Download Free Cherie Quarters Book in PDF and EPUB Free Download. You can read online Cherie Quarters and write the review.

Cherie Quarters combines personal interviews, biography, and social history to tell the story of a plantation quarter and its most famous resident, renowned Louisiana writer and Pulitzer Prize nominee Ernest J. Gaines. In clear and vivid prose, this original and vital book illuminates the birthplace of a preeminent Black author and the lives of the people who inspired his work. Before he became an award-winning writer, Gaines was the son of sharecroppers in Cherie Quarters, a small Black community in Pointe Coupee Parish, Louisiana. Drawing on decades of interviews and archival research, Ruth Laney explores the lives and histories of the families, both kin and not, who lived in a place where “everybody was everybody’s child.” Built as slave cabins for the nearby River Lake Plantation in the 1840s, the houses of Cherie Quarters were cold in winter, hot in summer, filled with mosquitoes, and overflowing with people. Even so, the residents made these houses into homes. Laney describes aspects of their daily lives—work, food, entertainment, religion, and education—then expands her focus to the white families who built River Lake Plantation, enslaved its people, and later directed the lives of its Black sharecroppers. The twenty-first century saw the demise of Cherie Quarters. Like many landmarks of Black American life and history, the few remaining structures were razed or fell into ruin. Laney recounts the ultimately unsuccessful efforts of a small, dedicated group to preserve the vestiges of the community—two slave cabins, the church/schoolhouse, and a shed. Engaging and rich in detail, Cherie Quarters highlights the voices of those who called this special place home and shares the story of a lost way of life in South Louisiana.
Interpreting Agriculture in Museums and Historic Sites orients readers to major themes in agriculture and techniques in education and interpretation that can help you develop humanities-based public programming that enhance agricultural literacy. Case studies illustrate the ways that local research can help you link your history organization to compelling local, national (even international) stories focused on the multidisciplinary topic. That ordinary plow, pitch fork, and butter paddle can provide the tangible evidence of the story worth telling, even if the farm land has disappeared into subdivisions and agriculture seems as remote as the nineteenth century. Other topics include discussion of alliances between rural tourism and community-supported agriculture, farmland conservation and stewardship, heritage breed and seed preservation efforts, and antique tractor clubs. Any of these can become indispensable partners to history organizations searching for a new interpretive theme to explore and new partners to engage.
Collected interviews with the award-winning African American author of A Lesson Before Dying, The Autobiography of Miss Jane Pittman, A Gathering of Old Men, "The Sky Is Gray," and many other works
In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies.<
Learn about the ghosts that haunt Louisiana’s capital city in this collection of spooky stories and photos . . . With yellow fever, Civil War battles, murders, and tragic accidents staining its history, it is no wonder that Baton Rouge is rife with tales of ghostly visitors. Highland Road has had so many reports of Civil War soldier sightings that the local police department sent out an officer to track one down. Spirits crowd about in the stately grounds of the Magnolia Mound and Old Cottage Plantations, the Old State Capitol building and the new, and even the USS Kidd. Unlikely spots like the Guaranty Income Life and Broadcast Building have plenty of hair-raising stories of their own; the cafeteria used to be a morgue. Now you can explore the Red Stick’s eerie past with paranormal investigator Bud Steed—as he uncovers the city’s most chilling tales.
It is universally acknowledged that a good person in possession of a small or large fortune will often be parted from it.There is a spine-chilling resemblance to the praying mantis in human behaviour. The mantis waits for its prey, then quickly dispatches it. The female often eats its mate during or after copulation in sexual cannibalism. Humans don't eat each other but devour through envy, greed, blackmail and extortion. Either sex, like the mantis, preys. This book is classed as fiction but the human interaction is taken from real life experiences. Hatred, seeking revenge, is dramatised.You will see how incidents play out. Anybody could be standing innocently on the edge of a pending disaster not realising it. Your partner could have designs you never dreamt off. Don't be a victim. Protect your mind body and soul not forgetting your wallet. If you get wounded you will live with it forever.William Evans, now under 'witness protection' arrives in Sydney, Australia, as John Williams. He reads a warning but pays no heed becoming welcome bait for the mantis syndrome.Nothing is sacred when the syndrome has you in sight. It's usually too late. What's left of your carcass is fought over by lawyers, accountants and bank managers. All want their pound of any remaining flesh becoming richer at your expense.John Williams still believed in honour. His word is his bond often sealed with a hand shake. I suggest in today's cyber digital world Honour is a relic of ages past. Somebody always wants what you have.Don't become a victim of the Syndrome. Note the warning signs. Learn how to interpret them. A mantis could be sat beside you on a flight, or where you work, at a party, or a recent lover plotting to entrap you. Once snared you are doomed. Don't let it happen. Read on to protect yourself.Life is short. A mantis will make it seem an eternity.
Contributions by Ted Atkinson, Thadious M. Davis, Matthew Dischinger, Dotty Dye, Chiyuma Elliott, Doreen Fowler, Joseph Fruscione, T. Austin Graham, Rachel Eliza Griffiths, Derrick Harriell, Lisa Hinrichsen, Randall Horton, George Hutchinson, Andrew B. Leiter, John Wharton Lowe, Jamaal May, Ben Robbins, Tim A. Ryan, Sharon Eve Sarthou, Jenna Sciuto, James Smethurst, and Jay Watson At the turn of the millennium, the Martinican novelist Édouard Glissant offered the bold prediction that “Faulkner’s oeuvre will be made complete when it is revisited and made vital by African Americans,” a goal that “will be achieved by a radically ‘other’ reading.” In the spirit of Glissant’s prediction, this collection places William Faulkner’s literary oeuvre in dialogue with a hemispheric canon of black writing from the United States and the Caribbean. The volume’s seventeen essays and poetry selections chart lines of engagement, dialogue, and reciprocal resonance between Faulkner and his black precursors, contemporaries, and successors in the Americas. Contributors place Faulkner’s work in illuminating conversation with writings by Paul Laurence Dunbar, W. E. B. Du Bois, James Weldon Johnson, Jean Toomer, Nella Larsen, Claude McKay, Ralph Ellison, James Baldwin, Ernest J. Gaines, Marie Vieux-Chauvet, Toni Morrison, Edwidge Danticat, Randall Kenan, Edward P. Jones, and Natasha Trethewey, along with the musical artistry of Mississippi bluesman Charley Patton. In addition, five contemporary African American poets offer their own creative responses to Faulkner’s writings, characters, verbal art, and historical example. In these ways, the volume develops a comparative approach to the Faulkner oeuvre that goes beyond the compelling but limiting question of influence—who read whom, whose works draw from whose—to explore the confluences between Faulkner and black writing in the hemisphere.
Interpreting Difficult History at Museums and Historic Sites is framed by educational psychoanalytic theory and positions museum workers, public historians, and museum visitors as learners. Through this lens, museum workers and public historians can develop compelling and ethical representations of historical individuals, communities, and populations who have suffered. It includes various examples of difficult knowledge, detailed examples of specific interpretation methods, and will give readers an in-depth explanation of the psychoanalytic educational theories behind the methodologies. Audiences can more responsibly and productively engage in learning histories of oppression and trauma when they are in measured and sensitive museum learning environments and public history venues. To learn more, check out the website here: http://interpretingdifficulthistory.com/
As the acclaimed author of The Autobiography of Miss Jane Pittman and A Lesson Before Dying, Ernest J. Gaines (b. 1933) has been publishing stories and novels for more than sixty years. His brilliant portrayals of race, community, and culture in rural south Louisiana have made him one of the most respected and beloved living American writers. Ernest J. Gaines: Conversations brings together the author’s own thoughts and words in interviews that range from 1994 to 2017, discussing his life, his work, and his literary legacy. The interviews cover all of Gaines’s works, including his two latest books, Mozart and Leadbelly: Stories and Essays (2005) and The Tragedy of Brady Sims (2017). The book provides a retrospective of his work from the viewpoint of a senior writer, now eighty-five years old, and gives an important international perspective on Gaines and his work. Among the many things Gaines discusses in his interviews are the recurrent themes in his works: the search for manhood, the importance of personal responsibility and standing with dignity, the problems of fathers and sons, and the challenges of race and racism in America. He examines his fictional world and his strong sense of place, his role as teacher and mentor, the importance of strong women in his life, and the influence of spirituality, religion, and music on his work. He also talks about storytelling, the nature of narrative, writing as a journey, and how he sees himself as a storyteller.