seventeen thousand Cherokee people west of the Mississippi. The Cherokee Nation and the Trail of Tears recounts this moment in American history and considers its impact on the Cherokee, on U.S.-Indian relations, and on contemporary society. Guggenheim Fellowship-winning historian Theda Perdue and coauthor Michael D. Green explain the various and sometimes competing interests that resulted in the Cherokee?s expulsion, follow the exiles along the Trail of Tears, and chronicle their difficult years in the West after removal.
In The Story of Oklahoma, Deputy U.S. Marshal Bass Reeves appears as the "most feared U.S. marshal in the Indian country." That Reeves was also an African American who had spent his early life enslaved in Arkansas and Texas made his accomplishments all the more remarkable. Black Gun, Silver Star sifts through fact and legend to discover the truth about one of the most outstanding peace officers in late nineteenth-century America--and perhaps the greatest lawman of the Wild West era. Bucking the odds ("I'm sorry, we didn't keep Black people's history," a clerk at one of Oklahoma's local historical societies answered one query), Art T. Burton traces Reeves from his days of slavery to his Civil War soldiering to his career as a deputy U.S. marshal out of Fort Smith, Arkansas, when he worked under "Hanging Judge" Isaac C. Parker. Fluent in Creek and other regional Native languages, physically powerful, skilled with firearms, and a master of disguise, Reeves was exceptionally adept at apprehending fugitives and outlaws and his exploits were legendary in Oklahoma and Arkansas. In this new edition Burton traces Reeves's presence in the national media of his day as well as his growing modern presence in popular media such as television, movies, comics, and video games.
You don't want to make me mad. I've got a lot of hate in me, and I am not afraid of one blessed thing in this life. I'm Crawford Goldsby--better known as Cherokee Bill--and if you think you're the one to bring me to justice you're wrong...dead wrong. They call me a half-breed, but I killed my first man by the time I was twelve, and I never stopped. Why? Because I like killing--and I'm damn good at it. Indian Territory wouldn't be the same without me. But this outlaw likes living, too, and when I rob that train carrying millions for a big payoff here in Indian Territory, I've got a plan to cut loose and run to South America--along with my fancy woman, Maggie. Don't get in my way. Indian Territory is mine. Oklahoma Territory is mine. If you cross me, your life is mine, too. I'm barely eighteen, and I can deliver a kill shot without even looking your way--yes, I'm that good. Judge Parker can't wait to get his hands on me over in Fort Smith. If he does, death by hanging will be end of me. Will Parker get his wish? We'll see...I've gotten confident in my own abilities to escape. If he gets his way at last, he won't see Cherokee Bill running scared. I'll look the bastard in the eye and say, "It's A GOOD DAY TO DIE..."