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The audacious, gripping travelogue of a writer chasing the ghost of Graham Greene into the heart of Africa. Of all the anarchic and war-torn African nations, none is more forbidding than Liberia, the land that nurtured child soldiers, the violent trade in "blood diamonds," even ritual murder. Graham Greene, in search of extreme adventure, ventured through its dense jungles to write the travel classic Journey Without Maps; three-quarters of a century later, Tim Butcher decided to follow Greene's footsteps, only to find the path even more ominous and overgrown than in his predecessor's day. Among the devils he encounters are masked sorcerers whose magical powers depend on cannibalism and missionaries long forgotten in the hinterland he traverses. Butcher, a former African correspondent for the London Telegraph and author of Blood River, his best-selling account of a dramatic journey through the Congo, has produced in this thrilling sequel a book that The Independent hails as "fascinating, harrowing, and eventful."
Follow in the footsteps of some of the world’s most famous authors on the journeys which inspired their greatest works in this beautiful illustrated atlas. Some truly remarkable works of literature have been inspired by writers spending time away from their typical surroundings. From epic road trips and arduous treks into remote territories to cultural tours and sojourns in the finest hotels, this book explores 35 influential journeys taken by literary greats and reveals the repercussions of those travels on the authors’ personal lives and the broader literary landscape. Award-winning author Travis Elborough brings each of these trips to life with fascinating insights into the stories behind the creation of some of the world’s most famous literary creations, including Dracula, Moby Dick, Murder on the Orient Express, Madame Bovary, The Talented Mr Ripley, and Harry Potter and the Philosopher’s Stone. From Herman Melville’s first whaling voyage in 1841, from New York to Liverpool, to Jack Kerouac’s on-the-road Odyssey, which is now an iconic drive, discover how these journeys imprinted themselves on some of the greatest literary minds of all time. Complete with navigational notes, color photographs, and commissioned maps, the fresh insights within tell readers something new about the places, work, and personalities of some of the world’s greatest minds.
Essays in Unruly Catholics explore how renowned Catholic literary figures Dante Alighieri, Oscar Wilde, Graham Greene, Evelyn Waugh, and Gerard Manley Hopkins dealt with the disparities between their personal beliefs and the Church’s official teachings. Contributors also suggest how controversial entertainers such as Madonna, Kevin Smith, Michael Moore, and Stephen Colbert practice forms of Catholicism perhaps worthy of respect. Most pointedly, Unruly Catholics addresses the recent sex abuse scandals, considers the possibility that the Church might be reformed from within, and presents three iconic figures—Thomas Merton, Dorothy Day, and C.S. Lewis—as models of compassionate and reformist Christianity.
What is a “Catholic” novel? This book analyzes the fiction of Graham Greene in a radically new manner, considering in depth its form and content, which rest on the oppositions between secularism and religion. Sampson challenges these distinctions, arguing that Greene has a dramatic contribution to add to their methodological premises. Chapters on Greene’s four “Catholic” novels and two of his “post-Catholic” novels are complemented by fresh insight into the critical importance of his nonfiction. The study paints an image of an inviting yet beguilingly complex literary figure.
Travel Writing and Re-Enactment: Echotourism explores the popular subgenre of travel narratives that re-enact historically prominent journeys. Drawing on philosopher Walter Benjamin, this monograph reads such re-enactments as quests for aura in which travellers seek to capture a sense of distinction and historical profundity. Travel Writing and Re-Enactment frames the re-enactment of past journeys in a number of contexts, including Benjamin’s writing on mechanical reproduction, Judith Butler’s work on gender performance, and postmodern parody. Echotourist journeys are surprisingly contingent and precarious, and force travellers to navigate historical changes involving empire, gender, and travel practice in densely performative ways. Through close readings of contemporary travel narratives, this monograph considers the legacies of Lord Byron, Charles Darwin, Graham Greene, Mary Kingsley, and Ernest Shackleton, among others. Travel Writing and Re-Enactment examines the way literary re-enactment expresses, and sometimes confounds, the desire to find meaning through travel in the contemporary world.
African American Officers in Liberia tells the story of seventeen African American officers who trained, reorganized, and commanded the Liberian Frontier Force from 1910 to 1942. In this West African country founded by freed black American slaves, African American officers performed their duties as instruments of imperialism for a country that was, at best, ambivalent about having them serve under arms at home and abroad. The United States extended its newfound imperial reach and policy of "Dollar Diplomacy" to Liberia, a country it considered a U.S. protectorate. Brian G. Shellum explores U.S. foreign policy toward Liberia and the African American diaspora, while detailing the African American military experience in the first half of the twentieth century. Shellum brings to life the story of the African American officers who carried out a dangerous mission in Liberia for an American government that did not treat them as equal citizens in their homeland, and he provides recognition for their critical role in preserving the independence of Liberia.
As many places around the world confront issues of globalization, migration and postcoloniality, travel writing has become a serious genre of study, reflecting some of the greatest concerns of our time. Encompassing forms as diverse as field journals, investigative reports, guidebooks, memoirs, comic sketches and lyrical reveries; travel writing is now a crucial focus for discussion across many subjects within the humanities and social sciences. An ideal starting point for beginners, but also offering new perspectives for those familiar with the field, The Routledge Companion to Travel Writing examines: Key debates within the field, including postcolonial studies, gender, sexuality and visual culture Historical and cultural contexts, tracing the evolution of travel writing across time and over cultures Different styles, modes and themes of travel writing, from pilgrimage to tourism Imagined geographies, and the relationship between travel writing and the social, ideological and occasionally fictional constructs through which we view the different regions of the world. Covering all of the major topics and debates, this is an essential overview of the field, which will also encourage new and exciting directions for study. Contributors: Simon Bainbridge, Anthony Bale, Shobhana Bhattacharji, Dúnlaith Bird, Elizabeth A. Bohls, Wendy Bracewell, Kylie Cardell, Daniel Carey, Janice Cavell, Simon Cooke, Matthew Day, Kate Douglas, Justin D. Edwards, David Farley, Charles Forsdick, Corinne Fowler, Laura E. Franey, Rune Graulund, Justine Greenwood, James M. Hargett, Jennifer Hayward, Eva Johanna Holmberg, Graham Huggan, William Hutton, Robin Jarvis, Tabish Khair, Zoë Kinsley, Barbara Korte, Julia Kuehn, Scott Laderman, Claire Lindsay, Churnjeet Mahn, Nabil Matar, Steve Mentz, Laura Nenzi, Aedín Ní Loingsigh, Manfred Pfister, Susan L. Roberson, Paul Smethurst, Carl Thompson, C.W. Thompson, Margaret Topping, Richard White, Gregory Woods.
Informative, broad-ranging, this title sheds new light on the life and literary art of one of the last century's most celebrated authors. The first volume to be authorized by the Graham Greene Birthplace Trust, "Dangerous Edges of Graham Greene" brings together writers, journalists and scholars to investigate as well as to assess Greene's prolific oeuvre and intense personal interests. Here the reader may explore everything from Greene's Vienna at the time of the filming of "The Third Man" to his sometimes fraught relationship with Evelyn Waugh, from Greene's unconventional fictional treatment of women to his "believing skepticism". While Greene often informed friends that "a ruling passion gives to a shelf of novels the unity of a system", critics of his literary art have found it extraordinarily difficult to define the content of this "ruling passion". Perhaps this is because Greene's own character seems so paradoxical, ironic even. Moreover, in believing that sin contains within itself the seeds of saintliness, he consistently loiters on what Robert Browning calls "the dangerous edge of things". In exploring this "dangerous edge", this book covers the full breadth of Greene's life and literary career.
'Blood River' is a readable account of an African country now virtually inaccessible to the outside world and what is perhaps one of the most daring and adventurous journeys a journalist has made.