Download Free Charlotte Cushman Book in PDF and EPUB Free Download. You can read online Charlotte Cushman and write the review.

Finalist for a Lambda Literary Award Finalist for the Publishing Triangle’s Judy Grahn Award for Lesbian Nonfiction Finalist for the Marfield Prize For fans of Book of Ages and American Eve, this “lively, illuminating new biography” (The Boston Globe) of 19th-century queer actress Charlotte Cushman portrays a “brisk, beautifully crafted life” (Stacy Schiff, bestselling author of The Witches and Cleopatra) that riveted New York City and made headlines across America. All her life, Charlotte Cushman refused to submit to others’ expectations. Raised in Boston at the time of the transcendentalists, a series of disasters cleared the way for her life on the stage—a path she eagerly took, rejecting marriage and creating a life of adventure, playing the role of the hero in and out of the theater as she traveled to New Orleans and New York City, and eventually to London and back to build a successful career. Her Hamlet, Romeo, Lady Macbeth, and Nancy Sykes from Oliver Twist became canon, impressing Louisa May Alcott, who later based a character on her in Jo’s Boys, and Walt Whitman, who raved about “the towering grandeur of her genius” in his columns for the Brooklyn Daily Eagle. She acted alongside Edwin and John Wilkes Booth—supposedly giving the latter a scar on his neck that was later used to identify him as President Lincoln’s assassin—and visited frequently with the Great Emancipator himself, who was a devoted Shakespeare fan and admirer of Cushman’s work. Her wife immortalized her in the angel at the top of Central Park’s Bethesda Fountain; worldwide, she was “a lady universally acknowledged as the greatest living tragic actress.” Behind the scenes, she was equally radical, making an independent income, supporting her family, creating one of the first bohemian artists’ colonies abroad, and living publicly as a queer woman. And yet, her name has since faded into the shadows. Now, her story comes to brilliant life with Tana Wojczuk’s Lady Romeo, an exhilarating and enlightening biography of the 19th-century trailblazer. With new research and rarely seen letters and documents, Wojczuk reconstructs the formative years of Cushman’s life, set against the excitement and drama of 1800s New York City and featuring a cast of luminaries and revolutionaries who changed the cultural landscape of America forever. The story of an astonishing and uniquely American life, Lady Romeo reveals one of the most remarkable forgotten figures in our history and restores her to center stage, where she belongs.
Examines the life of the androgynous nineteenth-century American actress and her work on the Anglo-American stage
Charlotte Cushman, one of the great actors of 19th century American theatre, was a lesbian who kept her identity hidden by focusing her career on male characters (Romeo, Claude Melnotte, Wolsey), and also on strong and passionate women (Lady Macbeth, Bianca in Fazio, and Queen Katherine in Henry VIII). This biography is an authoritative record of Cushman's life and performances, showing how her complex gender identity illuminates and is illuminated by 19th century theatre critical views. Part One is a biography; Part Two is a performance history listing all of Cushman's known performances, often with a description of her role and critical commentary.
From the much acclaimed author of Dared and Done: The Marriage of Elizabeth Barrett and Robert Browning, a new book that retrieves the lives of Victorian women--writers, actresses, poets, journalists, sculptors, and social reformers--celebrated in their day but forgotten in ours. Julia Markus focuses in particular on the American Charlotte Cushman, the most famous English-speaking actress of her day, and on the Scottish Jane Welsh Carlyle, a brilliant London hostess who gave up private ambition to become the wife of her friend Thomas Carlyle. Charlotte Cushman became an international star on the New York and London stage, and her Romeo and Hamlet were sensations. An independent woman with shrewd business sense who made her own fortune and supported her entire family, she dressed like a man from the waist up and had a succession of female lovers, each one of whom she planned to live with for life, each of whom she 'married.' Jane Welsh Carlyle, literary hostess, unparalleled letter writer and chronicler of her times--who, after a passionate youthful love affair, resolved to marry genius or not at all--became the wife of the revered and lionized philosopher Thomas Carlyle, a difficult, demanding man with whom she had a sexless marriage. Interweaving the worlds of Charlotte Cushman and Jane Carlyle--the worlds of expatriate Rome, literary London, New York, and St. Louis--Markus gathers together a number of interrelated and renowned women who were relegated in the public eye to the position of Virgin Queen (no matter how much married) or Old Maid, but who were, in fact, privately leading vibrant, independent, sexual lives. Among them: Matilda Hays, translator of George Sand; Harriet Hosmer, who resolved to become the world's first professional woman sculptor; and Emma Stebbins, whom Cushman 'married' and who created the Bethesda Fountain in New York's Central Park. Here, too, are the people who sought the friendship of Cushman and Carlyle, including Ralph Waldo Emerson, Horace Mann, Elizabeth Peabody, President Lincoln's Secretary of State William H. Seward, Geraldine Jewsbury, and Rosa Bonheur. Making use of letters, diaries, newspaper accounts, and journals of the day, many of them overlooked and unpublished, Julia Markus rediscovers lives forgotten in the shadows of convention and shows how these remarkable women--seemingly separated by nationality, class, and sexual inclination--met, formed alliances, and influenced one another, forging changes in themselves and in their time.
In 1850s Manhattan, 18-year-old Georgiana Cartwright witnesses the downfall of her father, a renowned actor who disgraces himself performing under the influence. When he deserts the family, Georgie is expected to save the day by marrying well. But she aspires to the stage, hoping to earn an independent living like her idol, the great actress Charlotte Cushman. Hired as a supporting actress for a prominent theater company, Georgie launches her career with the help of a trio of young friends, including Clementine, a budding scribe determined to make her mark on the literary landscape—and to win Georgie's heart. Early reviews garner Georgie the promise of a bright future, but then unwanted sexual advances from within the company threaten to derail her career. Following Cushman's lead, Georgie regains her footing in “breeches roles” parts written for men but performed by women. A thrilling gender-bending turn in a Shakespearean role boosts her confidence—until her harasser renews his efforts. Will she be able to vanquish him and find success and love on her own terms?
Teachers and parents have backed off from discipline. They have been told to avoid consequences, avoid the word "no," and not to put children in time-outs. It is no coincidence that when adults become unassertive, children often become rude, violent and disrespectful. Children need proper discipline and they aren't getting it. Effective Discipline the Montessori Way, a book for educators and parents, explains why children are not getting the guidance and correction that they need. The book makes the case that the correct discipline practices are based on the educational principles advocated by Maria Montessori.