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The study of old silver usually begins when the inquiring possessor of the family plate sets himself the task of ascertaining the date and the probable value of some piece long in his family and possibly lately bequeathed to him. With old china, and probably with old furniture, the taste for collecting is oftentimes an acquired one, but it is in the Englishman's blood to ruminate over his old plate, and the hallmarks of the assay offices in London and in the provinces, in Scotland and in Ireland, have been placed thereon with aforethought. The plate closet is cousin to the strong-box, inasmuch as the coin of the realm and gold and silver plate have been subjected to stringent laws extending over a period of five hundred years. The technical word "hallmark" has become a common term in the language synonymous with genuineness. The strictest supervision, under the parental eye of the law, has upheld the dignity of the silversmith's guarantees. Hence the pride of possession of old silver. Pictures and furniture and engravings whose ancestry is doubtful thrust themselves in the market without fear of the watchful official eye. But old silver bearing the hallmarks of ancient and honorable guilds of silversmiths, stamped at the accredited assay offices, is, with few exceptions, what it purports to be. It is a proud record and a splendid heritage. It is, therefore, the author's hope that this volume will stand as an authoritative outline history of the subject of which it treats, that it may point the way to possessors of old silver to arrive at sound conclusions as to their heirlooms, and that it may indicate to collectors the salient features of their hobby.
In 'Chats on Old Copper and Brass' by Fred W. Burgess, readers are taken on a fascinating journey through the history, techniques, and artistry of these ancient metals. The book delves into the significance of copper and brass artifacts throughout various civilizations, providing insights into their cultural and symbolic meanings. Written in a clear and engaging style, Burgess combines historical facts with personal anecdotes, making this a highly readable yet informative text for both scholars and enthusiasts alike. The literary context of the book highlights Burgess's deep knowledge and passion for the subject, offering a meticulous examination of each topic discussed. His attention to detail and meticulous research make this book a valuable resource for anyone interested in the art and history of metalwork. Fred W. Burgess, a renowned expert in the field of metalwork, brings his wealth of experience and expertise to 'Chats on Old Copper and Brass.' His lifelong dedication to studying these materials is evident in the thoroughness of his analysis and the depth of his insights. This book is a testament to Burgess's commitment to preserving the legacy of copper and brass craftsmanship. I highly recommend 'Chats on Old Copper and Brass' to readers seeking a comprehensive understanding of the cultural and artistic significance of these timeless metals.