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This very intresting compilation, written by the son of he first photographer and journalist of Ceylon, is of the various important dates in the history starting with the advent of the Portuguese in 1505. Its goes on to cover the Dutch period in a short cap to reach the copious section of the British period that commenced in 1795 and continues till the authors time of compiling in the 1920 s. Although the eras of the Portuguese and Dutch are over in a few pages. The record of the events of the British stretch over 125 pages. Another wonderful part of this book is 442 short notes on the places, people, history, scandals, poetry, celebrations, arrival of ships that make the book interesting to those who know Jaffna only by name.
The author includes his own and his father's experiences and impressions of the people they have met. The work also includes biographical anecdotes and sketches.
What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org.
Arising initially from a conference, the papers published here have been integrated into book form to provide information on human activities and the tropical rainforest in the past and present, and on the possible future of the rainforest, in a unique way. Other books have considered some, but not all, of these themes; however, none has stressed the continuity of change over time and its possible outcome for the people of the forest as well as for the forest itself. Because of the approach taken, this book should appeal across traditional disciplinary boundaries. Indeed a prime aim has been to suggest that rainforest, because of its complexity and the complexity of people-rainforest relationships throughout time, deserves study from a broad perspective. This book poses more questions than answers about the rainforest and it is hoped that it will encourage readers to think about the rainforest in a wider way than hitherto. This book is aimed at geographers (physical and human), social anthropologists, archaeologists, pedologists, foresters and tropical botanists and will be of value to graduates of various disciplines setting out to research the rainforest.
This book considers issues of social and ecological significance through a masculinities lens. Earth – our home for aeons – is reeling. The atmosphere is heating up, causing reefs to bleach, fisheries to collapse, regions to flood and dry, vast tracts to burn, the polar ice caps to melt, ancient glaciers to retreat, biodiversity to decline exacerbated by the sixth great extinction, and more. Meanwhile, social and economic disparities are widening. Pandemics are cauterising glocal communities and altering our social mores. Nationalism is feeding divisiveness and hate, especially through men’s violence. Politically extreme individuals and groups are exalting freedom while scapegoating the marginalised. Such are the symptoms of an emerging (m)Anthropocene. This anthology contends with these alarming trends, pointing our attention towards their gendered origins. Building on our monograph Ecological Masculinities: Theoretical Foundations and Practical Guidance (2018), this collection of essays is framed as a dinner party conversation grouped into six discursive themes. Their views reflect a growing community of practice, whose combined efforts capture the most recent perspectives on masculine ecologisation. Together, they aim to help create a more caring world for all, moving the ecological masculinities conversation forward as it becomes an established, international, and pluralised field of study.