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Charles Rennie Mackintosh was one of the most intriguing and influential artists of his time. Charles Rennie Mackintosh Masterpieces of Art reveals a selection of some of his most important and popular works, from stained glass pieces and furniture through to architecture, at the same time giving an overview of his life and career. The introduction reveals his journey from early Symbolist watercolours and Japanese-influenced details to his influence on the Vienna Secession and crowning works of architecture such as the Glasgow School of Art. The informed text and beautiful images of key artworks give depth and fuller understanding to create a beautifully rich and enjoyable tribute to the father of the 'Glasgow Style'.
A showcase of the artistic output of Charles Rennie Mackintosh, Herbert MacNair, Margaret and Frances Macdonald, known simply as 'The Four'.
Pamela Robertson, an acknowledged authority on Mackintosh, examines the artist's use of plant forms as decorative and formal sources for his designs in architecture, interiors, textiles, and graphics. She shows the ways in which nature provided lifelong inspiration for his work and analyzes his recurring use of the rose, a design motif which held a special significance as a symbol of art, beauty, and love for both Mackintosh and his artist wife, Margaret Macdonald. In addition, the author looks at Mackintosh's paintings and designs in relation to the work of contemporary symbolists, Japanese floral art, and the European tradition of scientific botanical illustration. Mackintosh's renowned skills as a draftsman are immediately apparent in his flower paintings. The sixty full-page colorplates presented here reveal early pencil sketchbook drawings done while Mackintosh was an apprentice architect and a student at the Glasgow School of Art, watercolors made on England's North Sea coast in 1914-15, and sophisticated still-life compositions of later years. Reproduced as well are striking floral-based textile designs of the 1920s, abstractions that placed him at the forefront of Britain's avant-garde movement. Photographs of his work in architecture and interiors are also included.
Like Sherlock Holmes's dog in the night time, sometimes the true significance of things lies in their absence. Rick Gekoski tells the very human stories that lie behind some of the greatest losses to artistic culture - and addresses the questions such disappearances raise. Some of the items are stolen (the Mona Lisa), some destroyed (like Philip Larkin's diaries, shredded, then burnt, on his dying request) and some were lost before they even existed, like the career of the brilliant art deco architect, Charles Rennie Mackintosh, which foundered amid a lack of cash - but behind all of them lies an often surprising story which reveals a lot about what art means to us. Gekoski explores in depth the greater questions these tremendous losses raise - such as the rights artists and authors have over their own work, the importance of the search for perfection in creativity, and what motivated people to queue to see the empty space where the Mona Lisa once hung in the Louvre.
From ancient Sumerian pottery to Tiffany stained glass, decorative art has been a fundamental part of the human experience for generations. While fine art is confined to galleries and museums, decorative art is the art of the every day, combining beauty with functionality in objects ranging from the prosaic to the fantastical. In this work, Albert Jacquemart celebrates the beauty and artistic potential behind even the most quotidian object. Readers will walk away from this text with a newfound appreciation for the subtle artistry of the manufactured world.
Covering every aspect of animation from every part of the world. Reveals the techniques, the stories, the technology and personalities which have fashioned the development of this modern art form.
Founded in the 1880s as a response to the art world’s elitist obsession with painted and sculptural arts, ‘New Art’ quickly found ethusiastic support. Art Nouveau combined a desire for the complete reflection of art through craft and design, with the flowing lines of nature and Japonisme. It remains hugely popular, with the ever-present work of Mucha, Klimt, Toulouse-Lautrec and Mackintosh.
Celebrating the ultimate masterpieces of modernist design, from the Arts and Crafts movement up to the twenty-first century, Total Design offers an intimate tour of houses conceived as complete works of art. Each of the spectacular houses making up Total Design demonstrates how an architect realized a unifying vision through all aspects of design—architecture, furniture, fittings, decorative objects, color, and gardens. Presenting masterpieces of modern architecture conceived as complete works of art inside and out, author George H. Marcus, a veteran chronicler of modernist design, delivers a highly accessible tour of the creations of some of the twentieth century’s greatest architects and designers, including Frank Lloyd Wright, Mies van der Rohe, Alvar Aalto, Eero Saarinen, Charles Rennie Mackintosh, and Gio Ponti. Together these masterworks of design offer a stunning survey of the many modes of modernist design, from the inventive refinement of Pierre Chareau to the colorful Nordic forms of Finn Juhl to the twenty-first-century expressionism of Daniel Libeskind.
In 1896, Otto Wagner's "Modern Architecture" shocked the European architectural community with its impassioned plea for an end to eclecticism and for a "modern" style suited to contemporary needs and ideals, utilizing the nascent constructional technologies and materials. Through the combined forces of his polemical, pedagogical, and professional efforts, this determined, newly appointed professor at the Vienna Academy of Fine Arts emerged in the late 1890s - along with such contemporaries as Charles Rennie Mackintosh in Glasgow and Louis Sullivan in Chicago - as one of the leaders of the revolution soon to be identified as the "Modern Movement." Wagner's historic manifesto is now presented in a new English translation - the first in almost ninety years - based on the expanded 1902 text and noting emendations made to the 1896, 1898, and 1914 editions. In his introduction, Dr. Harry Mallgrave examines Wagner's tract against the backdrop of nineteenth-century theory, critically exploring the affinities of Wagner's revolutionary élan with the German eclectic debate of the 1840s, the materialistic tendencies of the 1870s and 1880s, and the emerging cultural ideology of modernity. Modern Architecture is one of those rare works in the literature of architecture that not only proclaimed the dawning of a new era, but also perspicaciously and cogently shaped the issues and the course of its development; it defined less the personal aspirations of one individual and more the collective hopes and dreams of a generation facing the sanguine promise of a new century
Charles Rennie Mackintosh's finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than any other work in Britain at that time. His interiors, many of them designed in collaboration with his wife, Margaret Macdonald, are both spare and sensuous; a world of heightened aesthetic sensibility inside the Willow Tea Rooms or The Hill House. And his inventive imagination, which played constantly with the shape of curves and squares, produced designs for furniture which transformed ordinary chairs into pieces of abstract sculpture. Finally, in the 1920s he painted a series of watercolours which are as original as anything he had done before.