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George Chapman's translations of Homer are the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer." Swinburne praised the translations for their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." The great critic George Saintsbury (1845-1933) wrote: "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original (1611) text of Chapman's translation of the Iliad, making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction and a glossary. Garry Wills contributes a preface, in which he explains how Chapman tapped into the poetic consonance between the semi-divine heroism of the Iliad's warriors and the cosmological symbols of Renaissance humanism.
Keats' letters paint an unforgettably vivid and moving picture of CLIPPER the richly productive but also tragic final years of the poet's life. As he ponders on the nature of the writer's craft, he must first confront his brother's death from tuberculosis and then the imminent prospect of his own, tormented by the fear that he will not live to consummate his relationship with Fanny Brawne. This general selection also includes many of his finest poems, versions of which often appeared for the first time within the letters themselves.
Famously praised by John Keats for speaking ‘loud and bold’, Chapman’s Homer brought Greek poetry and civilization to life for centuries of readers. Many have praised its rough energy and creativity, the crashing power of the verses, its grim depiction of life and death in war. The companion to Gordon Kendal’s edition of Chapman’s Odyssey, this edition of his Iliad features a newly edited version of the 1611 printing (including all the translator’s combative notes and commentary) in modern spelling and punctuation. The introduction, “Looking into Chapman’s Homer,” explores the complicated history of revision behind the text, the intermediate Latin sources, and, most important, Chapman’s early modern reception of the Iliad, that is, the later political, cultural, social, literary, moral, and theological ideas that shape his reading of the ancient Greek text. The edition provides also full textual collations, lexical and explanatory notes, a glossary, bibliography, an appendix on Chapman’s contributions to the English language, and index. Like his great contemporary and rival, William Shakespeare, Chapman was a dramatist and one of the great wordsmiths of the Renaissance, a creator of the language that we speak and write today as Modern English. Chapman’s Iliad deploys the resources of this developing English language for stunning poetic effects; this raw and powerful version of Homer’s inspired song stands also as a masterpiece of English literature.
From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; color: #ffffff} For George Chapman (1559-1634) his translation of Homer was ‘the work that I was born to do’. The publication of his Iliad and Odyssey together in 1616 was a landmark in English literature, but until now there has been no edition which modernises his spelling and punctuation and also provides detailed help in grasping his often obscure language, and in understanding how and why he translated Homer in the particular way he did. This edition of the Odyssey, a companion to Robert Miola’s edition of the Iliad, aims to bring Chapman’s rendering alive for the modern reader. Its literary, philosophical, and religious context is explained in an Introduction and in footnotes, and side- and end-glosses clarify Chapman’s English. His Odyssey is not only a stylistic masterpiece of seventeenth-century English: it constitutes a profound and moving interpretation – still relevant after four hundred years – of Homer’s story of the suffering and grace implicit in the human condition. Through its teeming diversity of events, settings, and characters Homer and his first English translator explore the question of what it means to be human in a complex and threatening world.
Harry Chapman is not well, and he doesn't like hospitals. Furthermore, Dr Pereira's wonder drug is causing some strange side effects: he can hear more than the usual quotient of voices. First, it is his mother, acerbic and disappointed in him as ever, but then more and more voices add their differing notes and stories to the chorus, squabbling, cajoling and commenting. Friends from childhood, lovers, characters from novels and poetry, Virginia Woolf and a man who wants to sell him T.S Eliot's teeth. Written with a gentle, effortless generosity, full of delicate observation, Chapman's Odyssey is the work of a master; a superbly rendered act of storytelling and ventriloquism that is both witty and deeply moving.
Publisher Description (unedited publisher data) George Chapman's translations of Homer are among the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer." Swinburne praised the translations for their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." The great critic George Saintsbury (1845-1933) wrote: "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original text of Chapman's translation of the Odyssey (1614-15), making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction, textual notes, a glossary, and a commentary. Garry Wills's preface to the Odyssey explores how Chapman's less strained meter lets him achieve more delicate poetic effects as compared to the Iliad. Wills also examines Chapman's "fine touch" in translating "the warm and human sense of comedy" in the Odyssey. Oft of one wide expanse had I been told That deep-browed Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold. --John Keats Library of Congress subject headings for this publication: Homer Translations into English, Epic poetry, Greek Translations into English, Odysseus (Greek mythology) Poetry, Achilles (Greek mythology) Poetry, Trojan War Poetry.