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Homeric Chalkis is situated on the coast of Aetolia at the very ‘gateway’ of the Gulf of Patras. The foundation occurred during an important period in early Greek history when trade and movement of peoples along the Gulf intensified with a resulting strong pull to the coast. Well-preserved stratigraphies date the foundation to the early seventh century BC and testify to a flourishing settlement in the sixth century lasting till the early fifth century BC when the site was temporarily given up. Walls and roads follow a rectilinear layout. A broad spectre of pottery shapes and wares attest to innovative local and regional workshops already from the onset of the settlement. Alongside the pottery, tools for complex textile manufacture were found in all houses, among which were many small, pyramidal loom weights and spools. These findings indicated a high degree of experimental weaving techniques and demonstrated how the courtyard house, as a new house model, was particularly well suited to accommodate this manufacture, probably mantels. The results therefore offer important new evidence on relations between gender behaviour and Greek houses. The catalogue is richly illustrated with profile drawings, plans, black-and- white and colour photos and accompanied by discussions of the material.
The Prehistoric Periods is the first volume in a series of publications where the results of the Danish/ Greek excavations 1995 to 2001 in Ancient Chalkis in Aetolia, are published. For the first time ever, stratigraphically excavated deposits from the Final Neolithic, the Early Helladic, Middle Helladic and the Late Helladic periods in Northwestern Greece are published and presented in their proper scientific contexts. In addition to the archaeological contexts geological surveys in the area and studies in the fauna of marine shells and animal bones from the prehistoric layers are submitted. The results are supported by a series of C14 dates.
The theatre at Kalydon in Aitolia – known only since a few decades – has already attracted a lot of attention due to its square orchestra and rectilinear benches for seating. The Danish-Greek collaborative project responsible for investigating the theatre presents in this two-volume publication results of the excavation and documentation, including all finds such as tile, pottery, metals and coins, made during the excavations. The traditional analysis of the building is supplemented by an archaeoacoustic analysis comparing acoustic advantages and disadvantages between the square and semicircular design.
In Achaios, thirty-five scholars from six different countries have contributed with thirty-one papers, as a small token of appreciation, gratitude and affection to a true scholar, who devoted his life studying and revealing the long journeys of the Mycenaeans and their culture.
A systematic survey of archaic Greek society and culture which introduces the reader to a wide range of new approaches to the period. The first comprehensive and accessible survey of developments in the study of archaic Greece Places Greek society of c.750-480 BCE in its chronological and geographical context Gives equal emphasis to established topics such as tyranny and political reform and newer subjects like gender and ethnicity Combines accounts of historical developments with regional surveys of archaeological evidence and in-depth treatments of selected themes Explores the impact of Eastern and other non-Greek cultures in the development of Greece Uses archaeological and literary evidence to reconstruct broad patterns of social and cultural development
This second volume on Early Cycladic (and Cycladicising) sculptures found in the Aegean, examines finds from mainland Greece, along with the rarer items from the north and east Aegean, with the exception of those discovered in the Cyclades (covered in the preceding volume), and of those found in Crete. The significance of these finds is that these are the principal testimonies of the influence of the Early Bronze Age Cycladic cultures in the wider Aegean. This influence is shown both by the export of sculptures produced in the Cyclades (and made of Cycladic marble), and of their imitations, produced elsewhere in the Aegean, usually of local marble. They hold the key, therefore, to the cultural interactions developing at this time, the so-called ‘international spirit’ manifest particularly during the Aegean Early Bronze II period.This was the time when the foundations of early Aegean civilisation were being laid, and the material documented is thus of considerable significance. The volume is divided into sections wherein contributions examine finds and their archaeological, social, and economic contexts from specific regions. It concludes with an overview of the significance and role of these objects in Early Bronze Age societies of the Aegean and eastern Mediterranean region. This will be the first time that this material has been systematically gathered together. Highly illustrated, it follows and builds on the successful preceding volume, Early Cycladic Sculpture in Context (Oxbow 2016).
Using deposits recently excavated from the Panayia Field, this volume substantially revises the absolute chronology of Corinthian Hellenistic pottery as established by G. Roger Edwards in Corinth VII.3 (1975). This new research, based on quantitative analysis of over 50 deposits, demonstrates that the date range for most fine-ware shapes should be lowered by 50-100 years. Contrary to previous assumptions, it is now possible to argue that local ceramic production continued in Corinth during the interim period between the destruction of the city in 146 B.C. and when it was refounded as a Roman colony in 44 B.C. This volume includes detailed shape studies and a comprehensive catalogue. With its presentation of this revised "Panayia Field chronology," Corinth VII.7 is a long-awaited and much-needed addition to the Corinth series.