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"The author of this book attempts to study the Malay conception of the hero as projected by the ruling class… The readers would benefit greatly from the book. They would attain a better understanding of Malay politics and cultural life. This is the first attempt made to study the conception of the hero in Malay society… the way the author tackles the problem makes interesting reading. Anyone aspiring to have a better understanding of Malay society cannot afford to neglect the book" - Foreword by Syed Hussein Alatas. "[A] constant response [to this book] had been to place the burden of anointing heroes on the book, grudging it for its criticisms of socially or popularly acknowledged heroes. The writer is often chided ‘who do you think then should be Malay heroes?’. Such retort always impressed me how the process of social evaluation remain closed to many, hence their lack of self-introspection. They feel it is a question of finding and installing heroes in a detached manner, little realizing their values, ideals and humanity is very much bound with the process. "This book is not so much on heroes as on hero worshippers. It studies heroes to the extent they reflect the values and ideals of their worshippers themselves. It is not really addressed towards resolving the debate which personality should be heralded as Malay heroes, be it Hang Tuah, Hang Jebat or anybody else for that matter. The interest of the book remains primarily an examination of Malay values and ideals, the sense of cultural identity. The book examines the social-historical forces that had shaped those values and ideals, as reflected in group dynamics and ideologies, as well as the vested interests involved" - Preface by Shaharuddin Maaroof.
An Autobiography of a Rebel is the final biographical writing of Kassim Ahmad, completed shortly before his passing in October 2017. Within he tells the story of his transition from a leader of Parti Rakyat Malaysia to a scholar of the Quran and Hadith, and a member of UMNO. Brought up in rural Kedah, Kassim Ahmad became politically aware in the period of Malaya’s independence struggle. Participating in the University Socialist Club, he would go to make his name with a radical analysis of the figures of Hang Tuah and Hang Jebat in the Hikayat Hang Tuah. Yet by the 1980s he had become both a staunch critic of socialism, and an Islamic thinker who set out to challenge orthodoxy and reinterpret dominant interpretations, most notably in his Hadis – Satu Penilaian Semula, before later championing a political system based upon the Charter of Medina. Through a series of short reflective essays, An Autobiography of a Rebel tells the story of a man whose intellectual journey from socialism to Islam was rooted in his belief that philosophical inquiry was vital to the production of a better governed and more prosperous country. Autobiography of a Rebel forms then not only the final account of Kassim Ahmad’s life, but also his final intellectual statement.
‘The basis of our historical imagination is the intellectual’s (or historian’s) critical thinking and their solidarity with the people, with their destiny and predicament, with the consistent aim of emancipating and liberating the subjugated, the oppressed, and the marginalised.’ History conditions the way that society discusses its problems. Treating history as a form of ‘imagination’, Azhar Ibrahim invites readers to probe the colonialist and nationalist tampering, suppression, and distortion of narratives on the Malays. In this thought-provoking book, the author encourages contemporary historians to move beyond the practice of Orientalist scholars: collecting data and describing facts. Instead, he promotes an alternative reading of history, one that departs from mainstream versions. Reflecting a strong understanding of classical Malay texts, the author also touches on broad themes such as psychological feudalism, orientalism, and the contestation of nationalist and colonialist perspectives on the community. Azhar’s book is a welcomed contribution and a must-read for those interested in alternative discourses in Malay Studies.
This book offers a variety of essays and perspectives on some of the foreigners and traders who came to the Malay World and wrote fiction and “faction” (writing that portrays real people or events in a dramatised manner) during their sojourn – regardless of whether they continued to stay in the region, returned to their home country, or migrated to another country. The essays tend to cross generic and disciplinary boundaries as the contributors of this book are drawn from various fields within the arts and humanities, including history, geography, language and literature and translation. All of them, however, deal with colonial texts, the Malay World, or primarily cover the period from the 18th to the 20th century. Including readings of fiction, diaries, vignettes, letters written by traders or colonial officers, the uniqueness of this book lies in the personal, private and/or informal nature of the various documents studied. The encounters of these ‘outsiders’ with the ‘natives’ not only offer fascinating historical insights into the Malay World, but, to a significant degree, vividly express the views and personalities of the writers themselves, as mediated through their assigned commercial and colonial roles.
Traditional literature, or 'the deed of the reed pen' as it was called by its creators, is not only the most valuable part of the cultural heritage of the Malay people, but also a shared legacy of Malaysia, Indonesia, Singapore and Brunei. Malay culture during its heyday saw the entire Universe as a piece of literature written by the Creator with the Sublime Pen on the Guarded Tablet. Literature was not just the creation of a scribe, but a scribe himself, imprinting words on the 'sheet of memory' and thus shaping human personality. This book, the first comprehensive survey of traditional Malay literature in English since 1939, embraces more than a millennium of Malay letters from the vague data of the seventh century up to the early beginnings of the modern literatures in the late nineteenth century. The long path trodden by traditional Malay literature is viewed in historical and theoretical perspectives as a development of integral system, caused by cultural and religious changes, primarily by gradual Islamization. This changing system considered in the entirety of its genres and works, is seen both externally and internally: from the point of view of modern scholarship and through the examination of indigenous concepts of literary creativity, poetics and aesthetics. The book not only repesents an original study based on a specific historico-theoretical approach, but it is also a complete reference-work and an indispensable manual for students.
Syed Hussein Alatas and Critical Social Theory: Decolonizing the Captive Mind offers a variety of historical, religious, and philosophical perspectives into the significance of Syed Hussein Alatas’ life and thought today.