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Excerpt from The Art of Cezanne The problem of the observer is to recognize this individuality and to share the values communicated in and through it. He must be able to identify plastic form when he encounters it in a picture, that is, to distinguish between an organic union of insights won by personal experience, and plastic clichés assembled according to a stereotyped formula. He must, in brief, learn to see, and the process is long and arduous, involving as it does constant practice in the sharpening of perceptions of color, of the play of light and shadow, of the sequence and rhythm of line and mass, of the inter relationships between these factors that endow each of them with meaning. It requires a knowledge of the traditions of painting and of the technical means by which the artist works. Competently applied, the process yields results inaccessible to casual or un trained observation, and when guided by scientific method it de velops an objective criterion or standard of judgment of the same order of certitude as the findings of pure science. Our efforts to apply the scientific method to a study of Cé zaune's work has required a detailed examination of his technique and form, as they emerged throughout the course of his develop ment. The investigation began twenty-five years ago, and by 1925 had reached a stage that seemed to warrant publication of a sec tion, entitled The Development of Cézanne's Technique, in the first edition of our book The Art in Painting. 1 This chapter was omitted from subsequent editions because continued study of a steadily increasing number of Cézanne's pictures showed the data upon which it was based to have been inadequate. Our study, as presented herewith, amplifies the earlier investigation by including the significant findings of detailed analyses of practically all of Cézanne's important paintings, from the beginning to the end of his career. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Since Cezanne With anyone who concludes that this pre liminary essay is merely to justify the rather appetizing title of my book I shall be at no pains to quarrel. If privately I think it does more, publicly I shall not avow it. Historically and critically, I admit, the thing 18 as slight as a sketch contained in five and-thirty pages must be, and certainly it adds nothing to what I have said, in the essays to which it stands preface, on aesthetic theory. The function it is meant to perform - no very considerable one perhaps - is to justify not so much the title as the shape of my book, giving, in the process, a rough sketch of the period with certain aspects of which I am to deal. That the shape needs justification is attributable to the fact that though all, or nearly all, the component articles were written with a View to making one volume, I was conscious, while I wrote them, of dealing with two subjects. Sometimes I was discussing current ideas, and questions arising out of a theory of art at others I was trying to, give some account of the leading painters of the contemporary movement. Sometimes I was writing of Theory, sometlmes of Practice. By means of this preface I h0pe to show Why, at the moment, these two, far from being distinct, are inseparable. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Paul Cezanne Cezanne, Gauguin, Seurat and Van Gogh. First Loan Exhibition, November 1929. New York, 1929, Museum of Modern Art. Foreword by Alfred H. Barr, Jr. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Paul Cezanne: His Life and Art In his letter to me of July 28, 1922, M. Vol lard asked me to mention the fact that the re productions which appear in this volume have been selected by him especially for this edition and have never appeared elsewhere. The orig inal photographs are the personal property of M. Vollard, and M. Paul Cezanne Jr. Has ap proved of the author's choice. If the reader will bear in mind that Cezanne's success almost wholly depended on the author of this book, he will have a keener interest in M. Vollard than as a biographer of the great French artist. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Paul Cézanne Deux Août! La corrida n'aura pas lieu! C'est la guerre! Les Italiens ont pris les devants; et, lampions au bout des perches, ils défilent. Mâles accents et chants alternés. On a l'impression que tout le Midi se lève, va parcourir d'une traite les interminables kilomètres qui le séparent de la frontière agressive. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Platzman's accessible and richly illustrated book examines the stylistic development of Czanne's self-portraits in an effort to understand how the artist saw himself and others. 111 b&w & 82 color illustrations.
Excerpt from Camille Pissarro L'histoire de Camille Pissarro est celle de tous les Impressionnistes de marque, de Monet, de Sisley, de Renoir, de Cézanne, etc., de cette poignée de peintres qui, rompant un jour avec les méthodes cou rantes, sont-allés a la nature comme à la source première, intarissable et méconnue de tous les arts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This eBook features the unabridged text of ‘Reprinted Pieces’ from the bestselling edition of ‘The Complete Works of Charles Dickens’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Dickens includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Reprinted Pieces’ * Beautifully illustrated with images related to Dickens’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
This book gathers the commentary of people who knew the painter Paul Cezanne, especially in his later years. Now seen as one of the most influential of modern painters, in his 40s he returned to his village of Aix-en-Provence where, he worked in near obscurity and with great dedication until his death in 1906.