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Charles Chaplin's sound films have often been overlooked by historians, despite the fact that in these films the essential character of Chaplin more overtly asserted itself in his screen images than in his earlier silent work. Each of Chaplin's seven sound films--City Lights (1931), Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), Limelight (1952), A King in New York (1957), and A Countess from Hong Kong (1967)--is covered in a chapter-length essay here. The comedian's inspiration for the film is given, along with a narrative that describes the film and offers details on behind-the-scenes activities. There is also a full discussion of the movie's themes and contemporary critical reaction to it.
Ben's story takes place in 1977 and is told in words. Rose's story in 1927 is told entirely in pictures. Ever since his mother died, Ben feels lost. At home with her father, Rose feels alone. When Ben finds a mysterious clue hidden in his mother's room, both children risk everything to find what's missing.
Take a new look at Charlie Chaplin--through the music he composed for his films. Take a new look at Charlie Chaplin (1889-1977) through the music he composed for his films. Chaplin began his silent-film career in 1914, and with the invention of his character the Little Tramp, he became a screen icon. When sound was introduced in 1927, Chaplin--a self-taught musician--not only wrote scores for his new films, but also composed soundtracks for earlier works, and deftly created comic sound by interweaving sound effects and music.Though he worked with what he termed "musical associates" who helped with notation and orchestration, all his scores sound recognizably "Chaplinesque" and some of his tunes are classics: "Smile" and "Eternally" have been covered by musicians worldwide. Published to accompany an exhibition at the Paris Philharmonic, this new book is fully illustrated with photographs, documents, and ephemera from the Chaplin archives.
🌟 Discover the Life and Legacy of a Cinematic Genius! 🎬 Dive into the captivating journey of Charlie Chaplin in "Charlie Chaplin: The Icon of Comedy." This comprehensive biography unveils the man behind the screen legend, from his humble beginnings to becoming one of the most influential figures in the history of cinema. 🔍 About This Book: "Charlie Chaplin: The Icon of Comedy" offers an in-depth exploration of Chaplin's life and his monumental contributions to film and comedy. Each chapter meticulously details significant periods of his life: The Early Years: Uncover Chaplin's childhood, family background, and initial steps into the world of entertainment. Rise to Fame: Follow Chaplin's extraordinary journey from local stages to the pinnacle of silent film. Mastering Silent Comedy: Delve into Chaplin's unique style and how he revolutionized the genre of comedy. Iconic Roles and Performances: Relive Chaplin's most memorable roles and their lasting impact on cinema and culture. Chaplin in the Sound Era: Explore the challenges and triumphs Chaplin faced during the transition to talkies. Off-Screen Persona: Get a glimpse of Chaplin's life outside the film studio, including his personal relationships and political views. Legacy and Influence: Reflect on Chaplin's enduring impact on the film industry and his status as a cultural icon. 🌟 Why Read This Book? Gain insights into the struggles and triumphs of a man who forever changed the face of cinema. Understand the significance of Chaplin's work in the context of film history and societal evolution. Be inspired by the resilience and creativity of one of the greatest entertainers of all time. 📚 Perfect for: Film enthusiasts and Chaplin admirers. Students and scholars of film history and silent cinema. Readers interested in biographies of cultural icons.
Garbo talked, Gilbert self-destructed and Chaplin refused--that's about all many people know about silent film actors who faced the transition into talking pictures. Yes, Greta Garbo's talkie debut was successful, John Gilbert's was disastrous, and Charlie Chaplin did not deign to make one for over a decade. But there were many others--both stars and lesser lights--who also made the leap for at least one talking film. From Renee Adoree to Loretta Young, over 500 actors and actresses who made at least three silent films and had some starring or supporting roles in sound films are included in this reference work. For each performer, the place of birth, vital dates, nicknames if any, real name if different from stage name, and a source for filmographic data are included. This information is followed by capsule accounts of the performer's silent and sound careers, along with contemporary reviews of selected talkies in which they appeared.
This text offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. The author presents a view of the talkies' reception, amongst other issues.
Before making a name for himself as an undisputed master of cinema, Charlie Chaplin first developed his acting, writing, and directing skills at Keystone Studios. This book examines each of these films, assessing the important early work of a comedian who became a timeless icon.
'A lavishly illustrated, affectionate treatment by one of the finest critics of our time...Kerr is more than a brilliant master of verbal description; he is a penetrating, lucid theorist. This book is as much about comedy as about movies, about eyes and ears and how and why we laugh.'-Thomas Wills, Chicago Tribune Book World
“I remain just one thing, and one thing only — and that is a clown. It places me on a far higher plane than any politician.” – Charlie ChaplinOnly a select few actors become international stars in their time, but none had as unique a career as Charlie Chaplin. Chaplin was the first true film star, and he managed to do so even when films were still silent. He has been honored with too many awards to count, and the fact that his name remains instantly recognizable nearly a century after his first film is a testament to his influence. Even today, Chaplin's films are arguably more recognizable than those of perhaps any other actor or director; everyone is familiar with the famous “Tramp” costume and persona, and even the casual film enthusiast has likely seen films such as City Lights (1931) and Modern Times (1936). Chaplin is known for the singular blend of pathos and humor evinced by his films, and it is not uncommon for audiences to laugh and cry at alternate points of a Chaplin film, a trait that continues to endear audiences even to this day. For this reason, in his review of Stephen Weissman's biography of Chaplin, Martin Sieff noted, “It is doubtful any individual has every given more entertainment, pleasure, and relief to so many human beings when they needed it most.” As Sieff's comment suggests, Chaplin's career coincided with the two World Wars and the Great Depression, but while Chaplin the actor was popular, Chaplin the person became controversial in the final decades of his life. In fact, there is a wide discrepancy between the almost uniformly enthusiastic praise of Chaplin today and the subversive identity he cultivated toward the latter part of his career. Although accusations of being a communist sympathizer and Chaplin's confrontation with the House Committee on Un-American Activities have mostly become a footnote in the storied career of a man best remembered as an acting pioneer, it forced Chaplin to spend the last 15 years of his career working as an artist in exile, and the shifting viewpoints of Chaplin were instrumental in forcing people to evaluate the way in which they viewed celebrities, as well as what it means to be entertained. Indeed, it is impossible to substantiate the belief that Chaplin's later films are poorer in quality than his earlier ones, yet the public largely rejected his later directorial efforts. In the end, it must be acknowledged that, more than any other figure who had come before him, the public was aware of Chaplin's personal life in ways that were often upsetting and inconsistent with the persona effected through his films. Due to the way Chaplin was vilified, relatively little is known about the final chapter of Chaplin's life, and one of the prevailing tensions concerning Chaplin is the way in which he is incredibly famous on the one hand but also a particularly mysterious and even unknown figure on the other hand. After Chaplin's body was stolen from his grave, Kenneth Schuyler Lynn pointed out that “the image of his empty gravesite came to symbolize his historic elusiveness, as a person no less than as a performer.”