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"A brand-new series in the Shadowhunter world."--Cover.
A #1 New York Times Bestseller! The Shadowhunters must catch a killer in Edwardian London in this dangerous and romantic sequel to the #1 New York Times bestselling novel Chain of Gold, from New York Times and USA TODAY bestselling author Cassandra Clare. Chain of Iron is a Shadowhunters novel. Cordelia Carstairs seems to have everything she ever wanted. She’s engaged to marry James Herondale, the boy she has always loved; she has a new life in London with her best friend Lucie; and she bears the sword Cortana, a legendary hero’s blade. But the truth is far grimmer. Cordelia’s marriage is a lie, arranged to save her reputation, while James remains in love with the Grace Blackthorn. Cortana burns her when she touches it. And a serial murderer is targeting the Shadowhunters of London, killing under cover of darkness, then vanishing without a trace. Now Cordelia, James, and Lucie must follow the trail of the killer through the city’s most dangerous streets. All the while, each is keeping a shocking secret: Lucie, that she is attempting to raise the dead; Cordelia, that she has sworn a dangerous oath of loyalty to a mysterious power; and James, that he himself may be the killer they seek.
Jack the Ripper stalks through London, and only the Shadowhunters can stop him. One of ten adventures in Tales from the Shadowhunter Academy. Simon learns the truth behind the Jack the Ripper murders—“Jack” was stopped by Will Herondale and his institute of Victorian Shadowhunters. This standalone e-only short story follows the adventures of Simon Lewis, star of the #1 New York Times bestselling series The Mortal Instruments, as he trains to become a Shadowhunter. Tales from the Shadowhunter Academy features characters from Cassandra Clare’s Mortal Instruments, Infernal Devices, and the upcoming Dark Artifices and Last Hours series. The Whitechapel Fiend is written by Cassandra Clare and Maureen Johnson.
From #1 New York Times bestselling authors Cassandra Clare and Wesley Chu comes the second book in the Eldest Curses series and a thrilling new adventure for High Warlock Magnus Bane and Alec Lightwood, for whom a death-defying mission into the heart of evil is not just a job, it’s also a romantic getaway. The Lost Book of the White is a Shadowhunters novel. Life is good for Magnus Bane and Alec Lightwood. They’re living together in a fabulous loft, their warlock son, Max, has started learning to walk, and the streets of New York are peaceful and quiet—as peaceful and quiet as they ever are, anyway. Until the night that two old acquaintances break into Magnus’s apartment and steal the powerful Book of the White. Now Magnus and Alec will have to drop everything to get it back. They need to follow the thieves to Shanghai, they need to call some backup to accompany them, and they need a babysitter. Also, someone has stabbed Magnus with a strange magical weapon and the wound is glowing, so they have that to worry about too. Fortunately, their backup consists of Clary, Jace, Isabelle, and newly minted Shadowhunter Simon. In Shanghai, they learn that a much darker threat awaits them. Magnus’s magic is growing unstable, and if they can’t stop the demons flooding into the city, they might have to follow them all the way back to the source—the realm of the dead. Can they stop the threat to the world? Will they make it back home before their kid completely wears out Alec’s mom?
In a tropical island empire where wealth defines worth, a troubled mercenary and a dying magnate's nightmares hold the keys to preventing a catastrophe.
’One of my favorite authors. Her books are pure romantic delight’ Tessa Dare on My Fake Rake Living their best life
Some curses can't be outrun. The secret to Redd's past is locked away in a 400-year-old box that mysteriously appears every year on her birthday. For her entire life, her mother has kept them running from whatever lurks inside it. But Redd's had enough of not knowing who she is. So when the box shows up where only she can find it, she opens it...and awakens a link to the evil her mother fought to keep dormant. John lives in an old-fashioned village, a place of exquisite beauty and abundance. But such splendor demands that the villagers commit unspeakable acts. When the link with Redd is unlocked, the village council believes they have a solution to simplify their darkest task. John is sent to find the one girl who could possibly save them...if she makes the ultimate sacrifice. Eleanor sets off from England to America in 1587, pregnant and desperate to leave her ties with the devil behind. But when the captain of the ship refuses to take her and the other settlers further than Roanoke Island, what should be the beginning of a better life turns into a horrendous struggle to survive. Eleanor's desire to see her daughter live at any cost will curse her and everyone around her for centuries to come... Redd, John, and Eleanor's stories meld together in a mashup of dark, urban, and historical fantasy, delving into the nuances of good and evil, the price of loyalty, and the extremes we will go to for those we love.
Barred from political engagement and legal advocacy, the second sophists composed and performed epideictic works for audiences across the Mediterranean world during the early centuries of the Common Era. In a wide-ranging study, author Susan C. Jarratt argues that these artfully wrought discourses, formerly considered vacuous entertainments, constitute intricate negotiations with the absolute power of the Roman Empire. Positioning culturally Greek but geographically diverse sophists as colonial subjects, Jarratt offers readings that highlight ancient debates over free speech and figured discourse, revealing the subtly coded commentary on Roman authority and governance embedded in these works. Through allusions to classical Greek literature, sophists such as Dio Chrysostom, Aelius Aristides, and Philostratus slipped oblique challenges to empire into otherwise innocuous works. Such figures protected their creators from the danger of direct confrontation but nonetheless would have been recognized by elite audiences, Roman and Greek alike, by virtue of their common education. Focusing on such moments, Jarratt presents close readings of city encomia, biography, and texts in hybrid genres from key second sophistic figures, setting each in its geographical context. Although all the authors considered are male, the analyses here bring to light reflections on gender, ethnicity, skin color, language differences, and sexuality, revealing an underrecognized diversity in the rhetorical activity of this period. While US scholars of ancient rhetoric have focused largely on the pedagogical, Jarratt brings a geopolitical lens to her study of the subject. Her inclusion of fourth-century texts—the Greek novel Ethiopian Story, by Heliodorus, and the political orations of Libanius of Antioch—extends the temporal boundary of the period. She concludes with speculations about the pressures brought to bear on sophistic political subjectivity by the rise of Christianity and with ruminations on a third sophistic in ancient and contemporary eras of empire.