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In 1845 Frederick Engels wrote that 'Manchester is the seat of the most powerful unions, the central point of Chartism, the place which numbers the most Socialists'. There have been many local studies of the Chartist struggle for democratic political reform, but there is no major study of the movement in the Manchester-Salford conurbation, its most important provincial centre. This book brings an innovative approach to an exploration of aspects of the Chartist experience in the 'shock city' of the industrial revolution.
First published in 1999. For the first time since their appearance in Chartist newspapers these two major radical narratives are reprinted in a single volume. The Political Pilgrim’s Progress combines Utopian politics with Bunyanesque satire to tell the story of the journey of Radical and his family from the City of Plunder to the City of Reform. Sunshine and Shadow is the only serialized novel to have been published in the Northern Star. It brings together fictional biography and historical chronicle to form the first truly working-class novel. Both texts offer a unique insight into the literary achievements of the Chartist movement, and will be a valuable and entertaining source for scholars of radical politics. The texts are fully annotated, and the editor also provides an introduction to each story and a bibliography of recent scholarship.
General Charles James Napier was sent to confront the tens of thousands of Chartist protestors marching through the cities of the North of England in the late 1830s. A well-known leftist who agreed with the Chartist demands for democracy, Napier managed to keep the peace. In South Asia, the same man would later provoke a war and conquer Sind. In this first-ever scholarly biography of Napier, Edward Beasley asks how the conventional depictions of the man as a peacemaker in England and a warmonger in Asia can be reconciled. Employing deep archival research and close readings of Napier's published books (ignored by prior scholars), this well-written volume demonstrates that Napier was a liberal imperialist who believed that if freedom was right for the people of England it was right for the people of Sind -- even if "freedom" had to be imposed by military force. Napier also confronted the messy aftermath of Western conquest, carrying out nation-building with mixed success, trying to end the honour killing of women, and eventually discovering the limits of imperial interference.
The first collection of its kind, Chartist Drama makes available four plays written or performed by members of the Chartist movement of the 1840s. Emerging from the lively counter-culture of this protest campaign for democratic rights, these plays challenged cultural as well as political hierarchies by adapting such recognisable genres as melodrama, history plays, and tragedy for performance in radically new settings. They include poet-activist John Watkins’s John Frost, which dramatises the gripping events of the Newport rising, in which twenty-two Chartists lost their lives in what was probably a misfired attempt to spark a nationwide rebellion. Gregory Vargo’s introduction and notes elucidate the previously unexplored world of Chartist dramatic culture, a context that promises to reshape what we know about early Victorian popular politics and theatre.
Chartism, the British mass movement for democratic and social rights in the 1830s and 1840s, was profoundly shaped by the radical tradition from which it emerged. Yet, little attention has been paid to how Chartists saw themselves in relation to this diverse radical tradition or to the ways in which they invented their own tradition. Paine, Cobbett and other ‘founding fathers’, dead and alive, were used and in some cases abused by Chartists in their own attempts to invent a radical tradition. By drawing on new and exciting work in the fields of visual and material culture; cultures of heroism, memory and commemoration; critical heritage studies; and the history of political thought, this book explores the complex cultural work that radical heroes were made to perform.
This text has established itself as the best short account of the Chartist movement available. It considers its origins and development, placing the movement within its broad social and economic context. Dr Royle also provides clear analysis of its strategy and leadership and assesses the conflicting interpretations for the failure of Chartism.
Chartism is an essential introduction to the movement, and examines the controversial debates surrounding the topic. As well as providing a concise period background, the author includes discussion of: * the Chartists' economic, legislative and political goals * patterns of regional and local support * reasons for the Chartist decline * the success of Chartism in the light of its goals and its influence over the Poor Law, Corn Laws, trade unions and factory reform * the languages of Chartism - songs, gesture and propaganda.
Annotation A succinct history of the Chartist movement, the first fully national struggle of working people to improve their conditions of work.
In 1845 Frederick Engels wrote that 'Manchester is the seat of the most powerful unions, the central point of Chartism, the place which numbers the most Socialists'. There have been many local studies of the Chartist struggle for democratic political reform, but there is no major study of the movement in the Manchester-Salford conurbation, its most important provincial centre. This book brings an innovative approach to an exploration of aspects of the Chartist experience in the 'shock city' of the industrial revolution.