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Chartism, the British mass movement for democratic and social rights in the 1830s and 1840s, was profoundly shaped by the radical tradition from which it emerged. Yet, little attention has been paid to how Chartists saw themselves in relation to this diverse radical tradition or to the ways in which they invented their own tradition. Paine, Cobbett and other ‘founding fathers’, dead and alive, were used and in some cases abused by Chartists in their own attempts to invent a radical tradition. By drawing on new and exciting work in the fields of visual and material culture; cultures of heroism, memory and commemoration; critical heritage studies; and the history of political thought, this book explores the complex cultural work that radical heroes were made to perform.
This book explores the hopes, desires, and imagined futures that characterized British radicalism in the 1790s, and the resurfacing of this sense of possibility in the following decades. The articulation of “Jacobin” sentiments reflected the emotional investments of men and women inspired by the French Revolution and committed to political transformation. The authors emphasize the performative aspects of political culture, and the spaces in which mobilization and expression occurred – including the club room, tavern, coffeehouse, street, outdoor meeting, theater, chapel, courtroom, prison, and convict ship. America, imagined as a site of republican citizenship, and New South Wales, experienced as a space of political exile, widened the scope of radical dreaming. Part 1 focuses on the political culture forged under the shifting influence of the French Revolution. Part 2 explores the afterlives of British Jacobinism in the year 1817, in early Chartist memorialization of the Scottish “martyrs” of 1794, and in the writings of E. P. Thompson. The relationship between popular radicals and the Romantics is a theme pursued in several chapters; a dialogue is sustained across the disciplinary boundaries of British history and literary studies. The volume captures the revolutionary decade’s effervescent yearning, and its unruly persistence in later years.
This edited collection explores absence, presence and remembrance in British political culture and memory studies. Comprehensive in its scope, it covers the entire modern period, bringing together the 19th and 20th centuries as well as Britain, Ireland and the Atlantic World. As the first comparative and in-depth study to explore the central and contested place of memory and the invention of tradition in modern British politics, chapters include memorialisation, statue-mania, anniversaries and on the wider impact and invoking of 'dead generations'. In doing so, this book provides a new, exciting and accessible way of engaging with the history of British political culture.
Celebrities, heroes and champions explores the role of the popular politician in British and Irish society from the Napoleonic Wars to the Second Reform Act of 1867. Covering movements for parliamentary reform up to and including Chartism, Catholic Emancipation, transatlantic Anti-Slavery and the Anti-Corn Law League, as well as the receptions of international celebrities such as Lajos Kossuth and Giuseppe Garibaldi, it offers a unique perspective on the connections between politics and historical cultures of fame and celebrity. This book will interest students and scholars of Britain, Ireland, continental Europe and North America in the nineteenth century, as well as general readers with an interest in the history of popular politics. Its exploration of the relationship between politics and celebrity, and the methods through which public reputations have been promoted and manipulated for political ends, have clear contemporary relevance.
This edited collection examines the concept and nature of the ‘people’s martyrology’, raising issues of class, community, religion and authority. It examines modern martyrdom through studies of Peterloo; Tolpuddle; Featherstone; Tonypandy; Emily Davison, fatally injured by the King’s horse on Derby Day, 1913; the 1916 Easter Rising; Jarrow, ‘the town that was murdered, and martyred in the 1930s’; David Oluwale, a Nigerian killed in Leeds in 1965; and Bobby Sands, the IRA hunger striker who died in 1981. It engages with the burgeoning historiography of memory to try to understand why some events, such as Peterloo, Tonypandy and the Easter Rising, have become household names whilst others, most notably Featherstone and Oluwale, are barely known. It will appeal to those interested in British and Irish labour history, as well as the study of memory and memorialization.
The first collection of its kind, Chartist Drama makes available four plays written or performed by members of the Chartist movement of the 1840s. Emerging from the lively counter-culture of this protest campaign for democratic rights, these plays challenged cultural as well as political hierarchies by adapting such recognisable genres as melodrama, history plays, and tragedy for performance in radically new settings. They include poet-activist John Watkins’s John Frost, which dramatises the gripping events of the Newport rising, in which twenty-two Chartists lost their lives in what was probably a misfired attempt to spark a nationwide rebellion. Gregory Vargo’s introduction and notes elucidate the previously unexplored world of Chartist dramatic culture, a context that promises to reshape what we know about early Victorian popular politics and theatre.
This book challenges the assumption – just as alive today as it was in the nineteenth century – that the political sphere was an arena of reason in which feelings had no part to play. It shows that feelings were a central, albeit contested, aspect of the political culture of the period. Radical leaders were accused of inflaming the passions; the state and its propertied supporters were charged with callousness; radicals grounded their claims to citizenship in the universalist assumption that workers had the same capacity for feeling as their social betters (denied at this time). It sheds new light on the relationship between protest movements and the state by showing how one of the central issues at stake in the conflict between radicals and their oppressors was the feelings of the propertied classes.
Few scholars can claim to have shaped the historical study of the long eighteenth century more profoundly than Professor H. T. Dickinson, who, until his retirement in 2006, held the Sir Richard Lodge Chair of British History at the University of Edinburgh. This volume, based on contributions from Professor Dickinson's students, friends and colleagues from around the world, offers a range of perspectives on eighteenth-century Britain and provides a tribute to a remarkable scholarly career.Professor Dickinson's work and career provides the ideal lens through which to take a detailed snapshot of current research in a number of areas. The volume includes contributions from scholars working in intellectual history, political and parliamentary history, ecclesiastical and naval history; discussions of major themes such as Jacobitism, the French Revolution, popular radicalism and conservatism; and essays on prominent individuals in English and Scottish history, including Edmund Burke, Thomas Muir, Thomas Paine and Thomas Spence. The result is a uniquely rich and detailed collection with an impressive breadth of coverage.
This book is a wide-ranging survey of the rise of mass movements for democracy and workers’ rights in northern England. It is a provocative narrative of the closing down of public space and dispossession from place. The book offers historical parallels for contemporary debates about protests in public space and democracy and anti-globalisation movements. In response to fears of revolution from 1789 to 1848, the British government and local authorities prohibited mass working-class political meetings and societies. Protesters faced the privatisation of public space. The ‘Peterloo Massacre’ of 1819 marked a turning point. Radicals, trade unions and the Chartists fought back by challenging their exclusion from public spaces, creating their own sites and eventually constructing their own buildings or emigrating to America. This book also uncovers new evidence of protest in rural areas of northern England, including rural Luddism. It will appeal to academic and local historians, as well as geographers and scholars of social movements in the UK, France and North America.
Cobbett was one of the greatest journalists of his day. Following a career in the British army he began writing as the loyalist 'Peter Porcupine' in the United States, defending all things British against the French Revolution and its supporters. This is the first collection on Cobbett and contains essays by scholars from a variety of disciplines.