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These writings provide a unique view of the height of 17th-century French culture.
Theophrastus' Characters is a collection of 30 short character-sketches of various types of individuals who might be met in the streets of Athens in the late fourth century BC. It is a work which had a profound influence on European literature, and this is a detailed and elaborate treatment of it. This edition presents an improved text, a translation which is designed both to be readable and to bring out fully the nuances of the very difficult Greek, and a commentary which covers every feature of the text and its interpretation and offers particularly full elucidation of the often enigmatic references to contemporary social practices and historical events. There is also a lengthy introduction, which discusses the antecedents and affiliations of the work, its date, its purpose, and the manuscript tradition. Extensive indexes are also provided, including an Index Verborum.
The Characters of Theophrastus is a book by Theophrastus concerning different types of men. Contents: The Flatterer, The Coward, The Tactless Man, The Mean Man, The Stupid Man, The Superstitious Man, The Suspicious Man and many more.
Bryn Mawr Commentaries provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient Greek and Latin literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation. Hackett Publishing Company is the exclusive distributor of the Bryn Mawr Commentaries in North America, the United Kingdom, and Europe.
Reproduction of the original: Impressions of Theophrastus Such by George Eliot
Theophrastus (371-c.287 BC), a Greek native of Eressos in Lesbos, was the successor of Aristotle in the Peripatetic school. His interests were wide-ranging, extending from biology and physics to ethics and metaphysics. His two surviving botanical works, Enquiry into Plants and On the Causes of Plants, were an important influence on medieval science. There are also surviving works On Moral Characters, On Sensation, On Stones, and fragments on Physics and Metaphysics all written in Greek. In philosophy, he studied grammar and language, and continued Aristotle's work on logic. He also regarded space as the mere arrangement and position of bodies, time as an accident of motion, and motion as a necessary consequence of all activity. In ethics, he regarded happiness as depending on external influences as well as on virtue, and famously said that "life is ruled by fortune, not wisdom." He succeeded Aristotle at the Lyceum.
Originally published in 1897, this early works is a fascinating novel of the period and still an interesting read today. Contents include; The function of Latin, Chansons De Geste, The Matter of Britain, Antiquity in Romance, The making of English and the settlement of European Prosody, Middle High German Poetry, The 'Fox, ' The 'Rose, ' and the minor Contributions of France, Icelandic and Provencal, The Literature of the Peninsulas, and Conclusion..... Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwor
Menander was renowned—and still is—for his naturalistic representations of character and emotion. However, times change, and our ideas of what is ‘natural’ change with them. To appreciate Menander’s art fully, we need to attune ourselves to the expectations of his time, and for this there is no better guide than Aristotle (along with his successor Theophrastus), who described and analysed notions of character and emotion in brilliant detail. This book examines the relevant observations of Aristotle, and explores two of Menander’s comedies in this light. It also discusses how these comedies, which have only been recovered in the past century, were adapted and performed on the Modern Greek stage, where tastes were different and Menander had been virtually unknown. The book’s comparison of the ancient originals and the modern versions sheds new light on both, as well as on cultural values then and now.