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"Paul Cezanne (1839-1906) was one of the most influential and well-loved artists of all time. He was a key figure in the great debate about Modernism that took place in Britain in the early years of the twentieth century, and a stylistic innovator who constantly struggled to perfect his art. Yet, during his lifetime, Cezanne remained virtually unknown in this country, and as recently as 1964 the National Gallery's purchase of the most important Cezanne in Britain - Bathers - was denounced in the press as a public outrage." "Today, more than 80 of Cezanne's works remain in British collections, public and private, and over half of these pictures , covering the full range of his oeuvre - paintings, drawings, watercolours and prints - are reproduced here, tracing the artist's development from the 1860s until his death."--BOOK JACKET.
The Courtauld Gallery holds the most important group of works by Paul Cézanne (1839-1906) in Britain. This book presents the entire collection for the first time, with major paintings such as the iconic Montagne Sainte-Victoire (1887) and Card Players (1892-95) shown alongside rarely seen drawings and watercolors.
When Yannick learns that he is to stay with his Aunt Mathilde in the South of France, he cannot believe his luck. If the paintings of his mother's beloved Cezanne are to be believed, surely Provence is paradise itself. So begins an idyllic month for the young boy. Then one evening the idyll is spoilt when an important local comes for dinner and Yannick accidentally destroys a precious drawing the man leaves behind. He could never have imagined that his mother's hero, the world-famous Cezanne, would come to his inn, and sit at one of his tables Yannick is devastated by what he has done, and resolves to make things right. But in so doing he makes a surprising discovery."
Revered and misunderstood by his peers and lauded by later generations as the father of modern art, Paul Cézanne (1839-1906) has long been a subject of fascination for artists and art lovers, writers, poets, and philosophers. His life was a ceaseless artistic quest, and he channeled much of his wide-ranging intellect and ferocious wit into his letters. Punctuated by exasperated theorizing and philosophical reflection, outbursts of creative ecstasy and melancholic confession, the artist’s correspondence reveals both the heroic and all-toohuman qualities of a man who is indisputably among the pantheon of all-time greats. This new translation of Cézanne’s letters includes more than twenty that were previously unpublished and reproduces the sketches and caricatures with which Cézanne occasionally illustrated his words. The letters shed light on some of the key artistic relationships of the modern period—about one third of Cézanne’s more than 250 letters are to his boyhood companion Émile Zola, and he communicated extensively with Camille Pissarro and the dealer Ambroise Vollard. The translation is richly annotated with explanatory notes, and, for the first time, the letters are cross-referenced to the current catalogue raisonné. Numerous inaccuracies and archaisms in the previous English edition of the letters are corrected, and many intriguing passages that were unaccountably omitted have been restored. The result is a publishing landmark that ably conveys Cézanne’s intricacy of expression.
Drawing was central to Cézanne's indefatigable search for solutions to the problems posed by the depiction of reality. Many of his watercolours are equal to his paintings, and he himself made no real distinction between painting and drawing. This book's six chapters are arranged thematically covering the whole range of Cézanne's oeuvre: works after the Old Masters such as Michelangelo and Rubens; his period as one of the Impressionists; his exploration of both portraiture and the human figure, including the magnificent bathers; his interaction with landscape, particularly in his native Provence and the dominating form of Mont Sainte-Victoire; and finally the magisterial still lifes. In the Introduction, as well as throughout the book, Lloyd sets the drawings and watercolours in the context of Cézanne's life and overall artistic development. The result is a greater understanding of the process that led to some of the most absorbing art ever produced.
The Bloomsbury circle has long preoccupied writers, critics, and the general public alike. For many years its focal point was Charleston Farmhouse in Sussex, home to Vanessa and Clive Bell and Duncan Grant. A Cézanne in the Hedge brings together thirty firsthand reminiscences of the Charleston, vividly and amusingly evoking its creativity—and eccentricity. Childhood memories from Quentin Bell, Angelica Garnett, and Nigel Nicholson are interspersed with appraisals of the work of Bloomsbury members such as Roger Fry, Maynard Keynes, and Virginia Woolf and of their contribution to twentieth-century British art and thought. The finale is a childhood spoof written by Virginia Woolf entitled "A Terrible Tragedy in a Duckpond."
After Cézanne is a sequence of 56 poems exploring the life and work of the post-impressionist painter Paul Cézanne, with 26 full colour reproductions of his paintings. Reimagining his friendships with Zola and Pissarro, his impact on Matisse and Picasso, Maitreyabandhu celebrates Cézanne's work in poems at once tender, urgent and amused.
A major biography--the first comprehensive new assessment to be published in decades--of the brilliant work and restless life of Paul Cezanne, the most influential painter of his time, whose vision revolutionized the role of the painter.
Published in 2017 in Great Britain by National Portrait Gallery Publications, London.