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When he wrote Hard Times - which can be considered an epilogue to the much longer Bleak House - Dickens was able to conceive a plot neither centered around a hero nor fueled by the kind of wish fulfillment that structure had implied.
The bestselling citizen's guide to economics Basic Economics is a citizen's guide to economics, written for those who want to understand how the economy works but have no interest in jargon or equations. Bestselling economist Thomas Sowell explains the general principles underlying different economic systems: capitalist, socialist, feudal, and so on. In readable language, he shows how to critique economic policies in terms of the incentives they create, rather than the goals they proclaim. With clear explanations of the entire field, from rent control and the rise and fall of businesses to the international balance of payments, this is the first book for anyone who wishes to understand how the economy functions. This fifth edition includes a new chapter explaining the reasons for large differences of wealth and income between nations. Drawing on lively examples from around the world and from centuries of history, Sowell explains basic economic principles for the general public in plain English.
This stimulating study takes a fresh look at two of Dickens' most widely-studied texts. Part I uses carefully selected short extracts for close textual analysis, while Part II examines the historical and literary contexts and key criticism. The volume is an ideal introductory guide for those who are studying Dickens' novels for the first time.
When Paha Sapa, a young Sioux warrior, "counts coup" on General George Armstrong Custer as Custer lies dying on the battlefield at the Little Bighorn, the legendary general's ghost enters him - and his voice will speak to him for the rest of his event-filled life. Seamlessly weaving together the stories of Paha Sapa, Custer, and the American West, Dan Simmons depicts a tumultuous time in the history of both Native and white Americans. Haunted by Custer's ghost, and also by his ability to see into the memories and futures of legendary men like Sioux war-chief Crazy Horse, Paha Sapa's long life is driven by a dramatic vision he experienced as a boy in his people's sacred Black Hills. In August of 1936, a dynamite worker on the massive Mount Rushmore project, Paha Sapa plans to silence his ghost forever and reclaim his people's legacy-on the very day FDR comes to Mount Rushmore to dedicate the face.
Classic from the year 2009 in the subject English Language and Literature Studies - Literature, language: English, abstract: Chapter I: The One Thing Needful "NOW, what I want is, Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else. You can only form the minds of reasoning animals upon Facts: nothing else will ever be of any service to them. This is the principle on which I bring up my own children, and this is the principle on which I bring up these children. Stick to Facts, sir!" The scene was a plain, bare, monotonous vault of a school-room, and the speaker's square forefinger emphasized his observations by underscoring every sentence with a line on the schoolmaster's sleeve. The emphasis was helped by the speaker's square wall of a forehead, which had his eyebrows for its base, while his eyes found commodious cellarage in two dark caves, overshadowed by the wall. The emphasis was helped by the speaker's mouth, which was wide, thin, and hard set. The emphasis was helped by the speaker's voice, which was inflexible, dry, and dictatorial. The emphasis was helped by the speaker's hair, which bristled on the skirts of his bald head, a plantation of firs to keep the wind from its shining surface, all covered with knobs, like the crust of a plum pie, as if the head had scarcely warehouse-room for the hard facts stored inside. The speaker's obstinate carriage, square coat, square legs, square shoulders, - nay, his very neckcloth, trained to take him by the throat with an unaccommodating grasp, like a stubborn fact, as it was, - all helped the emphasis. "In this life, we want nothing but Facts, sir; nothing but Facts!" The speaker, and the schoolmaster, and the third grown person present, all backed a little, and swept with their eyes the inclined plane of little vessels then and there arranged in order, ready to have imperial gallons of facts poured into them until they were full to the
The first collected and annotated edition of Carroll's brilliant, witty poems, edited by Gillian Beer. 'Twas brillig, and the slithy toves / Did gyre and gimble in the wabe...' wrote Lewis Carroll in his wonderfully playful poem of nonsense verse, 'Jabberwocky'. This new edition collects together the marvellous range of Carroll's poetry, including nonsense verse, parodies, burlesques, and more. Alongside the title piece are such enduringly wonderful pieces as 'The Walrus and the Carpenter', 'The Mock Turtle's Song', 'Father William' and many more. This edition also includes notes, a chronology and an introduction by Gillian Beer that discusses Carroll's love of puzzles and wordplay and the relationship of his poetry with the Alice books 'Opening at random Gillian Beer's new edition of Lewis Carroll's poems, Jabberwocky and Other Nonsense, guarantees a pleasurable experience - not all of it nonsensical' - Times Literary Supplement Lewis Carroll was the pen-name of the Reverend Charles Lutwidge Dodgson. Born in 1832, he was educated at Rugby School and Christ Church, Oxford, where he was appointed lecturer in mathematics in 1855, and where he spent the rest of his life. In 1861 he took deacon's orders, but shyness and a stammer prevented him from seeking the priesthood. His most famous works, Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1872), were originally written for Alice Liddell, the daughter of the Dean of his college. Charles Dodgson died of bronchitis in 1898. Gillian Beer is King Edward VII Professor Emeritus of English at the University of Cambridge and past President of Clare Hall College. She is a Fellow of the British Academy and of the Royal Society of Literature. Among her works are Darwin's Plots (1983; third edition, 2009), George Eliot (1986), Arguing with the Past: Essays in Narrative from Woolf to Sidney (1989), Open Fields: Science in Cultural Encounter (1996) and Virginia Woolf: The Common Ground (1996).
Shortlisted for the 2021 Leacock Medal for Humour Longlisted for the 2020 Toronto Book Awards How can you say goodbye forever when you've left an important secret unspoken? "I'll tell you what I'm going to do," Zoltan said. "When I die, I'll leave my luck to you." Zoltan Beck is dying. His devoted but long-suffering sons, Ben and Frank, are trying to prepare themselves and their families for Zoltan's eventual departure...but they can't quite bring themselves to believe that the end is really at hand, and neither can Zoltan himself. The head of a family marked by war and tragedy for decades, he "can't stand to be in a room with a miserable person" and has done his best to keep the pain of his refugee past from his beloved children. But as he faces the end of his life, he discovers a heartbreaking secret from the War that will ultimately bring the family together--or irrevocably disrupt it. Set in both mid-20th century Hungary and contemporary Toronto, this is a deeply moving novel that revels in the energy of its extraordinary characters. It is the story of lost love and newfound connections, of a father and his sons desperately reaching out to bridge an ever-widening gap...even as their time together ebbs away.
George Orwell once said of Dickensâe(tm) work: âeoeIt is not so much a series of books, it is more like a world.âe In this book, J. Hillis Miller attempts to identify this âeoeworld,âe to show how a single view of life pervades every novel that Dickens wrote, and to trace the development of this view throughout the chronological span of Dickensâe(tm) career. There are full critical analyses of six of the novelsâe"Pickwick Papers, Oliver Twist, Martin Chuzzlewit, Bleak House, Great Expectations, and Our Mutual Friendâe"and shorter discussions of many of the others. Each novel has been viewed as the transformation of the real world of Dickensâe(tm) experience into an imaginary world with certain special qualities of its own. Certain elements persist through all the novels, the most important of which are the general situation of the hero at the beginning of the story and the general nature of the world in which he lives. Each of Dickensâe(tm) heroes begins his life cut off from other people, in a world which seems menacing and unfriendly and, on the social side, composed of inexplicable rituals and mysterious conventions; each lives, like Paul Dombey, âeoewith an aching void in his young heart, and all outside so cold, and bare, and strange.âe The heroes then move through successive adventures in an attempt to understand the world, to integrate themselves into it, and thus to find their true identity. Initially creatures of poverty and indigence, those characters reach out for something which transcends the material world and the self, something other than human, which will support and maintain the self without engulfing it. Within the totality of Dickens' novels this problemâe"the search for selfhoodâe"is stated and restated, until, in the later novels, the answer is found to line in a rejections of the past, the given, and the exterior, and a reorientation toward the future and the free human spirit itself as the only true sources of value. With a real understating and sympathy for his subject, Miller manages to transport us into the midst of Dickensâe(tm) âeoeworldâe and to bring alive for us the whole strange and wonderful tribe that people his novels. This is an enlightening, well-written, enjoyable book for anyone who has ever had an interest in Dickens and his work.