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Reproduction of the original: Charles Sumner; his complete works, volume 5 by Lee and Shepard
One of The Wall Street Journal’s best political books of 2022 An eye-opening new history of American political conflict, from Alexander Hamilton to Alexandria Ocasio-Cortez. These days it seems that nobody is satisfied with American democracy. Critics across the ideological spectrum warn that the country is heading toward catastrophe but also complain that nothing seems to change. At the same time, many have begun to wonder if the gulf between elites and ordinary people has turned democracy itself into a myth. The urges to defend the country’s foundations and to dismantle them coexist—often within the same people. How did we get here? Why does it feel like the country is both grinding to a halt and falling to pieces? In Realigners, the historian Timothy Shenk offers an eye-opening new biography of the American political tradition. In a history that runs from the drafting of the Constitution to the storming of the Capitol, Shenk offers sharp pen portraits of signal characters from James Madison and Charles Sumner to Phyllis Schlafly and Barack Obama. The result is an entertaining and provocative reassessment of the people who built the electoral coalitions that defined American democracy—and a guide for a time when figures ranging from Alexandria Ocasio-Cortez to MAGA-minded nationalists seek to turn radical dreams into political realities. In an era when it seems democracy is caught in perpetual crisis, Realigners looks at earlier moments in which popular majorities transformed American life. We’ve had those moments before. And if there’s an escape from the doom loop that American politics has become, it’s because we might have one again.
Reproduction of the original: Charles Sumner; His Complete Works, Volume VIII by Lee and Shepard
Reproduction of the original: Charles Sumner; His Complete Works, Volume IX by Lee and Shepard
Reproduction of the original: Charles Sumner; his complete works, volume XII by Lee and Shepard
Reproduction of the original: Charles Sumner; his complete works, volume 7 by Lee and Shepard
Reproduction of the original: Charles Sumner; His Complete Works, Volume XI by Charles Sumner
In examining the era’s multivalent tropes of seams and seamlessness, Thomson provides an innovative understanding of the interplay between division and unity in the thought, culture, and literature of the American Renaissance. New insights are offered on works by major authors such as Nathaniel Hawthorne, Frederick Douglass, Walt Whitman, Herman Melville, Emily Dickinson, Henry David Thoreau, Solomon Northup, Harriet Jacobs, and Elizabeth Stoddard, along with marginal figures. Thomson expands the canon by recovering the unknown authors Charles Edward Anthon and John S. Sauzade and recognizing their works as vital to the American Renaissance. Taking the 1844 display of the Holy Tunic at the Cathedral of Treves as its point of departure, Thomson sheds light on the controversy of the seamless garment in the New England press and explores its transmutation in Anthon’s Pilgrimage to Treves, Hawthorne’s The Scarlet Letter, Dickinson’s poetry, and Melville’s major novels. In excavating seamlessness as a cultural artifact of the American Renaissance, Thomson pursues a cultural studies approach to the fabric of antebellum life. Thomson reads the seams of material culture to reveal the meaning of the dressing gown and the keepsake in Dickinson’s and Stoddard’s lives and letters. Thomson positions Sauzade’s Dickensian novel The Spuytenduyvel Chronicle as one of the first great works of the American metropolis and explores the spiritual-material dichotomy of the slave narratives of Douglass, Jacobs, and Northup. This book further reassesses the bitter literary rivalry between Melville and George Washington Peck, re-conceptualizes Melville the author through his relationship to the divided nation, and illuminates his failed idealism as a literary artist in Pierre. Thomson’s approach to the interrelationship of material culture, technology, and the modes of literary production creates a new sense of the American Renaissance as a paradoxical seamless whole wherein its seams are exposed for all to see.
Reproduction of the original: Charles Sumner; His Complete Works, Volume XI by Lee and Shepard
Reproduction of the original: Charles Sumner; his complete works, volume 6 by Lee and Shepard