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One of nineteenth-century America's foremost men of letters, William Gilmore Simms (1806-1870) of Charleston, South Carolina, distinguished himself as a historian, poet, and novelist; yet his stalwart allegiance to the ideals of the Confederacy have kept him largely marginalized from the modern literary canon. In this engaging study, Masahiro Nakamura seeks to reinsert Simms in current American literary and cultural studies through a careful consideration of Simms's southern conservatism as a valuable literary counterpoint to the bourgeois individualist ideology of his northern contemporaries. For Nakamura, Simms's vision of social order runs contrary to the staunch individualism expressed in traditional American romances by authors such as James Fenimore Cooper and Nathaniel Hawthorne. In his thoughtful approaches to Simms's historical depictions of the making of American history and society, Nakamura finds consistent assertions of social order against the perils of literal and metaphoric wilderness, a conservative vision that he traces to the influence of Simms's southern genius loci. To understand how this southern conservatism also manifests itself in Simms's fiction, Nakamura contrasts Simms's historical romances with those of Hawthorne, as representative of the New England romance tradition, to differentiate the ways in which the two writers interpret the dynamic between the individual and society. Nakamura finds that Simms's protagonists struggle to establish their places within their culture while Hawthorne's characters are often at odds with their culture. The resulting comparison enriches our understanding of both writers.
The writings of William Gilmore Simms (1806–1870) provide a sweeping fictional portrait of the colonial and antebellum South in all of its regional diversity. Simms's account of the region is more comprehensive than that of any other author of his time; he treats the major intellectual and social issues of the South and depicts the bonds and tensions among all of its inhabitants. By the mid-1840s Simms's novels were so well known that Edgar Allan Poe could call him "the best novelist which this country has, on the whole, produced." Perhaps the darkest of Simms's novel-length works, Vasconselos (1853) presents a fictionalized account of one of the first European efforts to settle the land that would become the United States, the Hernando de Soto expedition of 1539. Set largely in Havana, Cuba, as the explorers prepare to embark, the work explores such themes as the marginalization of racial and national minorities, the historical abuse of women, and the tendency of absolute power to corrupt absolutely. In addition, Simms anticipates in this colonial romance the works of renowned scholars who would follow him, including the historian Frederick Jackson Turner and the entire formal scholarly field of psychology, which would take shape only long after the author's death.
The battle of Eutaw Springs in 1781 that ended British domination of South Carolina is the focus of this historical novel that brings to life such notable figures as Francis Marion, Nathanael Greene, and Light-Horse Harry Lee and includes a critical introduction by the editor and the author's chronology, as well as appendixes dealing with textual matters. Reprint.
Historical novelist William Gilmore Simms first published The Forayers in 1855 at the peak of his reputation and ability. Simms had set out to create a prose epic through a series of linked novels detailing American history and struggles from early colonization to the mid-nineteenth century. The Forayers, which was the sixth book in his series of eight Revolutionary War novels set in the South, describes events around Orangeburg, South Carolina, before the Battle of Eutaw Springs (itself covered in this novel's sequel, Eutaw). It features such characters as Hell-fire Dick, a hardhearted, foul-mouthed looter under Tory protection. Simms hoped his readers would find this book "a bold, brave, masculine story; frank, ardent, vigorous; faithful to humanity." He described it to a friend as "fresh and original" and wrote that "the characterization [is] as truthful as forcible. It is at once a novel of society & a romance."