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When punk rock star Ian Dury disappeared to make films in the late 80s, he left his teenage son in the care of his roadie, in a rundown flat in Hammersmith. But this was no ordinary roadie; this was the Sulphate Strangler. The Strangler, having taken a lot of LSD in the 60s, was prone to depression, anger and hallucinations. He was also, as the name suggests, a drug dealer. What could possibly go wrong? In a period that we can now only imagine, a young Baxter ricocheted from one adventure to another, narrowly swerving one disaster only immediately to collide with another. At times, his situation was perilous in the extreme - the world is lucky to have him at all. Chaise Longue is an intimate account of those escapades, evocatively illuminating a bohemian west London populated with feverishly grubby characters.
Discover classic and contemporary Scandinavian style with specially commissioned photography of homes in Denmark, Norway, Sweden, and Finland. Discover classic and contemporary Scandinavian style with specially commissioned photography of homes in Denmark, Norway, Sweden, and Finland. Scandinavia is famous for its distinctive style: homes are pared-back and simple, and form and function are combined to create aesthetically pleasing and practical interiors. Scandinavians are inspired by light, having an abundance of it in summer but so little of it in winter, and house designs tend to maximize the amount of natural light that enters the home, and allow the inhabitants to make the most of outdoor life during the summer. Similarly, nature and the weather are major influences: homes are made warm and cozy for the freezing winter months—not just literally with log burners, but also through incorporating wood and natural materials. Here Niki Brantmark, owner of the interior design blog My Scandinavian Home, presents a wide-ranging collection of these beautiful homes and explores how the Scandinavian lifestyle is reflected in them all. The first chapter, Urban Living, features styles ranging from minimalist to bohemian, and pale palettes to dramatic dark colors. By contrast, the Country Homes tend to have a softer, calmer feel, through color and textiles, in line with a slower pace of life. Finally, the spectacular Rural Retreats include a mountain cabin, beach house, and rustic summer cottage, and demonstrate how having somewhere to escape to is so important to many Scandinavians. This collection of stunning interiors will put Scandi style within every reader’s reach.
An illustrated monthly magazine in the interest of better art, better work and a better more reasonable way of living.
For the past twenty-five years Americans have relied on Pulitzer Prize-winning wordsmith William Safire for their weekly dose of linguistic illumination in The New York Times Magazine's column "On Language" -- one of the most popular features of the magazine and a Sunday-morning staple for innumerable fans. He is the most widely read writer on the English language today. Safire is the guru of contemporary vocabulary, speech, language, usage and writing. Dedicated and disputatious readers itch to pick up each column and respond to the week's linguistic wisdom with a gotcha letter to the Times. The Right Word in the Right Place at the Right Time marks the publication of Safire's sixteenth book on language. This collection is a classic to be read, re-read, enjoyed and fought over. Fans, critics and fellow linguists wait with bated (from the French abattre "to beat down") breath for each new anthology -- and, like its predecessors, this one is bound to satisfy and delight. Safire finds fodder for his columns in politics and current events, as well as in science, technology, entertainment and daily life. The self-proclaimed card-carrying language maven and pop grammarian is not above tackling his own linguistic blunders as he detects language trends and tracks words, phrases and clichés to their source. Scholarly, entertaining and thoughtful, Safire's critical observations about language and slanguage are at once provocative and enlightening. Safire is America's go-to guy when it comes to language, and he has included sharp and passionately opinionated letters from readers across the English-speaking world who have been unable to resist picking up a pen to put the maven himself in his place or to offer alternate interpretations, additional examples, amusing anecdotes or just props. The Right Word in the Right Place at the Right Time is a fascinating, learned and piquant look at the oddities and foibles that find their way into the English language. Exposing linguistic hooey and rigamarole and filled with Safire's trademark wisdom, this book has a place on the desk or bedside table of all who share his profound love of the English language -- as well as his penchant for asking "What does that mean?" Or, "Wassat?" This new collection is sure to delight readers, writers and word lovers everywhere and spark the interest of anyone who has ever wondered, "Where did the phrase 'brazen hussy' come from?"
Kalniete's book is a moving and eloquent testimony to her family and to the Latvian nation--to their shared fate during more than fifty years of occupation. It is an indictment of the inhuman repression of both the Soviet Union and Nazi Germany. Above all, it is the story of human survival, and it has become the most-translated Latvian book in recent history.
A Scandinavian furniture designer offers insight into his thinking about sitting and explains the philosophy that informs his pioneering chairs. For millions of years humans have led physically active lives. In recent centuries, however, industrialization has fostered passivity and the growing predominance of the sitting posture for more and more people. Increasingly, chairs and furniture for sitting have become standard pieces of equipment in the workplace, institutions, and private homes. These sitting devices were designed according to the established standard of the chair, based on the accepted western manner of sitting. In Rethinking Sitting, Scandinavian industrial designer Peter Opsvik addresses the issue of whether this is the only, and functionally best, design for the human body. When the various authorities on ergonomics promote their one and only “correct” sitting posture, he says all of them are right: Every recommended sitting posture is good. Opsvik sees it as his task to design chairs that allow as many different sitting postures as possible and make it easy to move and change frequently between positions. In this beautifully illustrated reference Opsvik offers insight into his thinking on the subject of sitting and explains the philosophy that informs his furniture designs. Rethinking Sitting contains important information for everyone who is interested, for professional, educational, or personal reasons, in sitting solutions.