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Sequel to Spells and Sensibility Captain Henry Tourmaline is having nightmares again. And this time he’s not even cursed. But Henry is worried. He might be healed -- but the healing spell left his lover Theo in pain, their magic tangled together. They’ve uncovered an ominous plot -- but, without evidence, the Royal College of Wizardry refuses to believe them. And Theo’s brother, the Duke of Baselton, wants to meet Henry -- but also wants to introduce Theo to a wealthy baron, a more suitable match ... who might possess more sinister intentions. Theo Burnett tells himself he has no regrets. He’s in love with Henry, and a permanent magical headache isn’t too high a price to pay for Henry’s recovery. But he misses his peaceful life in the College Library, before he became entwined in cultists’ plots and perils. And now he’s got his brother to deal with, and a baron asking questions about him. And Theo’s last magical secret is about to come to light ... explosively. Together, Theo and Henry will face curses, cultists, and chaos ... and their own emotions, as they fight for their magical happy ending.
Modern practicing occultists have argued that renowned horror writer H. P. Lovecraft was in possession of in-depth knowledge of black magick. Literary scholars claim that he was a master of his genre and craft, and his findings are purely psychological, nothing more. Was Lovecraft a practitioner of the dark arts himself? Was he privileged to knowledge that cannot be otherwise explained? Weaving the life story of Lovecraft in and out of an analysis of various modern magickal systems, scholar John Steadman has found direct and concrete examples that demonstrate that Lovecraft’s works and specifically his Cthulhu Mythos and his creation of the Necronomicon are a legitimate basis for a working magickal system. Whether you believe Lovecraft had supernatural powers or not, no one can argue against Lovecraft’s profound influence on many modern black arts and the darker currents of western occultism.
An advanced course in the practice of chaos magic written by one of its most respected practitioners—in a newly revised and expanded edition. Peter J. Carroll—renowned writer and practitioner of chaos magic—offers a remarkably clear presentation of the practice of chaos magic. His approach combines methods from shamanism, paganism, and chaos science. Liber Kaos includes: a selection of extremely powerful rituals and exercises for committed occultists instructions that lead the reader through new concepts and practices of chaos magic a magical training course for the individual or for groups, with details of the author’s magical order instructions for carrying out the essential rituals of chaos magic a fresh look at aeonics, cosmogenesis, auric magic, and shadow time, as well as the technical aspects of spells and equations Originally published by Weiser Books in 1992, this new edition is substantially revised and updated and includes new, previously unpublished material.
Wind In The Attic is one of the most moving and compelling personal accounts of growing up Pagan. This book helps people discover new social and magickal systems coined by the author, systems like the wheel of truths, social evolutionism and more. With detailed personal accounts, practical understanding of Chaos and Elven High Magick, and with easy to follow instructions, Wind In The Attic is one of the most revealing books on the Market.
THE BOOK OF TREASURE SPIRITS Conjurations of Goetic spirits, old gods, demons and fairies are all part of a rich heritage of the magical search for treasure trove. During the Middle Ages and Renaissance the British Monarchy gave out licenses to people seeking treasure in an effort to control such practices, and this is one reason why so many grimoires are full of conjurations and charms to help the magician find treasure. Published here for the first time, from a long-ignored mid-seventeenth century manuscript in the British Library (Sloane MS 3824), is the conjuration said to have been performed at the request of King Edward IV, with other rites to reveal treasure, to have treasure brought from the sea, and to cause thieves to bring back stolen goods. Conjurations to call any type of spirit are also included, recorded by the noted alchemist and collector Elias Ashmole, as is an extract on conjuration practices from the Heptameron, transcribed into English for practical use by a working group of magicians, before its first English publication by Robert Turner in 1655. These conjurations demonstrate the influence of earlier classic grimoires and sources, with components drawn from the Goetia, the Heptameron, and Reginald Scot's Discoverie of Witchcraft. The material includes spirit contracts for Agares, Padiel and Vassago, as well as techniques like lead plates for binding, and summoning into a glass of water, which hark back to the defixiones of Hellenistic Greece and the demonic magic of the Biblical world. This material forms part of a corpus of conjurations all written in the same hand and style of evocation, linking Goetic spirits and treasure spirits with the archangels and planetary intelligences (in Sloane MS 3825), and demon kings and Enochian hierarchies (in Sloane MS 3821), making it a unique bridge of style and content between what are often falsely seen as diverse threads of Renaissance magic. About the Author David Rankine is an occult scholar and author of more than 20 books on the subject of magic, the western esoteric traditions, folklore and mythology. Since the 1970's he has been researching and exploring magical and spiritual practices throughout history; a journey which has taken him from ancient Sumeria, Babylonia and Egypt through Greece, Rome and Britain through the middle ages and rennaisance and the modern Western Mystery Traditions. With Stephen Skinner he has produced works such as The Veritable Key of Solomon and the Goetia of Dr Rudd, both highly regarded groundbreaking works which make available previously unpublished source materials for the first time.
The Fiction of America juxtaposes classic literature of the American Renaissance with twentieth-century popular culture--pairing, for instance, Ralph Waldo Emerson with Finding Nemo, Walt Whitman with Spiderman, and Hester Prynne with Madonna--to investigate how the "Americanness" of American culture constitutes itself in the interplay of the cultural imaginary and performance. Conceptualizing "America" as a transhistorical practice, Susanne Hamscha reveals disruptive, spectral moments in the narrative of "America," which confront American culture with its inherent inconsistencies.
The Grimoire of Arthur Gauntlet is an outstanding example of a seventeenth century London Cunning-man's book of practice. An introduction provides fresh insights into the hidden world of seventeenth century magical London, exploring the web of connections between astrologers, cunning-folk and magicians, playwrights, authors and church figures.
For over two decades, Donald Michael Kraig's Modern Magick has been the world's most popular step-by-step guide to working real magick. Tens of thousands of individuals and groups have used this course as their primary instruction manual. Now, greatly revised and expanded, this set of lessons is more complete and relevant to your life than ever. Written with respect for the student, Modern Magick will safely guide you—even if you know little or nothing—through a progressive series of practical exercises and rituals, complemented by the knowledge, history, insights, and theory you need to become a successful ceremonial magician. Firmly rooted in the Western magickal tradition yet designed to be fully compatible with your contemporary practice, this book will help you attain full mastery of all core topics in magick: The inner mysteries of the Kabalah The most powerful rituals of magick How to create and perform your own rituals True meditation Magickal ethics Astral projection Tools of magick Evocation of spirits Pathworking Tantra and sex magick The importance of the Tarot Talismans and amulets Secrets of visualization Alchemy Psychic self-defense Healing rituals Filled with personal stories and helpful illustrations, along with updated and brand-new material, this new edition of Modern Magick features a completely new lesson that reveals the concepts, techniques, and rituals of Neuro-Linguistic Programming, Chaos Magick, and Postmodern Magick. Ideal for beginning, intermediate, or advanced students, and perfect as a manual for magickal temples, this is essential reading for every true magician. "Modern Magick is a modern-day classic. It has become the standard textbook of practical magickal knowledge for magicians all over the world. We highly recommend it to beginner and adept alike."—Chic Cicero and Sandra Tabatha Cicero, authors of Experiencing the Kabbalah and Self-Initiation into the Golden Dawn Tradition