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Through an examination of Old Norse and Celtic parallels to certain works of Chaucer, McTurk here identifies hitherto unrecognized sources for these works in early Irish tradition. He revives the idea that Chaucer visited Ireland between 1361 and 1366, placing new emphasis on the date of the enactment of the Statute of Kilkenny. Examining Chaucer’s House of Fame, McTurk uncovers parallels involving eagles, perilous entrances, and scatological jokes about poetry in the Topographia Hibernie by Gerald of Wales, Snorri Sturluson’s Edda, and the Old Irish sagas Fled Bricrend and Togail Bruidne Da Derga. He compares The Canterbury Tales, with its use of the motif of a journey as a framework for a tale-collection, with both Snorri’s Edda and the Middle Irish saga Acallam na Senórach. McTurk presents a compelling argument that these works represent Irish traditions which influenced Chaucer’s writing. In this study, McTurk also argues that the thirteenth-century Icelandic Laxdæla Saga and Chaucer’s Wife of Bath’s Prologue and Tale each descend from an Irish version of the Loathly Lady story. Further, he surmises that Chaucer’s five-stress line may derive from the tradition of Irish song known as amhrán, which, there is reason to suppose, existed in Ireland well before Chaucer’s time.
An extremely thorough, expertly compiled and crisply annotated comprehensive bibliography of Chaucer scholarship between 1997 and 2010
Focusing on four aspects of Chaucer's poetics-use of narrative, speech, rhetoric, and figurative language-this is the first book-length study to identify Chaucer's poetic strategies by making specific comparisons with textual sources. Reading The Legend of Good Women and five of The Canterbury Tales against their classical and continental sources, Holton illuminates Chaucer's poetic style, showing he was consistent in asserting his own techniques against the pressure of his sources.
Old Norse texts offer different ideas about what it is to be female, presenting women in diverse social and economic positions. This book analyzes female characters in medieval Icelandic saga literature, and demonstrates how they engaged with some of the most contested values of the period, revealing the anxieties of both the authors and audiences.
A new look at the way in which medieval European literature depicts torture and brutality.
This authoritative collection of rigorous but accessible essays investigates the exciting new interdisciplinary field of environmental literary criticism.
Can Orthodox Christianity offer spiritual resources uniquely suited to the environmental concerns of today? This book makes the case emphatically that it can indeed. In addition to being the first substantial and comprehensive collection of essays, in any language, to address environmental issues from the Orthodox point of view, this volume (with contributions from many of the most influential theologians and philosophers in contemporary world Orthodoxy) will engage a wide audience, in academic as well as popular circles—resonating not only with Orthodox audiences but with all those in search of a fresh approach to environmental theory and ethics that can bring to bear the resources of ancient spirituality, often virtually unknown in the West, on modern challenges and dilemmas.
The last fifty years have seen a significant change in the focus of saga studies, from a preoccupation with origins and development to a renewed interest in other topics, such as the nature of the sagas and their value as sources to medieval ideologies and mentalities. The Routledge Research Companion to the Medieval Icelandic Sagas presents a detailed interdisciplinary examination of saga scholarship over the last fifty years, sometimes juxtaposing it with earlier views and examining the sagas both as works of art and as source materials. This volume will be of interest to Old Norse and medieval Scandinavian scholars and accessible to medievalists in general.
John Scottus Eriugena (d. ca. 877) is regarded as the most important philosopher and theologian in the Latin West from the death of Boethius until the thirteenth century. He incorporated his understanding of Latin sources, Ambrose, Augustine, Boethius and Greek sources, including the Cappadocian Fathers, Pseudo-Dionysius, and Maximus Confessor, into a metaphysics structured on Aristotle’s Categories, from which he developed Christian Neoplatonist theology that continues to stimulate 21st-century theologians. This collection of essays provides an overview of the latest scholarship on various aspects of Eriugena’s thought and writings, including his Irish background, his use of Greek theologians, his Scripture hermeneutics, his understanding of Aristotelian logic, Christology, and the impact he had on contemporary and later theological traditions. Contributors: David Albertson, Joel Barstad, John Contreni, Christophe Erismann, John Gavin, Adrian Guiu, Michael Harrington, Catherine Kavanagh, A. Kijewska, Stephen Lahey, Elena Lloyd-Sidle, Bernard McGinn, Ernesto Sergio Mainoldi, Dermot Moran, Giulio D’Onofrio, Willemien Otten, and Alfred Siewers
Environmental Criticism for the Twenty-First Century showcases the recent explosive expansion of environmental criticism, which is actively transforming three areas of broad interest in contemporary literary and cultural studies: history, scale, and science. With contributors engaging texts from the medieval period through the twenty-first century, the collection brings into focus recent ecocritical concern for the long durations through which environmental imaginations have been shaped. Contributors also address problems of scale, including environmental institutions and imaginations that complicate conventional rubrics such as the national, local, and global. Finally, this collection brings together a set of scholars who are interested in drawing on both the sciences and the humanities in order to find compelling stories for engaging ecological processes such as global climate change, peak oil production, nuclear proliferation, and food scarcity. Environmental Criticism for the Twenty-First Century offers powerful proof that cultural criticism is itself ecologically resilient, evolving to meet the imaginative challenges of twenty-first-century environmental crises.