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A baseball player learns the secrets to perfect harmony at the plate, only to discover he must use those same secrets to find harmony in the rest of his life.
With all his family and friends gone, one-hundred-year-old Murray McBride is looking for a reason to live. He finds it in Jason Cashman, a ten-year-old boy with a terminal heart defect and a list of five things he wants to do before he dies. Together, they race against the limited time each has left, ticking off wishes one by one. Along the way, Murray remembers what it's like to be young, and Jason fights for the opportunity to grow old. But when tragedy strikes, their worlds are turned upside-down, and an unexpected gift is the only thing that can make Jason's final wish come true.
Jason Cashman has reached the goal he spent the last twenty years seeking, but instead of feeling content, he feels empty. When he meets Alexandra Lopez, a ten-year-old America-loving girl facing deportation, he is inspired by his old friend, Murray McBride, to give her five wishes before she must leave. They set out to check off as many wishes as possible, but when Jason's transplanted heart begins to fail, he must choose between his obligations to the past and his hope for a future.
The second book of the #1 New York Times bestselling I Am Number Four series! In the beginning, nine aliens left their home planet Lorien when it fell under attack by the evil Mogadorians. They scattered on Earth and went into hiding. They look like ordinary teenagers but have extraordinary powers. The Mogs have come for them. They killed Number One in Malaysia, Number Two in England, and Number Three in Kenya. They tried to get John Smith, Number Four, in Ohio—but they failed. Now John has joined forces with Number Six, and they are on the run. But they are not alone. Already John and Six have inspired Marina, Number Seven, who has been hiding in Spain. She’s been following the news of what’s happening, and she’s certain this is the sign she’s been waiting for. It’s time to come together. Michael Bay, director of Transformers, raved: “Number Four is a hero for this generation.” This epic story is perfect for fans of action-packed science fiction like The Fifth Wave series by Rick Yancey, The Maze Runner series by James Dashner, and Orson Scott Card’s Ender’s Game. The battle for Earth’s survival wages on. Don’t miss the rest of the series: #3: The Rise of Nine, #4: The Fall of Five, #5: The Revenge of Seven, #6: The Fate of Ten, and #7: United as One. Don’t miss the first book in the brand-new I Am Number Four spin-off series: Generation One.
When a misunderstanding after humans learn to communicate with dogs leads to the near extinction of the species, two fifth graders attempt to save the lives of the last dogs.
The highly anticipated sequel to Floating Twigs! Jack Turner has returned to his hometown of Denton, Florida, to live there for the first time in eighteen years. Despite a career as a criminal defense attorney and the companionship of his new dog, Brinkley, Jack is haunted by what is missing in his life. Whether it's the unanswered questions about his brother, Rick, who never returned from Vietnam, or a budding romance with Jenny Walton, Jack is wary of getting close to anyone beyond a few trusted friends and his beloved dogs. But when he's assigned to represent an old childhood tormentor for armed robbery, Jack is forced to re-evaluate his past and consider his own failings in dealing with others. This endearing sequel to Floating Twigs takes an honest look at love and redemption as Jack discovers that finding twigs is more difficult than floating them. Note: The reader does not need to have read Floating Twigs to read and follow this book, though of course it is better to have read that one before reading Finding Twigs to know more about the main characters.
In the summer of 1993, on the ninth anniversary of her Mama's death, Sandy runs away. Having a fear of germs is inconvenient when you're on a road-trip adventure. However, needing to know what it's like to have a mom, and to finally see the beach means more than anything to an eleven-year-old.Some sixteen years later, a man Sandy never wanted to see again shows up at her doorstep. When Sandy's best friend places an ultimate life-changing decision in her hands, Sandy must venture back down the road, this time with the father she hates.Making these decisions will be much easier with Justin, a long-time friend, by Sandy's side. Yet, Justin's help only leads to continued mixed emotions Sandy has been fighting for some time.A journey rich in history, the truth, and determining forgiveness with a touch of humor is the portrait of life.
This teaching guide for high school college instructors begins with an introduction on "Shakespeare and the American Landscape," by Samuel Crowl, and includes the following 32 essays: "Some 'Basics' in Shakespearean Study" (Gladys V. Veidemanis); "Teaching Shakespeare's Dramatic Dialogue" (Sharon A. Beehler); "Shakespearean Role Models" (Ruth Ann Gerrard); "The Use of Quotations in Teaching Shakespeare" (Leila Christenbury); "Getting To Know a Play Five Ways" (Martha Tuck Rozett); "Toward a Teachable Shakespeare Syllabus" (Robert F. Willson, Jr.); "Shakespeare off the Page" (J. L. Styan); "Goals and Limits in Student Performance of Shakespeare" (Charles H. Frey); "Using Improvisational Exercises to Teach Shakespeare" (Annette Drew-Bear); "Enacting Shakespeare's Language in'Macbeth' and 'Romeo and Juliet'" (Elizabeth Oakes); "Sparking: A Methodology to Encourage Student Performance" (Joan Ozark Holmer); "Changing the W's in Shakespeare's Plays" (Michael Flachmann); "Love, Sighs, and Videotape: An Approach to Teaching Shakespeare's Comedies" (Michael J. Collins); "Shakespearean Festivals: The Popular Roots of Performance" (Demar C. Homan); "Introducing Shakespeare with First Folio Advertisements" (Daniel J. Pinti); "Versions of 'Henry V': Laurence Olivier vs. Kenneth Branagh" (Harry Brent); "Picturing Shakespeare: Using Film in the Classroom to Turn Text into Theater" (James Hirsh); "Shakespeare Enters the Electronic Age" (Roy Flannagan); "Shakespeare Is Not Just for Eggheads: An Interview with Two Successful Teachers" (Linda Johnson); "Teaching Shakespeare against the Grain" (Ronald Strickland); "Shakespeare and the At-Risk Student" (David B. Gleaves and others); "Decentering the Instructor in Large Classes" (Robert Carl Johnson); "Where There's a 'Will,' There's a Way!" (Mary T. Christel and Ann Legore Christiansen); "Digging into 'Julius Caesar through Character Analysis" (Larry R. Johannessen); "A Whole Language Approach to 'Romeo and Juliet'" (John Wilson Swope); "'Sleep that knits up the raveled sleave of care': Responding to 'Macbeth' through Metaphorical Character Journals" (Gregory L. Rubano and Phillip M. Anderson); "Building a Bridge to Shakespeare's 'Macbeth' with Cormier's 'The Chocolate War'" (Margo A. Figgins and Alan Smiley); "Three Writing Activities to Use with 'Macbeth'" (Ken Spurlock); "The Centrality of 'A Midsummer Night's Dream'" (Hugh M. Richmond); "If Only One, Then 'Henry IV, Part 1' for the General Education Course" (Sherry Bevins Darrell); "Teaching 'The Taming of the Shrew': Kate, Closure, and Eighteenth-Century Editions" (Loreen L. Giese); and "'Measure for Measure': Links to Our Time" (John S. Simmons). (SAM)
The Jazz Guitar Chord Bible Complete solves one of the greatest problems in jazz...the knowledge and use of chords. It is a complete guide to three- and four-string guitar chords. Every application is covered including passing chords and altered chords, but only the most logical, practical and applicable chord voicings are presented.
Imperial Politics and Symbolics in Ancient Japan is an ambitious and ground-breaking study that offers a new understanding of a formative stage in the development of the Japanese state. The late seventh and eighth centuries were a time of momentous change in Japan, much of it brought about by the short-lived Tenmu dynasty. Two new capital cities, a bureaucratic state led by an imperial ruler, and Chinese-style law codes were just a few of the innovations instituted by the new regime. Herman Ooms presents both a wide-ranging and fine-grained examination of the power struggles, symbolic manipulations, new mythological constructs, and historical revisions that both defined and propelled these changes. In addition to a vast amount of research in Japanese sources, the author draws on a wealth of sinological scholarship in English, German, and French to illuminate the politics and symbolics of the time. An important feature of the book is the way it opens up early Japanese history to considerations of continental influences. Rulers and ritual specialists drew on several religious and ritual idioms, including Daoism, Buddhism, yin-yang hermeneutics, and kami worship, to articulate and justify their innovations. In looking at the religious symbols that were deployed in support of the state, Ooms gives special attention to the Daoist dimensions of the new political symbolics as well as to the crucial contributions made by successive generations of "immigrants" from the Korean peninsula. From the beginning, a "liturgical state" sought to co-opt factions and clans (uji) as participants in the new polity with the emperor acting as both a symbolic mediator and a silent partner. In contrast to the traditional interpretation of the Kojiki mythology as providing a vertical legitimation of a Sun lineage of rulers, an argument is presented for the importance of a lateral dimension of interdependency as a key structural element in the mythological narrative. An enlightening line of interpretation woven into the author’s analysis centers on purity. This eminently politico-ritual value central to Chinese Daoism and Buddhism was used by Tenmu as the emblematic expression of his regime and new political power. The concept of purity was most fully realized in the world of the Saiô princess in Ise and was later used by Ise ritualists to defend themselves against Buddhist rivals. At the end of the Tenmu dynasty, it was widely believed that avenging spirits were the principal source of danger and pollution, notions understood here as statements about the bloody political battles that were waged in Tenmu court circles. The Tenmu dynasty began and ended in bloodshed and was marked throughout by instability and upheaval. Constant succession struggles between two branches of the royal line and a few outside lineages generated a host of plots, uprisings, murders, and accusations of black magic. This aspect of the period gets full treatment in fascinatingly detailed narratives, which the author skillfully alternates with his trademark structural analysis. Imperial Politics and Symbolics in Ancient Japan is a boldly imaginative, carefully and extensively researched, and richly textured history that will reward reading by Japan specialists and students in several disciplines as well as by scholars with an interest in the role of religious symbolism in state formation.