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This book provides the first biographical study of Charles Pelham Villiers (1802-1898), whose long UK parliamentary career spanned numerous government administrations under twenty different prime ministers. An aristocrat from a privileged background, Villiers was elected to Parliament as a Radical in 1835 and subsequently served the constituency of Wolverhampton for sixty-three years until his death in 1898. A staunch Liberal free trader throughout his life, Villiers played a pre-eminent role in the Anti-Corn Law League as its parliamentary champion, introduced an important series of Poor Law reforms and later split with William Gladstone over the issue of Irish Home Rule, turning thereafter to Liberal Unionism. Hence Villiers, who remains the longest-serving MP in British parliamentary history, was intimately involved with many of the great issues of the Victorian Age in Britain.
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- List of figures -- Foreword -- Acknowledgements -- Introduction -- 1 The making of a Radical -- 2 The Member for Wolverhampton -- 3 The young Parliamentarian -- 4 The campaign against the Corn Laws -- 5 Interlude -- 6 The Cabinet Minister -- 7 The view from the backbenches -- 8 Gladstone and the Home Rule crisis -- 9 The Father of the House -- Epilogue -- Bibliography -- Index
The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.