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George Chapman's translations of Homer--immortalized by Keats's sonnet-- are the most famous in the English language. Swinburne praised their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." And the great critic George Saintsbury wrote, "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what the Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original text of Chapman's translation of the Homeric hymns. The hymns, believed to have been written not by Homer himself but by followers who emulated his style, are poems written to the gods and goddesses of the ancient Greek pantheon. The collection, originally titled by Chapman "The Crowne of all Homers Workes," also includes epigrams and poems attributed to Homer and known as "The Lesser Homerica," as well as his famous "The Battle of Frogs and Mice."
Famously praised by John Keats for speaking ‘loud and bold’, Chapman’s Homer brought Greek poetry and civilization to life for centuries of readers. Many have praised its rough energy and creativity, the crashing power of the verses, its grim depiction of life and death in war. The companion to Gordon Kendal’s edition of Chapman’s Odyssey, this edition of his Iliad features a newly edited version of the 1611 printing (including all the translator’s combative notes and commentary) in modern spelling and punctuation. The introduction, “Looking into Chapman’s Homer,” explores the complicated history of revision behind the text, the intermediate Latin sources, and, most important, Chapman’s early modern reception of the Iliad, that is, the later political, cultural, social, literary, moral, and theological ideas that shape his reading of the ancient Greek text. The edition provides also full textual collations, lexical and explanatory notes, a glossary, bibliography, an appendix on Chapman’s contributions to the English language, and index. Like his great contemporary and rival, William Shakespeare, Chapman was a dramatist and one of the great wordsmiths of the Renaissance, a creator of the language that we speak and write today as Modern English. Chapman’s Iliad deploys the resources of this developing English language for stunning poetic effects; this raw and powerful version of Homer’s inspired song stands also as a masterpiece of English literature.
The Reception of the Homeric Hymns is a collection of original essays exploring the reception of the Homeric Hymns and other early hexameter poems in the literature and scholarship of the first century BC and beyond. Although much work has been done on the Hymns over the past few decades, and despite their importance within the Western literary tradition, their influence on authors after the fourth century BC has so far received relatively little attention and there remains much to explore, particularly in the area of their reception in later Greco-Roman literature and art. This volume aims to address this gap in scholarship by discussing a variety of Latin and Greek texts and authors across the late Hellenistic, Imperial, and Late Antique periods, including studies of major Latin authors, such as Virgil, Horace, and Ovid, and Byzantine authors writing in classicizing verse. While much of the book deals with classical reception of the Hymns, including looking beyond the textual realm to their influence on art, the editors and contributors have extended its scope to include discussion of Italian literature of the fifteenth century, German scholarship of the nineteenth century, and the English Romantic poets, demonstrating the enduring legacy of the Homeric Hymns in the literary world.