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Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,3, Ernst Moritz Arndt University of Greifswald, language: English, abstract: In the Middle Ages rhetoric played a much more important role than it does nowadays. Replaced by sciences like aesthetics, psychology or stylistics1 in our time rhetoric was of central interest in scholarly life back then. It was not simply reduced to the science of tropes and figures like it is often done nowadays but there was much more to it in the Middle Ages. Based on the rhetorical tradition of the antiquity rhetoric was the art of speech, which already shows that it was a broad subject. It will therefore be of importance to give a general overview of rhetoric in those days and to look at one author in particular to illustrate how rhetoric was used. One of the most important and best known authors of the Middle Ages is Geoffrey Chaucer. That is why he will be considered as a representative of the rhetoricians of his time in this term paper. The following chapters will deal with rhetoric in the Middle Ages in general and with Chaucer as a rhetorician of that time in particular. This term paper will not only summarise what rhetoric was like in those days but, moreover, it will examine the most important features of Chaucer’s poetical style. Finally a closer look at The Parliament of Fowls, one of Chaucer’s minor poems, will make clear how Chaucer used rhetorical devices and other language ornaments to make his works aesthetic and to get his message across. While reading Chaucer it has to be kept in mind that his poems were not published as books to be read but were presented to an audience. That is why it will be of interest to examine the way the oral character is created in Chaucer’s poems. Rhetorical devices were originally used to make a text or speech aesthetic and persuasive and nowadays they are often used as the starting point for interpretations of a text because it is assumed that there must be a connection between the style and the meaning of a poem. This term paper, however, is not supposed to contribute to the understanding of Chaucer’s The Parliament of Fowls in the first place or even to provide any interpretations of the poem as a whole but it shall give an insight into Chaucer’s rhetoric and focus on selected examples of this poem. It deals with Chaucer’s poetical style and not with the deeper meaning of his poem. Nevertheless some rhetorical features cannot be explained without looking at certain possible interpretations of them.
An analysis of the ways in which Chaucer uses details of costume, clothing and fabric, enhancing our understanding of and shedding fresh insights into his work. The use Chaucer made of costume rhetoric, and its function within his body of works, are examined here for the first time. The study explores Chaucer's knowledge of the conventional imagery of medieval literary genres, especiallymedieval romances and fabliaux, and his manipulation of rhetorical conventions through variations and omissions. In particular, it addresses Chaucer's habit of playing upon his audience's expectations, derived from their knowledge of the literary genres involved - and why he omits lengthy passages of costume rhetoric in his romances, but includes them in some of his comedic works, It also discusses the numerous minor facets of costume rhetoric employed in decorating his texts. Chaucer and Array responds to the questions posed by medievalists concerning Chaucer's characteristic pattern of apportioning descriptive detail in his characterization by costume. It alsoexamines his depiction of clothing and textiles representing contemporary material culture while focusing attention on the literary meaning of clothing and fabrics as well as on their historic, economic and religious signification. Laura F. Hodges blends her interests in medieval literature and the history of costume in her publications, specializing in the semiotics of costume and fabrics in literature. A teacher of English literature for a number of years, she holds a doctorate in literature from Rice University.
Methods of representing individual voices were a primary concern for Geoffrey Chaucer. While many studies have focused on how he expresses the voices of his characters, especially in The Canterbury Tales, a sustained analysis of how he represents his own voice is still wanting. This book explores how Chaucer's first-person narrators are devices of self-representation that serve to influence representations of the poet. Drawing from recent developments in narratology, the history of reading, and theories of orality, this book considers how Chaucer adapts various rhetorical strategies throughout his poetry and prose to define himself and his audience in relation to past literary traditions and contemporary culture. The result is an understanding of how Chaucer anticipates, addresses, and influences his audience's perceptions of himself that broadens our appreciation of Chaucer as a master rhetorician.
The use Chaucer made of costume rhetoric, and its function within his works, are examined here for the first time. The study explores Chaucer's knowledge of the conventional imagery of medieval literary genres, especially medieval romances and fabliaux, and his manipulation of rhetorical conventions through variations and omissions. In particular, it addresses Chaucer's habit of playing upon his audience's expectations, derived from their knowledge of the literary genres involved - and why he omits lengthy passages of costume rhetoric in his romances, but includes them in some of his comedic works, It also discusses the numerous minor facets of costume rhetoric employed in decorating his texts.
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,3, Ernst Moritz Arndt University of Greifswald, 20 entries in the bibliography, language: English, abstract: In the Middle Ages rhetoric played a much more important role than it does nowadays. Replaced by sciences like aesthetics, psychology or stylistics1 in our time rhetoric was of central interest in scholarly life back then. It was not simply reduced to the science of tropes and figures like it is often done nowadays but there was much more to it in the Middle Ages. Based on the rhetorical tradition of the antiquity rhetoric was the art of speech, which already shows that it was a broad subject. It will therefore be of importance to give a general overview of rhetoric in those days and to look at one author in particular to illustrate how rhetoric was used. One of the most important and best known authors of the Middle Ages is Geoffrey Chaucer. That is why he will be considered as a representative of the rhetoricians of his time in this term paper. The following chapters will deal with rhetoric in the Middle Ages in general and with Chaucer as a rhetorician of that time in particular. This term paper will not only summarise what rhetoric was like in those days but, moreover, it will examine the most important features of Chaucer's poetical style. Finally a closer look at The Parliament of Fowls, one of Chaucer's minor poems, will make clear how Chaucer used rhetorical devices and other language ornaments to make his works aesthetic and to get his message across. While reading Chaucer it has to be kept in mind that his poems were not published as books to be read but were presented to an audience. That is why it will be of interest to examine the way the oral character is created in Chaucer's poems. Rhetorical devices were originally used to make a text or speech aesthetic and persuasive and nowadays they are often used as the starting point for interpr
The extensively revised and expanded version of the acclaimed Companion to Chaucer An essential text for both established scholars and those seeking to expand their knowledge of Chaucer studies, A New Companion to Chaucer is an authoritative and up-to-date survey of Chaucer scholarship. Rigorous yet accessible, this book helps readers to identify current debates, recognize historical and literary context, and to understand how particular concepts and theories affect the interpretation of Chaucer’s texts. Chaucer specialists from around the globe offer contributions that range from updates of long-standing scholarship on biography, language, women, and social structures, to original research in new areas such as ideology, the afterlife, patronage, and sexuality. In presenting conflicting perspectives and ideological differences, this stimulating volume encourages readers to explore additional paths of inquiry and engage in lively and informed debate. Each chapter of the Companion, organized by issues and themes, balances textual analysis and cultural context by grounding the reader in existing scholarship. Key issues from specific passages are discussed with an annotated bibliography provided for reference and further reading. Compiled with all students of Chaucer in mind, this important volume: Presents contributions from both established and emerging specialists Explores the circumstances in which Chaucer wrote, such as the political and religious issues of his time Includes numerous close readings of selected poems Provides points of entry to a wide range of approaches to Chaucer’s works Incorporates original research, fresh perspectives, and updated additions to Chaucer scholarship A New Companion to Chaucer is a valuable and enduring resource for scholars, teachers, and students of medieval literature and medieval studies, as well as the general reader interested in interpretations and historical contexts of Chaucer’s writings.