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The fantastical oeuvre of one of the most important artists of Russian constructivism. This volume presents previously unpublished graphic works and personal documents of the famous Russian constructivist Yakov Georgievich Chernikhov (1889 -1951) from the archive of his son, Dmitry Yakovlevich Chernikhov, and from the archive of Sergei Tchoban. The typeface tables, drawings and sketches, as well as over one hundred ornaments shown here reveal Yakov Georgievich Chernikhov as an ingenious graphic artist and architect, as a passionate and highly committed teacher and, above all, as an ardent advocate of imagination as the creative force behind every creative process: a visionary niversal artist in the tradition of Italian Giovanni Piranesi and a forerunner of famous architects such as Bernard Tschumi or Zaha Hadid. With an introductory essay by the respected architectural historian, Dmitry Sergeyevich Khmelnitsky.
Architecture is conventionally seen as being synonymous with building. In contrast, this book introduces and defines a new category - the unbuildable. The unbuildable involves projects that are not just unbuilt, but cannot be built. This distinct form of architectural project has an important and often surprising role in architectural discourse, working not in opposition to the buildable, but frequently complementing it. Using well-known examples of early Soviet architecture – Tatlin’s Tower in particular – Nerma Cridge demonstrates the relevance of the unbuildable, how it relates to current notions of seriality, copying and reproduction, and its implications for contemporary practice and discourse in the computational age. At the same time it offers a fresh view of our preconceptions and expectations of early Soviet architecture and the Constructivist Movement.
Architecture is conventionally seen as being synonymous with building. In contrast, this book introduces and defines a new category - the unbuildable. The unbuildable involves projects that are not just unbuilt, but cannot be built. This distinct form of architectural project has an important and often surprising role in architectural discourse, working not in opposition to the buildable, but frequently complementing it. Using well-known examples of early Soviet architecture – Tatlin’s Tower in particular – Nerma Cridge demonstrates the relevance of the unbuildable, how it relates to current notions of seriality, copying and reproduction, and its implications for contemporary practice and discourse in the computational age. At the same time it offers a fresh view of our preconceptions and expectations of early Soviet architecture and the Constructivist Movement.
Reconstruction and Restoration of Architectural Heritage 2020 includes contributions on the protection, and restoration of architectural monuments and the reconstruction of major historical urban development sites, as well as various complex issues and aspects of engineering reconstruction of monuments and preservation of historical heritage. The contributions were presented at the eponymous conference (RRAH 2020, St Petersburg, Russia, 25-28 March 2020), and cover a wide range of topics: - Historical, architectural and urban planning research and restoration of monuments - Urban and regional planning - Engineering reconstruction, performance of repair and reconstruction works on monuments - Training of architects and restorers Reconstruction and Restoration of Architectural Heritage 2020 will be of interest to academics and professionals involved in the history and restoration of nature reserves, estates, cities and monuments.
An essential exploration of how Russian ideas about the United States shaped architecture and urban design from the czarist era to the fall of the U.S.S.R. Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. Jean-Louis Cohen traces the powerful concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the 19th century, to department stores, skyscrapers, and factories built in Russia using American methods during the 20th century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, following a period of strategic competition. This first major study of Amerikanizm in the architecture of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.
Zeven essays over het constructivisme, de Russische avant-garde beweging aan het begin van deze eeuw, die in 1932 door Stalin in de ban gedaan werd.
Deconstructionism, originally the reserve of philosophy and literary criticism, has gained considerable prominence in art and architecture. This volume addresses the nature, modality, and manifestations of deconstruction, bringing together articles and projects produced by philosophers, architects, and artists. Sections are devoted to: origins; theory; art; and architecture. With some 300 terrific illustrations, most in color. No index. 10x12". Cloth edition (unseen), $75. Annotation copyrighted by Book News, Inc., Portland, OR