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This book is a study on the Soviet foreign policy when the task of renovating the country was placed on the Communist Party of the Soviet Union's (CPSU) political agenda. It discusses Gorbachev's new approach to foreign policy and the political change that reshaped Soviet and European history.
This book is a comparative study of the role that domestic factors play in shaping the form and content of Western policy towards the Soviet Union. The countries whose policies are featured are Great Britain, France, the Federal Republic of Germany, Italy, Japan, and the United States.
An assessment of the explanatory utility of different approaches to account for post-Soviet Russia's foreign policy towards the West, arguing that only by focusing both on external constraints and changes in the Russian leadership's foreign policy thinking can we explain major facets of Russia's conduct from 1992-2007.
This survey of writings on the debates about and events relating to Soviet foreign policy concentrates on the Gorbachev period. Changes in Soviet theory and foreign policy decision making are covered in the first section. Twelve articles examine Gorbachevs policy towards a number of different geographic regions, and several more assess the permanence of Gorbachevs foreign policy changes.
The Soviet post-Stalin period is examined in its economic, political, and foreign policy dimensions, stressing the factors that provided the gestation environment for Gorbachev's reforms. There follows an analysis of the nature, sources, and plausible outcomes of Gorbachev's "revolution" and the strategies he is applying to it. A separate part of the book examines the changing goals of past U.S. policies toward the Soviet Union and their effectiveness in influencing Soviet behavior. The final part puts forth suggestions and prescriptions for a U.S.approach to the changes in Soviet economic, security, and foreign policies. The East-West Forum is a New York-based research and policy analysis organization sponsored by the Samuel Bronfman Foundation. Its goal is to bring together experts and policy leaders from differing perspectives and generations to discuss changing patterns of East-West relations. It attempts to formulate long-term analyses and recommendations. In preparing the chapters of this book, the authors drew upon the work of a series of workshops initiated by the Forum.
This book is originated from the 1985 Rome conference on "Soviet-East European Relations: Implications for the West," which explored the elements of continuity and change, especially the trends in intra-Warsaw Pact relations. It contains revised versions of the papers presented at the conference.
This volume assesses contemporary Soviet domestic and foreign policy and surveys the traditions, challenges, and contexts within which the Soviet leadership was operating. General Secretary Mikhail Gorbachev is generating ferment at home and anticipation abroad about the prospects for change in Soviet policy. Western analysts can provide only an in
Soviet-East European Relations as a Problem for the West (1987) analyses the evolution of Eastern Europe both internally and in its relationship with the Soviet Union, the development of relations between the two superpowers, and the equilibrium between the two security systems. It examines how these changes have altered Western policy options, how internal Western frictions, arising from differing interpretations of these developments, can best be managed, and the most appropriate future policies both to achieve Western goals and to benefit Eastern Europe.
A Foreign Affairs Best Book of the Year Winner of the AATSEEL Prize for Best Book in Cultural Studies Winner of the Laura Shannon Prize in Contemporary European Studies Winner of the Marshall D. Shulman Book Prize Winner of the Wayne S. Vucinich Book Prize The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. At the heart of this history is a process of translation, in which Western figures took on Soviet roles: Pablo Picasso as a political rabble-rouser; Rockwell Kent as a quintessential American painter; Erich Maria Remarque and Ernest Hemingway as teachers of love and courage under fire; J. D. Salinger and Giuseppe De Santis as saviors from Soviet clichés. Imported novels challenged fundamental tenets of Soviet ethics, while modernist paintings tested deep-seated notions of culture. Western films were eroticized even before viewers took their seats. The drama of cultural exchange and translation encompassed discovery as well as loss. Eleonory Gilburd explores the pleasure, longing, humiliation, and anger that Soviet citizens felt as they found themselves in the midst of this cross-cultural encounter. The main protagonists of To See Paris and Die are small-town teachers daydreaming of faraway places, college students vicariously discovering a wider world, and factory engineers striving for self-improvement. They invested Western imports with political and personal significance, transforming foreign texts into intimate belongings. With the end of the Soviet Union, the Soviet West disappeared from the cultural map. Gilburd’s history reveals how domesticated Western imports defined the last three decades of the Soviet Union, as well as its death and afterlife.