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The Acts of Robert I (1306-1329)
What use is it to be given authority over men and lands if others do not know about it? Furthermore, what use is that authority if those who know about it do not respect it or recognise its jurisdiction? And what strategies and 'language' -written and spoken, visual and auditory, material, cultural and political - did those in authority throughout the medieval and early modern era use to project and make known their power? These questions have been crucial since regulations for governance entered society and are found at the core of this volume. In order to address these issues from an historical perspective, this collection of essays considers representations of authority made by a cross-section of society within the British Isles. Arranged in thematic sections, the 14 essays in the collection bridge the divide between medieval and early modern to build up understanding of the developments and continuities that can be followed across the centuries in question. Whether crown or noble, government or church, burgh or merchant; all desired power and influence, but their means of representing authority were very different. These essays encompass a myriad of methods demonstrating power and disseminating the image of authority, including: material culture, art, literature, architecture and landscapes, saintly cults, speeches and propaganda, martial posturing and strategic alliances, music, liturgy and ceremonial display. Thus, this interdisciplinary collection illuminates the variable forms in which authority was presented by key individuals and institutions in Scotland and the British Isles. By placing these within the context of the European powers with whom they interacted, this volume also underlines the unique relationships developed between the people and those who exercised authority over them.
These essays constitute the first radical reassessment since the nineteenth century of the role of architecture as an expression of lordship and status among Scottish secular and ecclesiastical elites in the period c.1124–c.1650. These studies of the architectural patronage of particular families or groups explore how the nobility operated socially and economically, as well as politically, in the organisation and structure of lordship throughout the medieval and renaissance periods. The contributors draw on the traditions and strengths of Scottish genealogical, archaeological and art-historical enquiry to illustrate key themes, which include: family or kindred styles in building on a local, regional or national level; builders' or patrons' motives; the scale and use of the buildings; and ascertainable changes in function, purpose and attitude.
The defeat of the Scots in the Battle of Flodden in 1513 left many of the leaders of Scottish society, including King James IV, lying dead on the battlefield. The long and complex minority of King James V which followed is explored in detail in this book, bringing understanding to the evolving relationships among the Scots, English and French against the background of the wider European context of the early sixteenth century. The competing interests of England and France were personified in two of the Scottish Regents: Queen Margaret Tudor, the sister of Henry VIII, and John, Duke of Albany, James V's nearest male heir, who had been brought up in France and represented the French connection as much as the Scots. The interests of leading Scots' families, the Hamiltons and the Douglases, were also at the heart of the power struggle. The book offers a rare insight into a turbulent period of Scottish politics.