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A witch struggling to regain what she has lost casts a forbidden spell—only to discover much more than she expected, in this enchanting new rom-com by New York Times bestselling author Lana Harper. Six months after having been hit by a power surge that nearly obliterated her memory, Delilah Harlow is still picking up the pieces. Her once diamond-sharp mind has become shaky and unreliable, and bristly, self-sufficient Delilah is forced to rely on friends, family, and her raven familiar for help. In an effort to reclaim her wits and former independence, she casts a dangerous blood spell meant to harness power with healing capacities. While the spell does restore clarity, it also unexpectedly turns Delilah into an irresistible beacon for the kind of malevolent supernatural creatures that have never before ventured into Thistle Grove. One night—just as things are about to go terribly sideways with a rogue succubus—a mysterious stranger appears in the nick of time to save Delilah’s soul. Gorgeous, sultry, and as dangerous as the knives she carries, Catriona Quinn is a hunter of monsters—and half-human, half-fae herself, she is the kind of sly and morally gray creature Delilah would normally find horrifying. Though Delilah balks at the idea of a partnership, she has no choice but to roll the dice on their collaboration. As the two delve deeper into the power that underlies Thistle Grove, they uncover not only the town’s hidden history but also a risky attraction that could upend Delilah’s entire life.
Over the last decade, musicological interest in both the composing virtuoso of the nineteenth century and the phenomenon of virtuosity has increased. Moving beyond approaches to music solely in terms of works allowed for a range of perspectives on concepts of virtuosity to emerge. Such cultural theory-based approaches crucially put the traditional musicological image of the virtuoso into a broader context. Recent advances in performance studies, furthermore, emphasise the need to include factors such as staging, the audience, sound and space, and musical practices, in our understanding of the complex phenomenon of virtuosity. The present volume tries to meet the challenges raised by these multi-layered perspectives by varying the foci on virtuosity – from specific attention to individual virtuosi and considerations of virtuosity’s historical and social context to broader questions regarding innovations in the current landscape and future virtuoso phenomena. The broad range of topics centres on the composer and virtuoso Heinrich Wilhelm Ernst and his immediate sphere of influence. The contributions in the present volume not only reveal the complexity of the research field of virtuosity but also liberate Heinrich Wilhelm Ernst from the shadow of fixed, mainly non-musical, discourses on virtuosity around Paganini. The enclosed CD with recordings by Guillaume Tardif, Philippe Borer, Clive Brown and Friederike Spangenberg enriches these texts by including the dimension of sound.
Joseph Epstein takes on that most enchanting (and, alas, increasingly rare) of human gifts, charm. “Almost everyone will recognize when he or she is in the presence of charm,” he writes. “Charm is magic of a kind; it casts a spell. In the presence of charm the world seems lighter and lovelier. A charming person can cause you to forget your problems, at least temporarily, to hold the world’s dreariness at bay. Charm is a reminder that the world is filled with jolly prospects and delightful possibilities. Watching Fred Astaire dance, or listening to Blossom Dearie sing, or reading the poems of C.P. Cavafy, or merely looking at Rita Hayworth or Ava Gardner, one recalls that the world can be a pretty damn fine place.”
On the top of weeds and wild flowers, there is a figure lying on his back, with a tall figure, a slightly messy hair, a slightly rosy glow on his white face, and his closed eyes quivering slightly. What a beautiful picture ... Men sleeping in spring. The branches and leaves of the tree moved with the wind, and a beam of light was changed direction and swept his eyes. His reaction was like a girl who was attacked in the chest, shouting and suddenly a carp jumped up
Samantha Laurence and her friend Carl once again venture into the bewitching world of magic as they learn to use their newly discovered powers. When Carl vanishes, Samantha enlists the help of Ryan, a mortal. Together they find Carl in the basement of the library and rescue him. They take him to the home of their science teacher, Mrs. Lawrence. After Ryan leaves, Samantha and Carl learn that Carl created a dilemma when he used magic in the library. Again Samantha turns to Ryan for help. The adventure continues when Samantha attends a sleep over at her friend Haleys. During the night, the girls hear glass breaking and realize that intruders have entered the house. Without thinking about the consequences, the girls venture downstairs to confront the burglars.