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Roberta Linn tells her life story of growing up as a singer and actress in the Golden Days of Hollywood: sharing a changing room with Shirley Temple, singing for Disney, joining the military at 14, getting the top position for Lawrence Welk and then headlining Las Vegas, falling in love and getting married. But all does not glitter behind the silver scene. She also tells of life's foibles and pitfalls. Read this spectacular biography about how a young girl in her mid-twenties scaled the heights of Tinsel town to win the 1955 Emmy for Best Female Entertainer only to later discover the road of hard knocks and had to to take on a second career selling timeshare for the same person she used to sing for to make a living and how a woman of high moral standards could date a mob connected hotel owner from Palm Springs who was married to another woman only to lose him in a card game gone wrong.
One of Lawrence Welk's most beloved entertainers, an Emmy Award winner and a Vegas headliner, Roberta Linn captured the hearts of fans nationwide. Her inspiring story unfolds in the pages of Champagne Lady. Born in a small Iowa town to a farmer's daughter and a minor league baseball player, Roberta discovered her talent for performing at a young age. She played in film productions and worked with big name stars like Shirley Temple, Cary Grant, and Clark Gable. At the age of thirteen, she fabricated her true age and enlisted in the Women's Army Corps, entertaining the troops of World War II. From 1950 to 1955, Roberta became Lawrence Welk's first television "Champagne Lady", and she was displayed on magazine covers around the country. But the harshness of celebrity life finally took it's toll, and Roberta's ill health led to a medicine-induced coma in 1958. Her amazing recovery reinforced her faith, and she continued to find success in her career. Both moving and uplifting, Champagne Lady, showcases the triumph of one of the most popular entertainers of Hollywood's golden Age.
Soon to be a major motion picture starring Haley Bennett, Tom Sturridge, and Sam Riley! "Narrative history that fizzes with life and feeling.” — Benjamin Wallace, New York Times bestselling author of The Billionaire's Vinegar The New York Times bestselling biography of the visionary young woman who built a champagne empire, became a legend, and showed the world how to live with style Veuve Clicquot champagne epitomizes glamour, style, and luxury. In The Widow Clicquot, Tilar J. Mazzeo brings to life—for the first time—the fascinating woman behind the iconic yellow label: Barbe-Nicole Clicquot Ponsardin, who, after her husband's death, defied convention by assuming the reins of the fledgling wine business they had nurtured together. Steering the company through dizzying political and financial reversals, she became one of the world's first great businesswomen and one of the richest women of her time. As much a fascinating journey through the process of making this temperamental wine as a biography of a uniquely tempered woman, The Widow Clicquot is the captivating true story of a legend and a visionary.
Champagne, France, 1800. Twenty-year-old Barbe-Nicole inherited Le Nez (an uncanny sense of smell) from her great-grandfather, a renowned champagne maker. Determined to use Le Nez to make great champagne, she learns her childhood sweetheart, François Clicquot, wants to start a winery and marries him despite his mental illness. Her husband's tragic death forces her to become Veuve (Widow) Clicquot and grapple with a domineering partner, the complexities of making champagne, and six Napoleon wars, which cripple her ability to sell champagne. When she falls in love with her sales manager, Louis Bohne, who asks her to marry, she must choose between losing her winery to her husband, as dictated by Napoleon Code, or losing Louis. In the ultimate showdown, Veuve Clicquot risks imprisonment and even death, defying Napoleon himself.
A wonderful collection of never-before-collected one-acts: “The peak of my virtuosity was in the one- act plays. Some of which are like firecrackers in a rope” (Tennessee Williams). Here are portraits of American life during the Great Depression and after, populated by a hopelessly hopeful chorus girl, a munitions manufacturer ensnared in a love triangle, a rural family that deals “justice” on its children, an overconfident mob dandy, a poor couple who quarrel to vanquish despair, a young “spinster” enthralled by the impulse of rebellion, and, in “The Magic Tower,” a passionate artist and his wife whose youth and optimism are not enough to protect their “dream marriage.” This new volume gathers some of Williams’s most exuberant early work and includes one-acts that he would later expand to powerful full-length dramas: “The Pretty Trap,” a cheerful take on The Glass Menagerie, and “Interior: Panic,” a stunning precursor to A Streetcar Named Desire. The plays include: • At Liberty • The Magic Tower • Me, Vashya • Curtains for the Gentleman • In Our Profession • Every Twenty Minutes • Honor the Living • The Case of the Crushed Petunias • Moony’s Kid Don’t Cry • The Dark Room • The Pretty Trap • Interior: Panic • Kingdom of Earth • I Never Get Dressed Till After Dark on Sundays • Some Problems for The Moose Lodge
The PEN/Faulkner Award–winning author recounts coming of age in 1950s Washington State with his mother and abusive stepfather in this classic memoir. This unforgettable memoir, by one of our most gifted writers, introduces us to the young Toby Wolff, by turns tough and vulnerable, crafty and bumbling, and ultimately winning. Separated by divorce from his father and brother, Toby and his mother are constantly on the move. As he fights for identity and self-respect against the unrelenting hostility of a new stepfather, his experiences are at once poignant and comical, and Wolff masterfully re-creates the frustrations, cruelties, and joys of adolescence. His various schemes—running away to Alaska, forging checks, and stealing cars—lead eventually to an act of outrageous self-invention that releases him into a new world of possibility. Praise for This Boy’s Life “Wolff writes in language that is lyrical without embellishment, defines his characters with exact strokes and perfectly pitched voices, [and] creates suspense around ordinary events, locating the deep mystery within them.” —Los Angeles Times Book Review “[This] extraordinary memoir is so beautifully written that we not only root for the kid Wolff remembers, but we also are moved by the universality of his experience.” —San Francisco Chronicle “A work of genuine literary art . . . as grim and eerie as Great Expectations, as surreal and cruel as The Painted Bird, as comic and transcendent as Huckleberry Finn.” —The Philadelphia Inquirer “Wolff’s genius is in his fine storytelling. This Boy’s Life reads and entertains as easily as a novel. Wolff’s writing and timing are superb, as are his depictions of those of us who endured the 50s.” —The Oregonian