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Here are translations of 25 Latin sermons written between 1350 and 1450, demonstrating how preachers constructed them and shaped them to their own purposes. This book contains a general introduction and short historical notes on the individual selections.
Texts by, for, and about preachers from the twelfth to the fourteenth centuries reveal an intense interest in the preacher's human nature and its intersection with his "angelic" role. Far from simply denigrating embodiment or excluding it from consideration, these works recognize its centrality to the office of preacher and the ways in which preachers, like Christ, needed humanness to make their performance of doctrine effective for their audiences. At the same time, the texts warned of the preacher's susceptibility to the fleshly failings of lust, vainglory, deception, and greed. Preaching's problematic juxtaposition of the earthly and the spiritual made images of women preachers, real and fictional, key to understanding and exploiting the power, as well as the dangers, of the feminized flesh. Addressing the underexamined bodies of the clergy in light of both medieval and modern discussions of female authority and the body of Christ in medieval culture, Angels and Earthly Creatures reinserts women into the history of preaching and brings together discourses that would have been intertwined in the Middle Ages but are often treated separately by scholars. The examination of handbooks for preachers as literary texts also demonstrates their extensive interaction with secular literary traditions, explored here with particular reference to Chaucer's Canterbury Tales. Through a close and insightful reading of a wide variety of texts and figures, including Hildegard of Bingen, Birgitta of Sweden, and Catherine of Siena, Waters offers an original examination of the preacher's unique role as an intermediary—standing between heaven and earth, between God and people, participating in and responsible to both sides of that divide.
Between the early 14th and early 15th centur ies, England experienced momentous social and political turb ulence. This volume studies the impact of the Church during the period in question. '
The third Morton W. Bloomfield Lecture, delivered at Harvard University in 1993.
Literary depictions of the sacred and the secular from the Middle Ages are representative of the era's widely held cultural understandings related to religion and the nature of lived experience. Using late Medieval English literature, including some of Chaucer's writings, these essays do not try to define a secular realm distinct and separate from the divine or religious, but instead analyze intersections of the sacred and the profane, suggesting that these two categories are mutually constitutive rather than antithetical. With essays by former students of John V. Fleming, the collection pays tribute to the Princeton University professor emeritus through wide-ranging scholarship and literary criticism. Including reflections on depictions of Bathsheba, Troilus and Criseyde, the Legend of Good Women, Chaucer's Pardoner, and Margery Kempe, these essays focus on literature while ranging into history, philosophy, and the visual arts. Taken together, the work suggests that the domain of the sacred, as perceived in the Middle Ages, can variously be seen as having a hierarchical or a complementary relationship to the things of this world.
Chaucer's writings (the 'Canterbury Tales', lyrics and dream poems and Troilus) are here freshly examined in relation to the religions, the religious traditions and the religious controversies of his era.
A Companion to Chaucer and his Contemporaries provides a detailed introduction to medieval culture, broadly considered. This sourcebook gives readers fuller access to Middle English literary works by situating these works within their sometimes alien historical and cultural contexts. Chapters open with an overview that suggests how contemporary debates and attitudes influence meaning in works like the Canterbury Tales, Piers Plowman, and Mankind. The main body of the text is thematically arranged primary documents and illustrations, such as excerpts from the chronicles, law treatises, sermons, court records, medical and alchemical tracts, and performance records, as well as maps and manuscript illustrations.
The question of whether the medieval «secular» poem was capable of receiving a figurative or allegorical interpretation, quite distinct from its surface meaning, is reconsidered by looking afresh at Chaucer's most intriguing short poem, the ballad Truth, which is conceived of as a poème à clef. Identification of the ultimate source of its imagery, 1 Samuel 6, leads to a discussion of how allegorical interpretations assigned to the biblical narrative by the medieval exegete could have affected the poet's life and work. In this issue, an important rôle is played by medieval linguistic theory. As a consequence, a great deal of attention is given to one linguistic discipline, medieval name lore, and an attempt is made to show how, by an allegorical interpretation of his own name, Chaucer was led to «revise» both his life and his literary work.
This title was first published in 2002: The purpose of "Chaucer's Church" is to provide clear, concise and reliable explanations of every term Chaucer uses that has a religious, liturgical, or ecclesiastical meaning. It uses a dictionary format, arranged according to Chaucer's spellings, to make information readily accessible for students, teachers, critics, and the general reader. The shorter entries present brief definitions which are more lively and illuminating than those in standard dictionaries or glossaries; the longer entries are in fact short essays, with suggestions for further reading, on broader or more complex topics. In all cases the entries concentrate on lucid and accurate presentation of the meanings that the terms had or could have had for Chaucer and a 14th-century audience. The book is a compact but precise reference for readers of all levels of experience on the vocabulary of fourteenth-century religion, which is often unfamiliar or only hazily understood. A careful system of cross-references guides the reader to related terms, so that individual entries can be further explored in related or larger contexts. The book may also be browsed or read on its own, for the entries taken together, especially the brief essays, provide a coherent introduction to the Christian world of the late fourteenth century. In Chaucer's Church, the editors have succeeded in compiling a volume that combines ease of use with readability and rigorous accuracy. This book provides convenient and trustworthy access to Chaucer's religious world.