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Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or hate) function not only as aide-mémoire but are integral to memory. Drawing on previous scholarship on the interrelation of memory and materiality, this book applies recent theories of new materialism to explore the material dimension of memory in art and popular culture. The book’s underlying premise is twofold: on the one hand, memory is performed, mediated, and stored through the material world that surrounds us; on the other hand, inanimate objects and things also have agency on their own, which affects practices of memory, as well as forgetting. Chapters 1, 4, and 5 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 3.0 license.
This interdisciplinary monograph explores the discursive manifestations of the conflict over how to remember and interpret the actions of the military during the last dictatorship in Uruguay (1973-1985). Through the exploration of the discursive ways in which this powerful group represents past events and participants, we can trace the ideological struggle over how to reconstruct a traumatic past. By looking at memory as a social and discursive practice, the analysis identifies particular semiotic practices and linguistic patterns deployed in the construction of memory. The discursive description of what is remembered, how it is remembered, and who remembers serves to explain how the institution’s construction of the past is transformed and maintained to respond to outside criticism and create an institutional identity as a lawful state apparatus. This book should interest discourse analysts, historians, sociologists and researchers in the field of transitional justice.
The idea that our memories, in some sense, make us who we are, is a common one-and not at all implausible. After all, what could make us who we are if not the things we have experienced, thought, felt and desired on these idiosyncratic pathways through space and time that we call lives? And how can we retain these experiences, thoughts, feelings and desires if not through memory? On the other hand, most of what we have experienced has been forgotten. And there is now a considerable body of evidence that suggests that, even when we think we remember, our memories are likely to be distorted, sometimes beyond recognition. Imagine writing your autobiography, only to find that that most of it has been redacted, and much of the rest substantially rewritten. What would hold this book together? What would make it the unified and coherent account of a life? The answer, Mark Rowlands argues, lies, partially hidden, in a largely unrecognized form of memory-Rilkean memory. A Rilkean memory is produced when the content of a memory is lost but the act of remembering endures, in a new, mutated, form: a mood, a feeling, or a behavioral disposition. Rilkean memories play a significant role in holding the self together in the face of the poverty and inaccuracy of the contents of memory. But Rilkean memories are important not just because of what they are, but also because of what they were before they became such memories. Acts of remembering sculpt the contents of memories out of the slabs of remembered episodes. Our acts of remembering ensure that we are in the content of each of our memories-present in the way a sculptor is present in his creation-even when this content is lamentably sparse and endemically inaccurate.
From Grammy-winning musical icon and legendary bassist Victor L. Wooten comes an inspiring parable of music, life, and the difference between playing all the right notes…and feeling them. The Music Lesson is the story of a struggling young musician who wanted music to be his life, and who wanted his life to be great. Then, from nowhere it seemed, a teacher arrived. Part musical genius, part philosopher, part eccentric wise man, the teacher would guide the young musician on a spiritual journey, and teach him that the gifts we get from music mirror those from life, and every movement, phrase, and chord has its own meaning...All you have to do is find the song inside. “The best book on music (and its connection to the mystic laws of life) that I've ever read. I learned so much on every level.”—Multiple Grammy Award–winning saxophonist Michael Brecker
This edition offers you practical lessons and spiritual guidance of Mental Science. The Fear should be entirely banished from your effort to obtain possession of the things you desire. Contents: Lesson I: Interpreting the Word Lesson II: How to Get What you Want Lesson III: How to Overcome Adverse Conditions Lesson IV: Strengthening Your Will Lesson V: Making Your Subjective Mind Work for You Lesson VI: Hourly Helps Lesson VII: Putting Your Lessons into Practice Your Invisible Power Order of Visualization How to Attract to Yourself the Things You Desire Relation Between Mental and Physical Form Operation of Your Mental Picture Expressions from Beginners Suggestions for Making Your Mental Picture Using Thought Power to Produce New Conditions Why I Took Up the Study of Mental Science How I Attracted to Myself 20,000 Dollars How I Became Trowards Only Personal Pupil How to Bring the Power in Your Word Into Action How to Increase Your Faith The Reward of Increased Faith How to Make Nature Respond to You Faith With Works--What It Has Accomplished How to Pray or Ask, Believing You Have Already Received
HOW TO REMEMBER EVERYTHING is the ultimate guide to unlocking the power of your brain! Kids will learn how to ace history tests by memorizing dates, feel confident about remembering people's names, win card games by mastering entire decks, and hang on to happy memories for a lifetime. This invaluable memory guide for children is full of recall-building techniques, fun challenges, and hilarious art.
The Gold and the Dross: Althusser for Educators is an introduction to the philosophy of Louis Althusser for educators, activists, and those who are new to theory in general.
Tells a story about the strange relationship of two migrant workers who are able to realize their dreams of an easy life until one of them succumbs to his weakness for soft, helpless creatures and strangles a farmer's wife.
The true story of the Lovel family and their journey from middle America to the wilds of Alaska during the 1960's. Their success in homesteading land to earn and obtain title and the adventures they experience raising four small children in the wilderness.