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When Belle's friend Mrs. Potts tells her about an annual winter ball that she used to attend, Belle suggests they plan their own winter dance at the castle. Although Belle's excited, she misses her father, and wishes she had the special charm bracelet that he made for her so she could wear it to the dance.
In her previous life, her fiance destroyed her face, crippled her limbs, killed her parents, and mute her little brother for her family's property ... He was extremely vicious and shameless, but he didn't know that the most valuable thing in his corporation was her intelligence. She was reborn then. She would make all her enemies pay with their blood!
Xia Chuyue came back to life after dying and returned back to his prime. This year was the first year she had stepped into the Entertainment Circle. All of her schemes and tricks had yet to begin and she was still that pure and clean Xia Chuyue! A vicious stepmother, a cold and merciless father, a vicious and cruel sister, and a husband with the face of a beast with a human's heart. She would return the pain that they brought upon her a hundredfold! Lu Yuchen gently embraced the woman in her arms, but her tone was extremely tyrannical: "Leave all of this to me! "Woman, you just need to obediently stay by my side and be pampered by me!"
This is a light, amusing book for a large age group (16-66) on real life dating stories. The author brings the reader in and makes them a part of her dating adventures. The stories take place in various states, such as Massachusetts and New York, and even abroad. The writing style is refreshing, accessible and witty. The author's main goals are to entertain and let the reader know they are not alone in the dating jungle. It will be hard to put this book down once you begin, which makes for a great beach read or gift for your BFF!
From the award-winning author of The Field Guide to the North American Teenager comes a whip-smart and layered romantic comedy. Perfect for fans of Nicola Yoon and Jenny Han. Henri “Halti” Haltiwanger can charm just about anyone. He is a star debater and popular student at the prestigious FATE academy, the dutiful first-generation Haitian son, and the trusted dog walker for his wealthy New York City neighbors. But his easy smiles mask a burning ambition to attend his dream college, Columbia University. There is only one person who seems immune to Henri’s charms: his “intense” classmate and neighbor Corinne Troy. When she uncovers Henri’s less-than-honest dog-walking scheme, she blackmails him into helping her change her image at school. Henri agrees, seeing a potential upside for himself. Soon what started as a mutual hustle turns into something more surprising than either of them ever bargained for. . . . This is a sharply funny and insightful novel about the countless hustles we have to keep from doing the hardest thing: being ourselves.
From acclaimed Nigerian storyteller Atinuke, the first in a series of chapter books set in contemporary West Africa introduces a little girl who has enchanted young readers. Anna Hibiscus lives in Africa, amazing Africa, with her mother and father, her twin baby brothers (Double and Trouble), and lots of extended family in a big white house with a beautiful garden in a compound in a city. Anna is never lonely—there are always cousins to play and fight with, aunties and uncles laughing and shouting, and parents and grandparents close by. Readers will happily follow as she goes on a seaside vacation, helps plan a party for Auntie Comfort from Canada (will she remember her Nigerian ways?), learns firsthand what it’s really like to be a child selling oranges outside the gate, and longs to see sweet snow. Nigerian storyteller Atinuke’s debut book for children and its sequels, with their charming (and abundant) gray-scale drawings by Lauren Tobia, are newly published in the US by Candlewick Press, joining other celebrated Atinuke stories in captivating young readers.
MEN of the YEAR MAN of the MONTH "I am a man of honor. If she's carrying my child, she will be my wife! —Mitch Landers, the Prince Charming no woman could forget It wasn't the flu. Nicole was pregnant. And darned if she could remember sleeping with a man in the past four years. Not unless she and co-worker Mitch had actually…? Well, they had, and now her very own Sir Galahad was before her on bended knee. His proposal was duty-bound, although real passion sparked in Mitch's glance…and touch. Could a marriage forged for baby's sake end in a legend-worthy love for Sleeping Beauty and her dream prince? Some men are made for lovin'—and you'll love our MAN OF THE MONTH!
PRINCESS DIARIES MEETS MADE IN CHELSEA Daisy Winters, average sixteen-year-old, has no desire to live in the spotlight - but it's not up to you when your perfect older sister is engaged to the Crown Prince of Scotland. The crown - and the intriguing Miles - might be trying to make Daisy into a lady, but she may have to rewrite the royal rulebook.
Previously uncollected nonfiction pieces by Hollywood's ultimate It Girl about everything from fashion to tango to Jim Morrison and Nicholas Cage. With Eve’s Hollywood Eve Babitz lit up the scene in 1974. The books that followed, among them Slow Days, Fast Company and Sex and Rage, have seduced generations of readers with their unfailing wit and impossible glamour. What is less well known is that Babitz was a working journalist for the better part of three decades, writing for the likes of Rolling Stone, Vogue, and Esquire, as well as for off-the-beaten-path periodicals like Wet: The Magazine of Gourmet Bathing and Francis Ford Coppola’s short-lived City. Whether profiling Hollywood darlings, getting to the bottom of health crazes like yoga and acupuncture, remembering friends and lovers from her days hobnobbing with rock stars at the Troubadour and art stars at the Ferus Gallery, or writing about her beloved, misunderstood hometown, Los Angeles, Babitz approaches every assignment with an energy and verve that is all her own. I Used to Be Charming gathers nearly fifty pieces written between 1975 and 1997, including the full text of Babitz’s wry book-length investigation into the pioneering lifestyle brand Fiorucci. The title essay, published here for the first time, recounts the accident that came close to killing her in 1996; it reveals an uncharacteristically vulnerable yet never less than utterly charming Babitz.
The book is the first English translation of Nicolai Hartmann's final book, published in 1953. It will be of value to graduate students in philosophy, scholars concerned with 20th century Continental philosophy, students of aesthetics and art history and criticism, and persons in and out of academic philosophy who wish to develop their aesthetic understanding and responsiveness to art and music. Aesthetics, Hartmann believes, centers on the phenomenon of beauty, and art “objectivates” beauty, but beauty exists only for a prepared observer. Part One explores the act of aesthetic appreciation and its relation to the aesthetic object. It discovers phenomenologically determinable levels of apprehension. Beauty appears when an observer peers through the physical foreground of the work into the strata upon which form has been bestowed by an artist in the process of expressing some theme. The theory of the stratification of aesthetic objects is perhaps Hartmann's most original and fundamental contribution to aesthetics. He makes useful and perceptive distinctions between the levels in which beauty is given to perception by nature, in the performing and the plastic arts, and in literature of all kinds. Part Two develops the phenomenology of beauty in each of the fine arts. Then Hartmann explores some traditional categories of European aesthetics, most centrally those of unity of value and of truth in art. Part Three discusses the forms of aesthetic values. Hartmann contrasts aesthetic values with moral values, and this exploration culminates in an extensive phenomenological exhibition of three specific aesthetic values, the sublime, the charming, and the comic. A brief appendix, never completed by the author, contains some reflections upon the ontological implications of aesthetics. Engaged in constant dialogue with thinkers of the past, especially with Aristotle, Kant and Hegel, Hartmann corrects and develops their insights by reference to familiar phenomena of art, especially with Shakespeare, Rembrandt and Greek sculpture and architecture. In the course of his analysis, he considers truth in art (the true-to-life and the essential truth), the value of art, and the relation of art and morality. The work stands with other great 20th century contributors to art theory and philosophical aesthetics: Heidegger, Sartre, Croce, Adorno, Ingarden, and Benjamin, among others.